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The 'Man Ray School of Photography' ...
~
Arizona State University.
The 'Man Ray School of Photography' : = Reviewing Surrealism in Fashion Photography of the 1930s.
Record Type:
Language materials, manuscript : Monograph/item
Title/Author:
The 'Man Ray School of Photography' :/
Reminder of title:
Reviewing Surrealism in Fashion Photography of the 1930s.
Author:
Xepoleas, Lynda May.
Description:
1 online resource (89 pages)
Notes:
Source: Masters Abstracts International, Volume: 57-05.
Subject:
Art history. -
Online resource:
click for full text (PQDT)
ISBN:
9780355929881
The 'Man Ray School of Photography' : = Reviewing Surrealism in Fashion Photography of the 1930s.
Xepoleas, Lynda May.
The 'Man Ray School of Photography' :
Reviewing Surrealism in Fashion Photography of the 1930s. - 1 online resource (89 pages)
Source: Masters Abstracts International, Volume: 57-05.
Thesis (M.A.)--Arizona State University, 2018.
Includes bibliographical references
In the 1930s, several key fashion photographers were practicing Surrealists: Man Ray, Georges Hoyningen-Huene, Horst P. Horst, Cecil Beaton, and Erwin Blumenfeld. Each photographer explored surrealist-influenced fashion photography and drastically changed the way fashion was seen in the pages of Harper's Bazaar and Vogue magazine. While scholars believe the assimilation of surrealist aesthetic devices in fashion photography commercialized Surrealism during the thirties, such photographic output has yet to be assessed in relation to surrealist thought and practice. This thesis argues that Ray, Hoyningen-Huene, Horst, Beaton, and Blumenfeld did not photograph fashion in the surrealist style to promote desire for the commercial product. Instead, they created new pictures that penetrated, radicalized, and even destroyed conventions of mass culture from inside the illustrated fashion magazine.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018
Mode of access: World Wide Web
ISBN: 9780355929881Subjects--Topical Terms:
1180038
Art history.
Index Terms--Genre/Form:
554714
Electronic books.
The 'Man Ray School of Photography' : = Reviewing Surrealism in Fashion Photography of the 1930s.
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Reviewing Surrealism in Fashion Photography of the 1930s.
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Source: Masters Abstracts International, Volume: 57-05.
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Adviser: Claudia U. Mesch.
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Thesis (M.A.)--Arizona State University, 2018.
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Includes bibliographical references
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In the 1930s, several key fashion photographers were practicing Surrealists: Man Ray, Georges Hoyningen-Huene, Horst P. Horst, Cecil Beaton, and Erwin Blumenfeld. Each photographer explored surrealist-influenced fashion photography and drastically changed the way fashion was seen in the pages of Harper's Bazaar and Vogue magazine. While scholars believe the assimilation of surrealist aesthetic devices in fashion photography commercialized Surrealism during the thirties, such photographic output has yet to be assessed in relation to surrealist thought and practice. This thesis argues that Ray, Hoyningen-Huene, Horst, Beaton, and Blumenfeld did not photograph fashion in the surrealist style to promote desire for the commercial product. Instead, they created new pictures that penetrated, radicalized, and even destroyed conventions of mass culture from inside the illustrated fashion magazine.
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Electronic reproduction.
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Ann Arbor, Mich. :
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ProQuest,
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2018
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Mode of access: World Wide Web
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Art history.
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Arizona State University.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10792324
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click for full text (PQDT)
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