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The Gendered Gaze : = Analysis of Three Nineteenth-Century French Prints.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	The Gendered Gaze :/
其他題名:	Analysis of Three Nineteenth-Century French Prints.
作者:	Coppola, Allison.
面頁冊數:	1 online resource (42 pages)
附註:	Source: Masters Abstracts International, Volume: 57-06.
Contained By:	Masters Abstracts International57-06(E).
標題:	Art history. -
電子資源:	click for full text (PQDT)
ISBN:	9780438082113

The Gendered Gaze : = Analysis of Three Nineteenth-Century French Prints.
Coppola, Allison.

The Gendered Gaze :Analysis of Three Nineteenth-Century French Prints. - 1 online resource (42 pages)

Source: Masters Abstracts International, Volume: 57-06.

Thesis (M.A.)--State University of New York at Binghamton, 2018.

Includes bibliographical references

Using three prints by the artists Daumier, Whistler, and Manet this thesis will explore the idea of the gaze. As feminist art historians have argued, women were seldom represented as active subjects, but rather as objects to be viewed by the male gaze. The male gaze is a concept developed by feminist theorists to account for the position of women as objects to be looked at, while men do the looking. The active role in vision is reserved for the masculine subject; the passive role, the feminine, is objectified for male pleasure. When society understands these power relations within the act of gazing as natural, the sexualizing of women through the male gaze becomes a social norm. When the male gaze becomes a social norm, it not only determines how men look at women but also ensures that women themselves look at each other through this gendered gaze: women, that is, objectify themselves and other women the same way men do. This thesis suggests, however, replacing the notion of a singular male gaze with the notion of multiple potential gazes, multiple potential viewing positions for the spectator of the artworks, as proposed by artists working in France in the mid-nineteenth century.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780438082113Subjects--Topical Terms:

1180038
Art history.
Index Terms--Genre/Form:

554714
Electronic books.

The Gendered Gaze : = Analysis of Three Nineteenth-Century French Prints.
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500 $a Source: Masters Abstracts International, Volume: 57-06.
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502 $a Thesis (M.A.)--State University of New York at Binghamton, 2018.
504 $a Includes bibliographical references
520 $a Using three prints by the artists Daumier, Whistler, and Manet this thesis will explore the idea of the gaze. As feminist art historians have argued, women were seldom represented as active subjects, but rather as objects to be viewed by the male gaze. The male gaze is a concept developed by feminist theorists to account for the position of women as objects to be looked at, while men do the looking. The active role in vision is reserved for the masculine subject; the passive role, the feminine, is objectified for male pleasure. When society understands these power relations within the act of gazing as natural, the sexualizing of women through the male gaze becomes a social norm. When the male gaze becomes a social norm, it not only determines how men look at women but also ensures that women themselves look at each other through this gendered gaze: women, that is, objectify themselves and other women the same way men do. This thesis suggests, however, replacing the notion of a singular male gaze with the notion of multiple potential gazes, multiple potential viewing positions for the spectator of the artworks, as proposed by artists working in France in the mid-nineteenth century.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a Art history. $3 1180038
655 7 $a Electronic books. $2 local $3 554714
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