國立虎尾科技大學 |

Untimely Matters : = Korean Experimental Art 1967-1979.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Untimely Matters :/
其他題名:	Korean Experimental Art 1967-1979.
作者:	Park, Joon Hye.
面頁冊數:	1 online resource (401 pages)
附註:	Source: Dissertations Abstracts International, Volume: 85-06, Section: A.
Contained By:	Dissertations Abstracts International85-06A.
標題:	Art history. -
電子資源:	click for full text (PQDT)
ISBN:	9798381154214

Untimely Matters : = Korean Experimental Art 1967-1979.
Park, Joon Hye.

Untimely Matters :Korean Experimental Art 1967-1979. - 1 online resource (401 pages)

Source: Dissertations Abstracts International, Volume: 85-06, Section: A.

Thesis (Ph.D.)--University of California, Los Angeles, 2023.

Includes bibliographical references

This dissertation explores the experimental art scene in the late 1960s and 1970s in South Korea with a central focus on four artists, Kim Kulim (김구림, b. 1936), Lee Kun-yong (이건용, b. 1942), Shim Moon-seup (심문섭, b. 1942), and Lee Kang-so (이강소, b. 1943), who participated in the Paris Biennale in the early-to-mid 1970s. The Biennale served as a vital platform for Korean artists to showcase their experimental art alongside their international counterparts. Under the framework of "untimely matters," this project examines the structure of the artists' subversive interventions, which inserted dissonant temporalities in an oppressive society under dictatorship and tackled its regulatory rhythms and progressive narrative. By exploring the diverse mediums that artists experimented with-ranging from painting and installation to film and performative projects-this dissertation sheds light on a rich period situated between two significant art movements in Korea: the postwar abstract painting movement, Informel, and the politically charged democratic movement, Minjung Art (People's Art). Frequently intersecting artistic experimentation with subversive connotations in a subtle manner, experimental art also diverged from Dansaekhwa (Korean monochrome painting), which rose to prominence as a representative style of Korean sensibility in the mid-1970s.With the notions of environment, displacement, nature, and encounter serving as conceptual underpinnings for each chapter, this dissertation provides a nuanced perspective to fully map out the art of the period, safeguarding it from being read as outright political or artistically derivative. Against the backdrop of the formative years of art criticism, the art market, and art institutions in Korea, this project explores ways in which the four main artists grappled with spatiotemporality, subjectivity, and contemporaneity in their individual and collaborative art praxis. In their early-to-mid 30s, the artists shared aspirations to align with international art movements, explore a distinctively Korean art, and respond to a rapid transformation under oppressive rule. Focusing on their shared historical consciousness based on nonlinear temporality and diverging ideas, this project examines how their untimely interventions posited timely artistic and political questions. The Paris Biennale bore significance at this juncture as a rare opportunity for the artists to directly engage with the international art world beyond Japanese influence, which continued from the colonial era (1910-1945). Despite the conflicting responses the four artists faced in Paris, the Biennale served as a site of cultural encounter, prompting each artist to reflect on their positionality. By tracing visual and intellectual itineraries of the artists and their initiations of group activities and the Daegu Contemporary Art Festival, this dissertation elucidates underexplored trajectories in Korean art history while illuminating a precursory moment of the current global art phenomenon.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798381154214Subjects--Topical Terms:

1180038
Art history.
Subjects--Index Terms:

KoreanIndex Terms--Genre/Form:

554714
Electronic books.

Untimely Matters : = Korean Experimental Art 1967-1979.
LDR:04433ntm a22004097 4500 001 1147021
005 20240819061933.5
006 m o d
007 cr bn ---uuuuu
008 250605s2023 xx obm 000 0 eng d
020 $a 9798381154214
035 $a (MiAaPQ)AAI30817414
035 $a AAI30817414
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a Park, Joon Hye. $3 1472617
245 1 0 $a Untimely Matters : $b Korean Experimental Art 1967-1979.
264 0 $c 2023
300 $a 1 online resource (401 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertations Abstracts International, Volume: 85-06, Section: A.
500 $a Advisor: Kwon, Miwon.
502 $a Thesis (Ph.D.)--University of California, Los Angeles, 2023.
504 $a Includes bibliographical references
520 $a This dissertation explores the experimental art scene in the late 1960s and 1970s in South Korea with a central focus on four artists, Kim Kulim (김구림, b. 1936), Lee Kun-yong (이건용, b. 1942), Shim Moon-seup (심문섭, b. 1942), and Lee Kang-so (이강소, b. 1943), who participated in the Paris Biennale in the early-to-mid 1970s. The Biennale served as a vital platform for Korean artists to showcase their experimental art alongside their international counterparts. Under the framework of "untimely matters," this project examines the structure of the artists' subversive interventions, which inserted dissonant temporalities in an oppressive society under dictatorship and tackled its regulatory rhythms and progressive narrative. By exploring the diverse mediums that artists experimented with-ranging from painting and installation to film and performative projects-this dissertation sheds light on a rich period situated between two significant art movements in Korea: the postwar abstract painting movement, Informel, and the politically charged democratic movement, Minjung Art (People's Art). Frequently intersecting artistic experimentation with subversive connotations in a subtle manner, experimental art also diverged from Dansaekhwa (Korean monochrome painting), which rose to prominence as a representative style of Korean sensibility in the mid-1970s.With the notions of environment, displacement, nature, and encounter serving as conceptual underpinnings for each chapter, this dissertation provides a nuanced perspective to fully map out the art of the period, safeguarding it from being read as outright political or artistically derivative. Against the backdrop of the formative years of art criticism, the art market, and art institutions in Korea, this project explores ways in which the four main artists grappled with spatiotemporality, subjectivity, and contemporaneity in their individual and collaborative art praxis. In their early-to-mid 30s, the artists shared aspirations to align with international art movements, explore a distinctively Korean art, and respond to a rapid transformation under oppressive rule. Focusing on their shared historical consciousness based on nonlinear temporality and diverging ideas, this project examines how their untimely interventions posited timely artistic and political questions. The Paris Biennale bore significance at this juncture as a rare opportunity for the artists to directly engage with the international art world beyond Japanese influence, which continued from the colonial era (1910-1945). Despite the conflicting responses the four artists faced in Paris, the Biennale served as a site of cultural encounter, prompting each artist to reflect on their positionality. By tracing visual and intellectual itineraries of the artists and their initiations of group activities and the Daegu Contemporary Art Festival, this dissertation elucidates underexplored trajectories in Korean art history while illuminating a precursory moment of the current global art phenomenon.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2024
538 $a Mode of access: World Wide Web
650 4 $a Art history. $3 1180038
650 4 $a Art criticism. $3 576960
650 4 $a Art education. $3 1179362
653 $a Korean
653 $a Experimental art
653 $a Kulim, Kim
653 $a Kun-yong, Lee
653 $a Moon-seup, Shim
653 $a Kang-so, Lee
655 7 $a Electronic books. $2 local $3 554714
690 $a 0377
690 $a 0365
690 $a 0273
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a University of California, Los Angeles. $b Art History 0093. $3 1195738
773 0 $t Dissertations Abstracts International $g 85-06A.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30817414 $z click for full text (PQDT)