語系:
繁體中文
English
說明(常見問題)
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Reconsidering Everyday Life Photogra...
~
State University of New York at Binghamton.
Reconsidering Everyday Life Photography (Saenghwalchuui Sajin) in South Korea in the 1950s and 1960s.
紀錄類型:
書目-語言資料,手稿 : Monograph/item
正題名/作者:
Reconsidering Everyday Life Photography (Saenghwalchuui Sajin) in South Korea in the 1950s and 1960s./
作者:
Park, Kaeun.
面頁冊數:
1 online resource (55 pages)
附註:
Source: Masters Abstracts International, Volume: 57-06.
Contained By:
Masters Abstracts International57-06(E).
標題:
Art history. -
電子資源:
click for full text (PQDT)
ISBN:
9780355942040
Reconsidering Everyday Life Photography (Saenghwalchuui Sajin) in South Korea in the 1950s and 1960s.
Park, Kaeun.
Reconsidering Everyday Life Photography (Saenghwalchuui Sajin) in South Korea in the 1950s and 1960s.
- 1 online resource (55 pages)
Source: Masters Abstracts International, Volume: 57-06.
Thesis (M.A.)--State University of New York at Binghamton, 2018.
Includes bibliographical references
"Everyday life photography" (saenghwalchuǔi sajin) has attracted attention, negative and positive, from a number of Korean historians of photography who have examined the genealogy of what has been ahistorically labelled Korean "documentary" photography. Some scholars have seen "everyday life photography" as the most significant development in the history of Korean "documentary" photography. More recently, however, "everyday life photography" has been criticized in comparison with late 1940s "social realist photography" (riǒllijǔm sajin) as avoiding social critique in the anti-communist climate of post civil war South Korea. My thesis challenges this assessment through an analysis of the discourse of "everyday life photography" and the photographic practice it sustained in South Korea during the 1950s and 1960s. I examine the cultural, artistic, and political conditions under which the conception of "everyday life photography" emerged and was promoted, analyzing the ways in which "everyday life" photographs related to Koreans' experience of "everyday life" (saenghwal) but also opened a space for social critique. "Everyday life photography" must therefore understood, I argue, not only in relation to the fears surrounding anti-communism but also in relation to the complex cultural and political conditions within which "everyday life photography" was able to reflect on postwar Korean society.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018
Mode of access: World Wide Web
ISBN: 9780355942040Subjects--Topical Terms:
1180038
Art history.
Index Terms--Genre/Form:
554714
Electronic books.
Reconsidering Everyday Life Photography (Saenghwalchuui Sajin) in South Korea in the 1950s and 1960s.
LDR
:02663ntm a2200337Ki 4500
001
920823
005
20181203094403.5
006
m o u
007
cr mn||||a|a||
008
190606s2018 xx obm 000 0 eng d
020
$a
9780355942040
035
$a
(MiAaPQ)AAI10817266
035
$a
(MiAaPQ)binghamton:12758
035
$a
AAI10817266
040
$a
MiAaPQ
$b
eng
$c
MiAaPQ
$d
NTU
100
1
$a
Park, Kaeun.
$3
1195724
245
1 0
$a
Reconsidering Everyday Life Photography (Saenghwalchuui Sajin) in South Korea in the 1950s and 1960s.
264
0
$c
2018
300
$a
1 online resource (55 pages)
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
500
$a
Source: Masters Abstracts International, Volume: 57-06.
500
$a
Adviser: John Tagg.
502
$a
Thesis (M.A.)--State University of New York at Binghamton, 2018.
504
$a
Includes bibliographical references
520
$a
"Everyday life photography" (saenghwalchuǔi sajin) has attracted attention, negative and positive, from a number of Korean historians of photography who have examined the genealogy of what has been ahistorically labelled Korean "documentary" photography. Some scholars have seen "everyday life photography" as the most significant development in the history of Korean "documentary" photography. More recently, however, "everyday life photography" has been criticized in comparison with late 1940s "social realist photography" (riǒllijǔm sajin) as avoiding social critique in the anti-communist climate of post civil war South Korea. My thesis challenges this assessment through an analysis of the discourse of "everyday life photography" and the photographic practice it sustained in South Korea during the 1950s and 1960s. I examine the cultural, artistic, and political conditions under which the conception of "everyday life photography" emerged and was promoted, analyzing the ways in which "everyday life" photographs related to Koreans' experience of "everyday life" (saenghwal) but also opened a space for social critique. "Everyday life photography" must therefore understood, I argue, not only in relation to the fears surrounding anti-communism but also in relation to the complex cultural and political conditions within which "everyday life photography" was able to reflect on postwar Korean society.
533
$a
Electronic reproduction.
$b
Ann Arbor, Mich. :
$c
ProQuest,
$d
2018
538
$a
Mode of access: World Wide Web
650
4
$a
Art history.
$3
1180038
650
4
$a
Asian history.
$2
bicssc
$3
810327
655
7
$a
Electronic books.
$2
local
$3
554714
690
$a
0377
690
$a
0332
710
2
$a
ProQuest Information and Learning Co.
$3
1178819
710
2
$a
State University of New York at Binghamton.
$b
Art History.
$3
1195725
773
0
$t
Masters Abstracts International
$g
57-06(E).
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10817266
$z
click for full text (PQDT)
筆 0 讀者評論
多媒體
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼[密碼必須為2種組合(英文和數字)及長度為10碼以上]
登入