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Embracing In-Betweenness : = New Sta...

ProQuest Information and Learning Co.

Embracing In-Betweenness : = New Stage in Contemporary Chicana Art.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Embracing In-Betweenness :/
Reminder of title:	New Stage in Contemporary Chicana Art.
Author:	Rogers, Lydia.
Description:	1 online resource (48 pages)
Notes:	Source: Masters Abstracts International, Volume: 58-01.
Contained By:	Masters Abstracts International58-01(E).
Subject:	Art history. -
Online resource:	click for full text (PQDT)
ISBN:	9780438291249

Embracing In-Betweenness : = New Stage in Contemporary Chicana Art.
Rogers, Lydia.

Embracing In-Betweenness :New Stage in Contemporary Chicana Art. - 1 online resource (48 pages)

Source: Masters Abstracts International, Volume: 58-01.

Thesis (M.A.)--University of California, Davis, 2018.

Includes bibliographical references

Scholarship of Chicana/o art has primarily focused on what is defined by Shifra Goldman and Tomas Ybarra-Frausto as the three stages of Chicana/o art. Scholarship pertaining to these stages covers Chicana/o art created between the 1960s and 1990s, but rarely considers artwork of the twenty-first century. When artwork of the twenty-first-century is discussed it is most often in relation to works of the 1960s and 1970s or to ideas of anti-identity. However, there is a set of Chicana/o artists who in the twenty-first-century have begun to turn towards a new aesthetic, incorporating both Western styles and Chicana/o influences, ideas, and politics. Through an analysis of the abstract and pop art works of Linda Arreola and Linda Vallejo, this paper explores ideas of identity, hybridity, and in-betweenness in relation to the contemporary Chicana/o artist.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780438291249Subjects--Topical Terms:

1180038
Art history.
Index Terms--Genre/Form:

554714
Electronic books.

Embracing In-Betweenness : = New Stage in Contemporary Chicana Art.
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504 $a Includes bibliographical references
520 $a Scholarship of Chicana/o art has primarily focused on what is defined by Shifra Goldman and Tomas Ybarra-Frausto as the three stages of Chicana/o art. Scholarship pertaining to these stages covers Chicana/o art created between the 1960s and 1990s, but rarely considers artwork of the twenty-first century. When artwork of the twenty-first-century is discussed it is most often in relation to works of the 1960s and 1970s or to ideas of anti-identity. However, there is a set of Chicana/o artists who in the twenty-first-century have begun to turn towards a new aesthetic, incorporating both Western styles and Chicana/o influences, ideas, and politics. Through an analysis of the abstract and pop art works of Linda Arreola and Linda Vallejo, this paper explores ideas of identity, hybridity, and in-betweenness in relation to the contemporary Chicana/o artist.
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538 $a Mode of access: World Wide Web
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