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Towards a Definition of Visual Artis...
~
University of Toronto (Canada).
Towards a Definition of Visual Artists' Archives : = Vera Frenkel's Archives as a Case Study.
紀錄類型:
書目-語言資料,手稿 : Monograph/item
正題名/作者:
Towards a Definition of Visual Artists' Archives :/
其他題名:
Vera Frenkel's Archives as a Case Study.
作者:
Furness, Amy Louise.
面頁冊數:
1 online resource (317 pages)
附註:
Source: Dissertation Abstracts International, Volume: 74-08(E), Section: A.
標題:
Art history. -
電子資源:
click for full text (PQDT)
ISBN:
9780494973134
Towards a Definition of Visual Artists' Archives : = Vera Frenkel's Archives as a Case Study.
Furness, Amy Louise.
Towards a Definition of Visual Artists' Archives :
Vera Frenkel's Archives as a Case Study. - 1 online resource (317 pages)
Source: Dissertation Abstracts International, Volume: 74-08(E), Section: A.
Thesis (Ph.D.)--University of Toronto (Canada), 2012.
Includes bibliographical references
This dissertation is an exploratory case study of the archives of Canadian artist Vera Frenkel and their acquisition by Queen's University Archives in Kingston, Ontario. The research seeks to understand, through empirical investigation, the many factors that shape the artist's recordkeeping and archives in the personal sphere and contribute to the nature of the eventual archival fonds in the institution. The foundation for the research includes the literatures of archival studies, life narrative, and art.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018
Mode of access: World Wide Web
ISBN: 9780494973134Subjects--Topical Terms:
1180038
Art history.
Index Terms--Genre/Form:
554714
Electronic books.
Towards a Definition of Visual Artists' Archives : = Vera Frenkel's Archives as a Case Study.
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Vera Frenkel's Archives as a Case Study.
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Source: Dissertation Abstracts International, Volume: 74-08(E), Section: A.
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Adviser: Barbara Craig.
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Thesis (Ph.D.)--University of Toronto (Canada), 2012.
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Includes bibliographical references
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This dissertation is an exploratory case study of the archives of Canadian artist Vera Frenkel and their acquisition by Queen's University Archives in Kingston, Ontario. The research seeks to understand, through empirical investigation, the many factors that shape the artist's recordkeeping and archives in the personal sphere and contribute to the nature of the eventual archival fonds in the institution. The foundation for the research includes the literatures of archival studies, life narrative, and art.
520
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Vera Frenkel's interdisciplinary art work reflects a deep engagement with questions of truth and fiction. As an aspect of this theme, records and archives play a role in several of her works, often being revealed as problematic sources of evidence. Fundamental to the artist's approach to interdisciplinarity is a complex layering of elements that builds uncertainty in the viewer. Given these aspects of Frenkel's work, research that elicits the artist's testimony about her archives must be able to accommodate a degree of ambiguity in the construction of that testimony.
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In a series of in situ interviews with the artist in her studio, the author investigated Frenkel's recordkeeping habits and their relationship to her creative practice. As a data source, these interviews were supplemented by the artist's photographs and hand-drawn maps of the studio.
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The author also investigated the processes entailed by archival transfer, examining the extant Vera Frenkel fonds at Queen's University Archives and interviewing Heather Home, the archivist responsible for the acquisition. Both the personal and institutional spheres were taken into consideration as essential contributors to the nature of Frenkel's archives as a complex cultural artifact.
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The research argues for the central role of archives in the acquisition and preservation of contemporary art. It contributes a foundation for understanding the nature of visual artists' archives.
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2018
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Mode of access: World Wide Web
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