Art history.
Overview
| Works: | 301 works in 0 publications in 0 languages | |
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Titles
After the Disaster : = Architecture and Ruination in Twentieth-Century Japan.
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From Portrait to Landscape : = Art Against Objects / Art Beyond Culture.
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Transatlantic Connections : = Reconsidering the Outcomes of the Arts and Crafts Movement Through the Women's Experience, Britain and the United States, 1860-1920.
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Modern Gender Politics : = The Pre-Raphaelite Legacy of Evelyn De Morgan.
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On Currents : = How to Inscribe Patterns of the Pacific in Contemporary American Art History.
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Viennese Japonismus and Modern Allegory in the Work of Gustav Klimt.
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Monasteries, Mountains, and Maṇḍalas : = Buddhist Architecture and Imagination in Medieval Eastern India.
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A Modern Antimodern : = Yves Bonnefoy's Critique of 20th-Century Art.
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The Intersection of Islam and African Material Culture : = An Examination of Qur'ans From 18th and 19th Centuries West Africa = تقاطع الإسلام والثقافة المادية الأفريقية: دراسة للقرآنات من غرب أفريقيا في القرنين الثامن عشر والتاسع عشر.
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Breaking Chains, Forging Beauty : = Redefining African Jewelry Design Through the Work of Emefa Cole and Ami Doshi Shah.
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Exploring the Emergence and Development of Cutting Practices in Contemporary Art.
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The History of Silk in Calabria, Italy and the Future of Artisan Craftsmanship.
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Creativity, Attraction, and Rhythm : = Aesthetic Experience in the Sociology of Culture.
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"More Than Aesthetics' : = A Historical Trajectory of Tibetan Art Acquisition, Exhibition Narratives, and Artistic Partnerships in Anglo-Western Museums Since 1904.
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Crafting Marriage in Afterlife : = Art, Gender, and Power in Tang China, 618-907 C.E.
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Sacred Space, Relics, and Performance : = The Chapel of the Virgin Mary, Karlstein Castle.
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Afrekete's Touch : = Black Queer Feminist Errantry and Global African Art.
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Metamorphosis of Hope : = A Ceramic Journey Through Imagination and Wonder.
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Nature Acts as Our Teacher : = Minangkabau Art World Making in Indonesia.
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Ceramic Forms : = A Synthesis of Art Nouveau, Art Deco, and Abstract Expressionism.
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Gamers' Relationships With Their Avatars & Fanfiction : = An Exploration of Player-Avatar Relationships Through a Digital Project.
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Cultural Translation and Museum Exhibitions : = A Case Study of Modern Korean Art at the Los Angeles County Museum of Art.
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Pergamon's Athena Parthenos : = Questions of Greek Identity and the Impact of Ancient and Modern Display.
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Arches & Memory : = A Diachronic View of Roman Material Culture.
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Business, Leisure, and Piety : = Animal Motifs in the Floor Mosaics at the Villa of Piazza Armerina.
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Christ Pantocrator : = God, Emperor, and Philosopher the Byzantine Iconography of Christ.
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Political and Cultic Landscapes in the Northeast Mediterranean, CA. 1175-675 BCE : = Institutional Change and Identity Making.
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Black American Culture and the Digital Landscape : = Modern Heritage Challenges in the 21st Century.
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Breaking Bread : = Piety, Poverty, and Praxis in Tintoretto's Last Suppers.
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Beholding the Numinous : = A Journey of Awakening, Individuation, and Self-Realization.
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Illustrated Manuscripts and Lithographic Books in Dialogue : = Firdawsi's Shahnama in Nineteenth-Century Iran.
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More Than Military : = Decolonial Approaches to Defensive and Militaristic Architecture in Colonial Mexico.
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Rendering Bodies : = The Abattoir in Modern Art and Photography.
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The Noahic Pattern in Nicolas Rolin's Patronage : = Jan Van Eyck's Rolin Virgin and Rogier Van Der Weyden's Beaune Altarpiece.
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Art That Is Not So New : = Tracing Aesthetics and Thematic Elements of the Pre-Raphaelites, Arts and Crafts, and Art Nouveau Movements.
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Between Theory and Practice : = American Color Photography, 1950-76.
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Queer Ways of Seeing Queer Ways of Depicting : = Ellsworth Kelly's Afterlives and the Liberatory Burden of Modernist Formalism.
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Louise Rosler's Die Strasse : = Subjectivity as Existential Debate in 1950s West German Art.
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Queer Visual Culture in Nineteenth-Century Paris : = Intersex, Genderqueer, and Lesbian Representations in the Archives.
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Wounded : = The Materialization of Pain and Violence in the Artwork of Doris Salcedo and Ana Mendieta.
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Ledger Art : = Cultural Continuity, Cultural Hybridity, Agency, and Impact of Contemporary Art Galleries.
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How Can Art Practice Provide a Rebalancing and Re-Evaluation of the Canonic Legacy of Kurt Schwitters?
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The Gilded Tropics : = Winslow Homer and John Singer Sargent in Florida, 1886-1917.
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Glimpses of the USA : = The Domestic Image-Worlds of the Late 1950s.
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"I Paint People to Learn to Know Them" : = Issues of Identity in Suzanne Valadon's Depictions of the Female Nude.
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Multiple Possibilities for the Realization of Immersive Worlds.
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Reimagining Mary Cassatt : = Visual Inscriptions of Gender, Grief and Care.
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Three Minority Colorists in Washington, D.C., 1950-1980 : = Morris Louis, Alma Thomas, and Sam Gilliam.
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The Beginning of Wisdom : = Imagining Fear in French Romanesque Portal Sculpture c. 1080-1140.
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Settler Campus : = Racial Uplift, Free Labor, and Land Tenure in American Design Education, 1866-1929.
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Ke hua shi ba shi ji Zhong Fa yi shu jiao hui : = Zhongguo feng she ji tu ce yan jiu = Engraving the Art Encounter between China and France in Eighteenth Century : A Research on Livres de Dessins Chinois.
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American artists' frames : = Paintings, environments, and viewers, 1860-1920.
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Memorial Housekeeping : = Cleaning Up as Curation in the Familial Media Archive.
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Queering the Museum : = Utopian Futurity in Contemporary Exhibitions.
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Artistic Organizations. Joseph Beuys' Claim : = An Expanded Concept of Argument.
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Alina Szapocznikow : = Sculpture Between Dreams and Daily Work.
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The Axe and the Lens : = Photography and the Big Trees of the American West 1860-1920.
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A Polyvalent Reading of the Rolin Madonna and Child by Jan Van Eyck.
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Cross-domain Image Analysis Approaches Towards Segmentation of Placenta Photos and Pictorial Realism Study of Paintings.
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The Photographer Under Pressure : = Nakahira Takuma as a Body in the World, 1968-1977.
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Ernest Hemingway : = The Sustainable Effect of Creative Writing as a Therapeutic Technology Infused by Cubism.
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Richard Wagner's Visual Worlds : = The Gesamtkunstwerk and the Spectacle of Empire.
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Religion, Rhetoric, and Representation : = Portraits of Women During France's Grand Siecle.
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Articulate Furnishings : = German Cabinetmakers and the Construction of Elite Experience and Intellectual Culture, 1550-1650.
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Tangible Women : = Marble Sculptures of Female Saints in Seventeenth-Century Rome.
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Una Criatura Racional : = Scientific Discourse and Female Participation During the Spanish Enlightenment.
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How Can One Be Happy? Conteuses' Lessons on Proper Conduct and Mentality in the Court Society of Louis XIV.
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Constructing an Architectural Model of Music : = A Comparative Study of Beethoven's Ninth Symphony and Van Alen's Chrysler Building.
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Devotion and Difficulty : = The Performance of the Breviary of Saint-Sepulcre.
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No One a Stranger : = Everyday Venetian Life in Anglo-American Visual Culture, 1866-1900.
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Queer Bodies in Eikoh Hosoe's Photo Books : = on Collaborations with Yukio Mishima, Tatsumi Hijikata, and Shimon Yotsuya.
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The City's Pleasures : = Urban and Visual Culture of Garden Spaces in Shanghai, 1850s-1930s.
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Living Stones : = Sculpted Foliage in Gothic Architecture, C.1140-1300.
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Ethiopia in Focus : = Photography, Nationalism, Diaspora, and Modernization.
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Antique Picture Frames : = A Historical Overview and Market Analysis.
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Integrating Technology with Art History for Middle School Art Education.
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Artistic Engagement With Monadnock : = A Hermeneutic Phenomenological Study.
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Making a tradition of modern art : = The case of Jean-Francois Millet.
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Picturing the afterlife : = The Shojuraigoji Six Paths scrolls and salvation in medieval Japan.
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Reimagine Domestic Voice Assistants : = Speculating About Future Scenarios.
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The Making of Shen Nanpin (1682-Ca. 1760) : = Painting, Collecting, and Canonizing in Japan and China.
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Xian dai feng jing de guan guang zhuan yi : = Taiwan ri zhi shi qi mei shu zuo pin zhong de guan guang di jing yu lu you = Sightseeing Translations of Modern Landscapes : Tourism Landscapes and Travel in Artwork Under Japanese Colonial Rule in Taiwan.
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From Tradition to Modernity : = Craftsmanship of Four Treasures of the Study and the Evolution and Development of Painting Techniques = Cong chuan tong dao xian dai : shu fang si bao de gong yi yu hui hua ji fa de yan bian yu fa zhan.
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Chuan tong ke jia guan shen zhai di de cai hui yu diao su : = Zhubei Liujia Lin Xiankun jia zu yu Taoyuan Daqi Li Tengfang jia zu zhi bi jiao yan jiu = Paintings and Sculptures in Traditional Hakka Mansions : A Comparative Study of the Lin Xiankun Family of the Six Families in Zhubei and the Li Tengfang Family in Daxi, Taoyuan.
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Los Ojos de Chavez : = The Gaze and Venezuelan National Identity.
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God of Confusion? : = An Examination of the Egyptian God Seth in New Kingdom Expressions of Royal Ideology.
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Looking South : = The Increased Visibility of Modern Latin American Art.
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Max Weber's Theory of Rationality and the Messaging of Soviet and American Cold War Space Programs.
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"Fair-Ankled" Korai : = Feet, Footwear, and a Reconsideration of Stylistic Progression in the Art of Ancient Greece.
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"A Free Woman... Carved from Life" : = Uncovering the Embodied Lived, Networks, and Identities in the Bust of Nora August.
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The Interiorization of Reality : = Subjective Turn, Therapeutic Governance, and the Case of Internet Addiction in China.
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Designing Physical Spaces for Digital Objects : = Creating a Display for Augmented Reality, Centered around the Interpretation of Paleolithic Art.
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Metamorphic Medium : = Materializing Silver in Modern China, 1682-1839.
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Arts, Leisure, and the Construction of "Gentlemanly" (Shi 士) Identities in 7th-14th Century China.
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Paths to Paradise : = Buddhist Heavens and Pure Lands in Early Medieval China (3rd- to 6th Century).
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The Ming's Cosmopolitan Beginnings : = Painting and Pictorial Art in Yingtian, 1368-1421.
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Visual Forms of Canonical Interpretation in Song China (960-1279).
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Between Virtual and Real : = A New Architecture of the Mogao Caves (Dunhuang, China), 781-1036 CE = Ji zhen yi huan : Dunhuang shi ku jian zhu de Tang Song zhi bian.
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Global Contemporary Art by Way of Chinatown : = Chinese American Art in New York City, 1970-2000.
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Unrolling Histories : = The Material Practices and Social Life of the Handscroll Culture in Mid-Ming Suzhou.
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Collaboration and Achievement : = Wang Hui and His Artistic Exchange with Yun Shouping.
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Dynamic Worship : = Material Technologies and Liturgical Experience in Late Roman Italy (4th & 5th c. CE).
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Seeing Visions With the Prophet : = Toward an Iconographic Hermeneutic of Joel.
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The Art Education of Recklessness : = Thinking Scholarship through the Essay.
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Images of Masculine Women in Chinese Print Media (1920s-1940s).
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Rights and Reproductions? : = Commercial Photography and Copyright Law in the United States, 1884-1909.
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'You must make it the fashion:' selling utopia in Roycroft and Arden, 1895-1915.
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Important 20th Century Art Glass : = The Untold Story of the Sturdy-Lange Company.
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Challenging boundaries: = The history and reception of American studio glass 1960 to 1990.
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Conflict and consonance : = A study of two traditions in the history of modern craft.
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Unstable ground : = Photography books and the modern landscape, 1938--1975.
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You are What You Read : = Participation and Emancipation Problematized in Habacuc's "Exposicion #1".
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King of the Renaissance : = Art and politics at the Neapolitan court of Ferrante I, 1458-1494.
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Global Luxuries at Home : = The Material Possessions of an Elite Family in Eighteenth-Century Minas Gerais, Brazil.
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Revealing the Connections between Life and Art : = Ceramic Artist Davis Shaner's Place in Ceramics History.
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Marina Abramovic : = Narrowing the Gap Between Artist and Viewer.
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Museums without Walls : = Smarthistory and the Google Art Project---A Mission Possible Prophecy.
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Towards a Definition of Visual Artists' Archives : = Vera Frenkel's Archives as a Case Study.
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Expansionism at The Frick Collection : = The Historic Cycle of Build, Destroy, Rebuild.
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The gooey, the bloody, and just plain gross : = Exploring art and visual culture with an abject visual methodology.
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Shadows and Light : = Seeing Senescence in British and American Genre Painting, ca.1850-1910.
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Embodied paradox : = Taxidermy and contemporary art, 1990-present.
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Lore of the Studio : = Van Dyck, Rubens, and the Status of Portraiture.
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Dedication and Display of Portrait Statues in Hellenistic Greece : = Spatial Practices and Identity Politics.
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The Meanings of Duccio's Maesta : = Architecture, Painting, Politics, and the Construction of Narrative Time in the Trecento Altarpieces for Siena Cathedral.
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Guerrilla Tactics : = Performance Art and the Politics of Identity in American Visual Culture, 1967-1983.
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Plastic / Explosive : = Claude Cahun and the Politics of Becoming Otherwise.
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Ready to blow your mind : = Andy Warhol's exploding plastic inevitable.
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Objects and Their Subjects : = Art, Power, and the Making of History in Modern Japan and Europe.
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Reconceiving Childhood : = Women and Children in French Art, 1750-1814.
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From Egg to Oil : = The Early Development of Oil Painting during the Quattrocento.
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Up you mighty people, you can what you will! Elma Lewis and her School of Fine Arts.
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Stuart Davis's early theoretical writings, 1918-1923 : = Realism, Cubism, and Dada.
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Excavating Contemporary Beauty : = Citations of Ancient Greek Art in the Works of Fred Wilson, Yves Klein, and Jeff Koons.
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Yinka Shonibare : = Post Colonial Discord and the Contemporary Social Fabric of 2017.
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Textual Hijacking : = Strategies of Resistance and Reclaiming the Objectified Woman in Balzac, Baudelaire, and Degas.
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Reassembling Symbolic Japan : = Contemporary Painting, Politics and the Negotiation of War Memory.
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Vulgar Grandeur : = Literature and the American Monument During the Long Nineteenth Century.
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Soft Circuitry : = Methods for Queer and Trans Feminist Maker Cultures.
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The Good Look : = Victorian Visual Ethics and the Problem of Physical Difference.
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The 'Man Ray School of Photography' : = Reviewing Surrealism in Fashion Photography of the 1930s.
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Canonizing Modernism : = An Avant-Garde Legacy in France's Sacred Art Movement, 1937-1958.
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Understanding How Perceptions of Identity and Power Influence Student Engagement and Teaching in Undergraduate Art History Survey Courses.
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Bodies of Knowledge : = Fuseli and Girodet at the Turn of the Nineteenth Century.
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Emotional Synergy : = The Transcendent Experience of Abstract Expressionism in the Color Field Work of Mark Rothko.
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Adopted Personalities : = Exploring Freedom, Creativity and Feminism through the Art of Annette Messager.
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Lauretta Vinciarelli in Context : = Transatlantic Dialogues in Architecture, Art, Pedagogy, and Theory, 1968-2007.
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The Writer's Art : = Tao Yuanqing and the Formation of Modern Chinese Design (1900-1930).
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Pulses of abstraction : = Episodes from a history of animation.
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Panorama, power, and history : = Vasari and Stradano's city views in the Palazzo Vecchio.
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Egypt in Empire : = Augustan Temple Art and Architecture at Karnak, Philae, Kalabsha, Dendur, and Alexandria.
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Juxtaposing Brushes : = Painting Collaborations in Early Modern Japan.
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Painting in Between : = Gender and Modernity in the Japanese Literati Art of Okuhara Seiko (1837-1913).
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A Great Tradition in Transition : = The Life and Art of Wang Yin (ca. 1831 - ca. 1900) in Late-Nineteenth-Century Shanghai.
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Muqi : = A study of the stylistic transmission of Chan painting from China to Japan.
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Eros and the Materialism of the Rococo : = Francois Boucher, Print Culture, and Modernity.
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Qian Du (1763-1844) and the senses in early nineteenth-century Chinese literati painting.
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Woven Paintings, Woven Writing : = Intermediality in Kesi Silk Tapestries in the Ming (1368-1644) and Qing (1644-1912) Dynasties.
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Painting Authenticity : = Intersections in the Lives and Art of Zhang Yu, Huang Gongwang, and Ni Zan.
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Female Book Owners in the Valois Courts, 1350--1550 : = Devotional Manuscripts as Vehicles for Self-Definition.
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Individual encounters with painting and poetry : = Duncan Phillips, Mark Rothko, and Lawrence Ferlinghetti.
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'Poisoning the Viewer' : = The Status of Drama and Dramatists, Paintings and Painters in Renaissance England.
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Political and ritual usages of portraits of Japanese emperors in eighteenth and nineteenth centuries.
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Art And The Ordinary : = Literary And Visual Constructs Of The Mundane.
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Meaning and Art : = A Study in the Convergence of Text, Image, and Object.
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Art's Impact on the Design World : = How William Morris's Ideology Bridged the Gap from the Industrial Revolution to Art and Design Movements of the Early Twentieth Century.
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The French Modern State Realizing the Shift in Architecture, Art, and Society in the 19th Century.
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From Functionality to Aesthetics : = Palbo Picasso (1881-1973) and Peter Voulkos (1924-2002).
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Kindred Spirits : = Communal Making and Religious Revival in Arts and Crafts Movements, 1870-1920.
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Financial Challenges of New Media Art in Contemporary Arts Institutions.
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Your Art Here : = Print Advertisements and Contemporary Art, 1964 - 1974.
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Made in China : = Chinese export art and its European reception in the seventeenth century.
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Embracing In-Betweenness : = New Stage in Contemporary Chicana Art.
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Transcribing Likeness : = A Study of Emerging Visual Vocabularies from Ottoman Early Modernity.
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The Gendered Gaze : = Analysis of Three Nineteenth-Century French Prints.
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Writing Diversity, Interplaying Difference : = Wang Duo's Assorted Scripts for Yugu.
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Umberto Boccioni's Unique Forms of Continuity in Space : = How Materiality Obfuscates Originality, Intent, and Ethics.
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Athena and Herakles a Divine Couple? The Use Of Ancient Sexual Artistic Conventions In Context.
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"Eternal Sunlight" of 1909 : = Examining the Appeal of Joaquin Sorolla's First U.S. Exhibition.
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Sites of New Media Art : = Using the Internet to Explore Touch, Sociality, and Preservation.
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Sanctifying Memory : = Religion and Performance in Colombia's First Wave of Memorial Works.
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Giovanni Morelli : = Comparative Anatomy, the "Science" of Attribution, and Racialism.
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Restitution of African Art Looted during the Colonial Era : = Restitution and Resistance within the Art Market and Its Institutions.
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Zurich in Paris? : = Dada Performance from the Cabaret Voltaire to Relâche.
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We Had Faces : = Morisot, Self-Portraiture, and the Female Face in Nineteenth-Century Art.
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Caravaggio : = Perception Shifts Through Selected Twentieth- and Twenty-first Century Museum Exhibitions.
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From Deng to the Bird's Nest : = A Generation of Chinese Collectors Finds Its Voice.
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Fashion Photography and Film : = A Discussion of Contemporary Fashion Based Art Practices.
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Museums in the Construction of National Identity in Twentieth Century Mexico and Turkey.
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Optics of American Empire : = James Ricalton and Stereoscopic Ethnography in Early Twentieth Century India, 1888-1907.
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In Search of the City : = Power, Identity, and Narratives of Urbanization from Stendhal to Zola.
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Representing Rivalry on the Eve of Revolution : = Adelaide Labille-Guiard's Portrait of Madame Adelaide and Elisabeth Vigee-Lebrun's Portrait of Marie Antoinette with Her Children.
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Capturing Burma : = Reactivating Colonial Photographic Images Through the British Raj's Gaze.
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Aristotle's Ethics in the Stanza Della Segnatura : = The Activation of the Soul of Pope Julius II.
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Displaying Difference : = Queer Exhibition Practice in the United States, 1988-2011.
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Dante and Doctrinal Debates : = Nardo di Cione's Inferno Fresco in the Santa Maria Novella Church.
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The Appeal of Lemons : = Appearance and Meaning in Mid Seventeenth-Century Dutch Paintings.
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Fred Wilson's Mixed Metaphors : = The Politics of Museums in the Late Twentieth Century.
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Boxed In : = Transcultural Practice in the Works of Nineteenth-Century Haudenosaunee Artists.
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Building the Body of Christ : = Ecclesiastical Art, Architecture, and Identity Formation in Late Antique Italy, 350-450 CE.
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Costuming the (Post)Colonial : = How to Blow Up Two Heads at Once (Ladies) and the Contemporary Atelier of Yinka Shonibare MBE.
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Bundles and Bloodletting : = An Analysis of Women's Ceremonial Performance Roles in Classic Maya Art.
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Between New York and the Andes, Abstraction and Indigenismo : = Camilo Egas's Paintings from the 1940s and 1950s.
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Fighting against Indigenous Stereotypes and Invisibility : = Gregg Deal's Use of Humor and Irony.
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An Enigmatic Bodegon : = Discovering a Possible Identity of Murillo's Two Women at a Window.
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(Language materials, manuscript)
Dancing with Delusion : = An Analysis of Alex Da Corte's Immersive Installations.
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(Language materials, manuscript)
Reconsidering Everyday Life Photography (Saenghwalchuui Sajin) in South Korea in the 1950s and 1960s.
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(Language materials, manuscript)
This Is Not a Painting : = Post Modernism and Painting : For the Humanity.
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(Language materials, manuscript)
A Reflection of Desire : = The Collaborative Relationship of Marcel Moore and Claude Cahun.
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(Language materials, manuscript)
The Homoeroticism of the Orient : = The Works of Jean-Leon Gerome and the Global Homoerotic Art Trade.
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(Language materials, manuscript)
Art on the Internet and the Digital Public Sphere, 1994 - 2003.
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(Language materials, manuscript)
The Known Unknown : = Mapping Ignorance in the Age of Discovery.
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(Language materials, manuscript)
Treasures and Splendors : = Exhibiting Colonial Latin American Art in U.S. Museums, 1920-2020.
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(Language materials, manuscript)
Cinemascapes : = Cinematic Sublimity and Spatial Configurations -- or -- Learning from Los Angeles.
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(Language materials, manuscript)
Collaborations between Visual Artists and Musicians in the Age of Celebrity.
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(Language materials, manuscript)
Picturing the System : = Counter-Institutional Practices in British Art of the 1970s.
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(Language materials, manuscript)
The Unique Late Byzantine Image from the Epic of Digenis Akritas : = A Study of the Dado Zone in the Church of the Panagia Chrysaphitissa.
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(Language materials, manuscript)
A Humanitarian Monster : = Mizuki Shigeru and Manga as Cultural Redemption.
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(Language materials, manuscript)
The Depiction of Spatial Experience in Early Medieval Gospel Books, 787-814 CE.
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(Language materials, manuscript)
Seeing the Sacred : = Daoist Ritual, Painted Icons, and the Canonization of a Local God in Ming China.
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(Language materials, manuscript)
Fantastic Beasts of the Eurasian Steppes : = Toward a Revisionist Approach to Animal-Style Art.
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(Language materials, manuscript)
The Art of War : = The Creation of the Type A and B Sword During the Aegean Bronze Age.
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(Language materials, manuscript)
Anselm Kiefer and W. G. Sebald : = Intersecting Approaches to German History.
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(Language materials, manuscript)
The Sickly Female Body in Edvard Munch's The Dance of Life (1899--1900).
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(Language materials, manuscript)
Art, Affect, and Materiality in the Construction of Collected Counter-Narratives : = Three Case Studies in Contemporary Art.
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(Language materials, manuscript)
Consuming Surrealism in Modern Mexican Advertising : = Remedios Varo's Pharmaceutical Illustrations for Casa Bayer, S.A.
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(Language materials, manuscript)
Engendered Modern the Urban Landscapes of Georgia O'Keeffe, Florine Stettheimer, and Bernice Abbott.
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(Language materials, manuscript)
Trading in Notions of Native : = Tourist Art and Authenticity at Cameron Trading Post.
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(Language materials, manuscript)
Minimalist Paintings of Agnes Martin : = A Spiritual Experience Disguised as a Simple Grid.
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(Language materials, manuscript)
How a Successful Collecting Society Can Transform an Art Museum : = A History of the Georgia Welles Apollo Society at the Toledo Museum of Art.
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(Language materials, manuscript)
Economizing Heritage Tourism and Providing Legislative Protection : = Shekhawati, Rajasthan and the Future of the Havelis.
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(Language materials, manuscript)
Treatises of Art in 15th and 16th-century Italy : = Contributions to the Intellectual Emancipation of Art = Trattati artistici in Italia fra Quattrocento e Cinquecento: contributi all'emancipazione intellettuale dell'arte.
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(Language materials, manuscript)
Preservation's Erasure : = Challenging the Popular Reception of Richard Misrach's Desert Cantos of the 1980s.
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(Language materials, manuscript)
In the New Body : = Simone Forti's Dance Constructions (1960-61) and Their Acquisition by the Museum of Modern Art (MOMA).
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(Language materials, manuscript)
Migrating Subjects : = The Problem of the "Peasant" In Contemporary Chinese Art.
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(Language materials, manuscript)
Reverse Engineering of Ancient Ceramic Technologies from Southeast Asia and South China.
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(Language materials, printed)
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