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Ethiopia in Focus : = Photography, Nationalism, Diaspora, and Modernization.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Ethiopia in Focus :/
Reminder of title:	Photography, Nationalism, Diaspora, and Modernization.
Author:	Bateman, Anita N.
Description:	1 online resource (330 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 81-12, Section: A.
Contained By:	Dissertations Abstracts International81-12A.
Subject:	Art history. -
Online resource:	click for full text (PQDT)
ISBN:	9798645467395

Ethiopia in Focus : = Photography, Nationalism, Diaspora, and Modernization.
Bateman, Anita N.

Ethiopia in Focus :Photography, Nationalism, Diaspora, and Modernization. - 1 online resource (330 pages)

Source: Dissertations Abstracts International, Volume: 81-12, Section: A.

Thesis (Ph.D.)--Duke University, 2020.

Includes bibliographical references

This dissertation examines photographic representations of Ethiopian identity. It focuses on Emperor Haile Selassie I as a recuperative figure in Pan-African contexts, images by court photographer and later London studio portraitist Shemelis Desta, and contemporary works created by Ethiopian artists in the diaspora one generation after the Derg's collapse. Exploring visual processes that concern, inform, and confront the practices of photographers working at the intersection of ethnic identity and nationalism, this dissertation scrutinizes Ethiopian artists' views of the importance of their work to their country and to the African diaspora in conjunction with opposing historical narratives adopted by Black nationalists, and alternatively, white imperialists in the early twentieth century.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798645467395Subjects--Topical Terms:

1180038
Art history.
Subjects--Index Terms:

Black nationalismIndex Terms--Genre/Form:

554714
Electronic books.

Ethiopia in Focus : = Photography, Nationalism, Diaspora, and Modernization.
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520 $a This dissertation examines photographic representations of Ethiopian identity. It focuses on Emperor Haile Selassie I as a recuperative figure in Pan-African contexts, images by court photographer and later London studio portraitist Shemelis Desta, and contemporary works created by Ethiopian artists in the diaspora one generation after the Derg's collapse. Exploring visual processes that concern, inform, and confront the practices of photographers working at the intersection of ethnic identity and nationalism, this dissertation scrutinizes Ethiopian artists' views of the importance of their work to their country and to the African diaspora in conjunction with opposing historical narratives adopted by Black nationalists, and alternatively, white imperialists in the early twentieth century.
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653 $a Diaspora studies
653 $a Ethiopia
653 $a Photography
653 $a Visual culture
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