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Marina Abramovic : = Narrowing the G...

ProQuest Information and Learning Co.

Marina Abramovic : = Narrowing the Gap Between Artist and Viewer.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Marina Abramovic :/
其他題名:	Narrowing the Gap Between Artist and Viewer.
作者:	Cantrell, Laura.
面頁冊數:	1 online resource (89 pages)
附註:	Source: Masters Abstracts International, Volume: 56-04.
標題:	Art history. -
電子資源:	click for full text (PQDT)
ISBN:	9781369742688

Marina Abramovic : = Narrowing the Gap Between Artist and Viewer.
Cantrell, Laura.

Marina Abramovic :Narrowing the Gap Between Artist and Viewer. - 1 online resource (89 pages)

Source: Masters Abstracts International, Volume: 56-04.

Thesis (M.A.)--Azusa Pacific University, 2017.

Includes bibliographical references

This study focuses on the recent work by performance artist Marina Abramovic (b. 1946), specifically The Artist is Present (2010) where she impassively sat across from individual viewers during her three month long retrospective at the Museum of Modern Art in New York. The viewer's participation completes the art and illustrates the philosophy of early twentieth-century Dada artist Marcel Duchamp (1887--1968). Duchamp's iconic "readymade" objects stressed the importance of communicating ideas between artist and audience by eliminating traditional aesthetic elements of artwork. The Artist is Present eliminated any physical barrier (art object) between the artist and viewer, leaving only an experience that expands upon the viewer's conceptual. This study examines the century-long journey through Dada, conceptual art, performance art, and Marina Abramovic's contemporary work with a focus on the development of the viewer's changing role from passive spectator to active participant.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9781369742688Subjects--Topical Terms:

1180038
Art history.
Index Terms--Genre/Form:

554714
Electronic books.

Marina Abramovic : = Narrowing the Gap Between Artist and Viewer.
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264 0 $c 2017
300 $a 1 online resource (89 pages)
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500 $a Source: Masters Abstracts International, Volume: 56-04.
500 $a Adviser: Suzie Kim.
502 $a Thesis (M.A.)--Azusa Pacific University, 2017.
504 $a Includes bibliographical references
520 $a This study focuses on the recent work by performance artist Marina Abramovic (b. 1946), specifically The Artist is Present (2010) where she impassively sat across from individual viewers during her three month long retrospective at the Museum of Modern Art in New York. The viewer's participation completes the art and illustrates the philosophy of early twentieth-century Dada artist Marcel Duchamp (1887--1968). Duchamp's iconic "readymade" objects stressed the importance of communicating ideas between artist and audience by eliminating traditional aesthetic elements of artwork. The Artist is Present eliminated any physical barrier (art object) between the artist and viewer, leaving only an experience that expands upon the viewer's conceptual. This study examines the century-long journey through Dada, conceptual art, performance art, and Marina Abramovic's contemporary work with a focus on the development of the viewer's changing role from passive spectator to active participant.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a Art history. $3 1180038
655 7 $a Electronic books. $2 local $3 554714
690 $a 0377
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a Azusa Pacific University. $b Art and Design. $3 1185101
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10270115 $z click for full text (PQDT)

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