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The 'Man Ray School of Photography' ...

Arizona State University.

The 'Man Ray School of Photography' : = Reviewing Surrealism in Fashion Photography of the 1930s.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	The 'Man Ray School of Photography' :/
其他題名:	Reviewing Surrealism in Fashion Photography of the 1930s.
作者:	Xepoleas, Lynda May.
面頁冊數:	1 online resource (89 pages)
附註:	Source: Masters Abstracts International, Volume: 57-05.
標題:	Art history. -
電子資源:	click for full text (PQDT)
ISBN:	9780355929881

The 'Man Ray School of Photography' : = Reviewing Surrealism in Fashion Photography of the 1930s.
Xepoleas, Lynda May.

The 'Man Ray School of Photography' :Reviewing Surrealism in Fashion Photography of the 1930s. - 1 online resource (89 pages)

Source: Masters Abstracts International, Volume: 57-05.

Thesis (M.A.)--Arizona State University, 2018.

Includes bibliographical references

In the 1930s, several key fashion photographers were practicing Surrealists: Man Ray, Georges Hoyningen-Huene, Horst P. Horst, Cecil Beaton, and Erwin Blumenfeld. Each photographer explored surrealist-influenced fashion photography and drastically changed the way fashion was seen in the pages of Harper's Bazaar and Vogue magazine. While scholars believe the assimilation of surrealist aesthetic devices in fashion photography commercialized Surrealism during the thirties, such photographic output has yet to be assessed in relation to surrealist thought and practice. This thesis argues that Ray, Hoyningen-Huene, Horst, Beaton, and Blumenfeld did not photograph fashion in the surrealist style to promote desire for the commercial product. Instead, they created new pictures that penetrated, radicalized, and even destroyed conventions of mass culture from inside the illustrated fashion magazine.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780355929881Subjects--Topical Terms:

1180038
Art history.
Index Terms--Genre/Form:

554714
Electronic books.

The 'Man Ray School of Photography' : = Reviewing Surrealism in Fashion Photography of the 1930s.
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500 $a Source: Masters Abstracts International, Volume: 57-05.
500 $a Adviser: Claudia U. Mesch.
502 $a Thesis (M.A.)--Arizona State University, 2018.
504 $a Includes bibliographical references
520 $a In the 1930s, several key fashion photographers were practicing Surrealists: Man Ray, Georges Hoyningen-Huene, Horst P. Horst, Cecil Beaton, and Erwin Blumenfeld. Each photographer explored surrealist-influenced fashion photography and drastically changed the way fashion was seen in the pages of Harper's Bazaar and Vogue magazine. While scholars believe the assimilation of surrealist aesthetic devices in fashion photography commercialized Surrealism during the thirties, such photographic output has yet to be assessed in relation to surrealist thought and practice. This thesis argues that Ray, Hoyningen-Huene, Horst, Beaton, and Blumenfeld did not photograph fashion in the surrealist style to promote desire for the commercial product. Instead, they created new pictures that penetrated, radicalized, and even destroyed conventions of mass culture from inside the illustrated fashion magazine.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a Art history. $3 1180038
650 4 $a Fashion. $3 866133
655 7 $a Electronic books. $2 local $3 554714
690 $a 0377
690 $a 0200
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710 2 $a Arizona State University. $b Art History. $3 1186521
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