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Engendered Modern the Urban Landscapes of Georgia O'Keeffe, Florine Stettheimer, and Bernice Abbott.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Engendered Modern the Urban Landscapes of Georgia O'Keeffe, Florine Stettheimer, and Bernice Abbott./
作者:	Murray, Kristina Rose.
面頁冊數:	1 online resource (104 pages)
附註:	Source: Masters Abstracts International, Volume: 58-01.
Contained By:	Masters Abstracts International58-01(E).
標題:	Art history. -
電子資源:	click for full text (PQDT)
ISBN:	9780438308589

Engendered Modern the Urban Landscapes of Georgia O'Keeffe, Florine Stettheimer, and Bernice Abbott.
Murray, Kristina Rose.

Engendered Modern the Urban Landscapes of Georgia O'Keeffe, Florine Stettheimer, and Bernice Abbott. - 1 online resource (104 pages)

Source: Masters Abstracts International, Volume: 58-01.

Thesis (M.A.)--Temple University, 2018.

Includes bibliographical references

This thesis explores the dynamic relationship between artists Georgia O'Keeffe, Florine Stettheimer, and Berenice Abbott in relation to the growing urban landscape of New York City in the 1920s and 1930s. Previous scholarship has drawn parallels between these three artists' careers solely in terms related to their biography and gender identity rather than their work. In contrast, my project identifies a common formal subject that links an experimental phase in all three women's work, and explores the reasons these three individual creators found portraying the city to be an effective strategy for developing her own take on modernist style. Inspired by rapid development, each artist made work that shared her inventive vision of the city. Using visual analysis and historical context associated with the second wave of skyscraper construction as well as the second generation "New Woman" movement, I argue that each artist produced idiosyncratic art that makes sense of the rapidly morphing city surrounding them. Eschewing conventional gender expectations and traditional art historical narratives, the three artists tell visual stories that illustrate life in a modern urban city. Each woman's goals and artistic expectations differ, but they all share the struggle to achieve professionally despite systemic roadblocks placed before them by the male-dominated art world. With the city as their muse, they utilize the metaphor of organic growth to encapsulate the city in flux.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780438308589Subjects--Topical Terms:

1180038
Art history.
Index Terms--Genre/Form:

554714
Electronic books.

Engendered Modern the Urban Landscapes of Georgia O'Keeffe, Florine Stettheimer, and Bernice Abbott.
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500 $a Source: Masters Abstracts International, Volume: 58-01.
500 $a Adviser: Erin Pauwels.
502 $a Thesis (M.A.)--Temple University, 2018.
504 $a Includes bibliographical references
520 $a This thesis explores the dynamic relationship between artists Georgia O'Keeffe, Florine Stettheimer, and Berenice Abbott in relation to the growing urban landscape of New York City in the 1920s and 1930s. Previous scholarship has drawn parallels between these three artists' careers solely in terms related to their biography and gender identity rather than their work. In contrast, my project identifies a common formal subject that links an experimental phase in all three women's work, and explores the reasons these three individual creators found portraying the city to be an effective strategy for developing her own take on modernist style. Inspired by rapid development, each artist made work that shared her inventive vision of the city. Using visual analysis and historical context associated with the second wave of skyscraper construction as well as the second generation "New Woman" movement, I argue that each artist produced idiosyncratic art that makes sense of the rapidly morphing city surrounding them. Eschewing conventional gender expectations and traditional art historical narratives, the three artists tell visual stories that illustrate life in a modern urban city. Each woman's goals and artistic expectations differ, but they all share the struggle to achieve professionally despite systemic roadblocks placed before them by the male-dominated art world. With the city as their muse, they utilize the metaphor of organic growth to encapsulate the city in flux.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
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