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Moving pictures : = Francis Bacon an...

Rice University.

Moving pictures : = Francis Bacon and the movement-image.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Moving pictures :/
其他題名:	Francis Bacon and the movement-image.
作者:	Rogers, Molly Paule.
面頁冊數:	1 online resource (100 pages)
附註:	Source: Masters Abstracts International, Volume: 34-03, page: 9210.
Contained By:	Masters Abstracts International34-03.
標題:	Art history. -
電子資源:	click for full text (PQDT)

Moving pictures : = Francis Bacon and the movement-image.
Rogers, Molly Paule.

Moving pictures :Francis Bacon and the movement-image. - 1 online resource (100 pages)

Source: Masters Abstracts International, Volume: 34-03, page: 9210.

Thesis (M.A.)--Rice University, 1995.

Includes bibliographical references

The English painter Francis Bacon had a specific interest in the cinema. From this interest, though not independent of his other artistic concerns, arises two aspects of Bacon's images that relate to the cinematic medium: the sense of movement that the paintings engender, and the strong affect that they have on spectators. Bacon conceived of his images cinematically, that is, in series, and employed the technique of Eisensteinian montage with each panel of his triptychs functioning as a shot. Further, the spectator experiences Bacon's imagery both as presenting and representing movement, a condition of all cinema, and in a deeply affective manner, characteristic of certain film images such as the close-up. In short, Bacon's paintings are experienced phenomenologically in a manner similar to motion pictures.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

Subjects--Topical Terms:

1180038
Art history.
Index Terms--Genre/Form:

554714
Electronic books.

Moving pictures : = Francis Bacon and the movement-image.
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245 1 0 $a Moving pictures : $b Francis Bacon and the movement-image.
264 0 $c 1995
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500 $a Source: Masters Abstracts International, Volume: 34-03, page: 9210.
500 $a Adviser: Diane Dillon.
502 $a Thesis (M.A.)--Rice University, 1995.
504 $a Includes bibliographical references
520 $a The English painter Francis Bacon had a specific interest in the cinema. From this interest, though not independent of his other artistic concerns, arises two aspects of Bacon's images that relate to the cinematic medium: the sense of movement that the paintings engender, and the strong affect that they have on spectators. Bacon conceived of his images cinematically, that is, in series, and employed the technique of Eisensteinian montage with each panel of his triptychs functioning as a shot. Further, the spectator experiences Bacon's imagery both as presenting and representing movement, a condition of all cinema, and in a deeply affective manner, characteristic of certain film images such as the close-up. In short, Bacon's paintings are experienced phenomenologically in a manner similar to motion pictures.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a Art history. $3 1180038
655 7 $a Electronic books. $2 local $3 554714
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710 2 $a Rice University. $3 845637
773 0 $t Masters Abstracts International $g 34-03.
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