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Moving pictures : = Francis Bacon an...
~
Rice University.
Moving pictures : = Francis Bacon and the movement-image.
Record Type:
Language materials, manuscript : Monograph/item
Title/Author:
Moving pictures :/
Reminder of title:
Francis Bacon and the movement-image.
Author:
Rogers, Molly Paule.
Description:
1 online resource (100 pages)
Notes:
Source: Masters Abstracts International, Volume: 34-03, page: 9210.
Contained By:
Masters Abstracts International34-03.
Subject:
Art history. -
Online resource:
click for full text (PQDT)
Moving pictures : = Francis Bacon and the movement-image.
Rogers, Molly Paule.
Moving pictures :
Francis Bacon and the movement-image. - 1 online resource (100 pages)
Source: Masters Abstracts International, Volume: 34-03, page: 9210.
Thesis (M.A.)--Rice University, 1995.
Includes bibliographical references
The English painter Francis Bacon had a specific interest in the cinema. From this interest, though not independent of his other artistic concerns, arises two aspects of Bacon's images that relate to the cinematic medium: the sense of movement that the paintings engender, and the strong affect that they have on spectators. Bacon conceived of his images cinematically, that is, in series, and employed the technique of Eisensteinian montage with each panel of his triptychs functioning as a shot. Further, the spectator experiences Bacon's imagery both as presenting and representing movement, a condition of all cinema, and in a deeply affective manner, characteristic of certain film images such as the close-up. In short, Bacon's paintings are experienced phenomenologically in a manner similar to motion pictures.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018
Mode of access: World Wide Web
Subjects--Topical Terms:
1180038
Art history.
Index Terms--Genre/Form:
554714
Electronic books.
Moving pictures : = Francis Bacon and the movement-image.
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Rogers, Molly Paule.
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Moving pictures :
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Francis Bacon and the movement-image.
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1995
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1 online resource (100 pages)
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Source: Masters Abstracts International, Volume: 34-03, page: 9210.
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Adviser: Diane Dillon.
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Thesis (M.A.)--Rice University, 1995.
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Includes bibliographical references
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The English painter Francis Bacon had a specific interest in the cinema. From this interest, though not independent of his other artistic concerns, arises two aspects of Bacon's images that relate to the cinematic medium: the sense of movement that the paintings engender, and the strong affect that they have on spectators. Bacon conceived of his images cinematically, that is, in series, and employed the technique of Eisensteinian montage with each panel of his triptychs functioning as a shot. Further, the spectator experiences Bacon's imagery both as presenting and representing movement, a condition of all cinema, and in a deeply affective manner, characteristic of certain film images such as the close-up. In short, Bacon's paintings are experienced phenomenologically in a manner similar to motion pictures.
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Ann Arbor, Mich. :
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ProQuest,
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2018
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Mode of access: World Wide Web
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Art history.
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Rice University.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1377052
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click for full text (PQDT)
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