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Fred Wilson's Mixed Metaphors : = Th...
~
The University of North Carolina at Chapel Hill.
Fred Wilson's Mixed Metaphors : = The Politics of Museums in the Late Twentieth Century.
Record Type:
Language materials, manuscript : Monograph/item
Title/Author:
Fred Wilson's Mixed Metaphors :/
Reminder of title:
The Politics of Museums in the Late Twentieth Century.
Author:
Ambroso, Aaron.
Description:
1 online resource (51 pages)
Notes:
Source: Masters Abstracts International, Volume: 57-06.
Contained By:
Masters Abstracts International57-06(E).
Subject:
Art history. -
Online resource:
click for full text (PQDT)
ISBN:
9780438064768
Fred Wilson's Mixed Metaphors : = The Politics of Museums in the Late Twentieth Century.
Ambroso, Aaron.
Fred Wilson's Mixed Metaphors :
The Politics of Museums in the Late Twentieth Century. - 1 online resource (51 pages)
Source: Masters Abstracts International, Volume: 57-06.
Thesis (M.A.)--The University of North Carolina at Chapel Hill, 2018.
Includes bibliographical references
Against the background of tensions animating museum discourse of the 1980s, Mixed Metaphors challenged both art and artifact methods of display and discourses of authenticity. Instead of lamenting changes in indigenous societies, or rearticulating narratives of the redemption and preservation of indigenous culture from immanent destruction or contamination, Mixed Metaphors pushed SAM to further articulate its values of global, cross-cultural, and future oriented indigenous presents. Mixed Metaphors formed a continuation of the practices and approaches already in use at the museum, challenging characterizations of artist versus museum binaries. Through his intervention, Wilson opened the galleries up to meanings outside of the art and artifact paradigms of classification, interpretation, and display. Ultimately, the installations participated in questioning some of the organizing principles of the museum's role as collectors and preservers of art and culture.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018
Mode of access: World Wide Web
ISBN: 9780438064768Subjects--Topical Terms:
1180038
Art history.
Index Terms--Genre/Form:
554714
Electronic books.
Fred Wilson's Mixed Metaphors : = The Politics of Museums in the Late Twentieth Century.
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The Politics of Museums in the Late Twentieth Century.
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Source: Masters Abstracts International, Volume: 57-06.
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Adviser: Carol Mage.
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Thesis (M.A.)--The University of North Carolina at Chapel Hill, 2018.
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Includes bibliographical references
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Against the background of tensions animating museum discourse of the 1980s, Mixed Metaphors challenged both art and artifact methods of display and discourses of authenticity. Instead of lamenting changes in indigenous societies, or rearticulating narratives of the redemption and preservation of indigenous culture from immanent destruction or contamination, Mixed Metaphors pushed SAM to further articulate its values of global, cross-cultural, and future oriented indigenous presents. Mixed Metaphors formed a continuation of the practices and approaches already in use at the museum, challenging characterizations of artist versus museum binaries. Through his intervention, Wilson opened the galleries up to meanings outside of the art and artifact paradigms of classification, interpretation, and display. Ultimately, the installations participated in questioning some of the organizing principles of the museum's role as collectors and preservers of art and culture.
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Ann Arbor, Mich. :
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ProQuest,
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Mode of access: World Wide Web
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ProQuest Information and Learning Co.
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click for full text (PQDT)
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