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Objects and Their Subjects : = Art, ...

Bailey, Bradley Michael.

Objects and Their Subjects : = Art, Power, and the Making of History in Modern Japan and Europe.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Objects and Their Subjects :/
Reminder of title:	Art, Power, and the Making of History in Modern Japan and Europe.
Author:	Bailey, Bradley Michael.
Description:	1 online resource (502 pages)
Notes:	Source: Dissertation Abstracts International, Volume: 77-12(E), Section: A.
Subject:	Art history. -
Online resource:	click for full text (PQDT)
ISBN:	9781369053401

Objects and Their Subjects : = Art, Power, and the Making of History in Modern Japan and Europe.
Bailey, Bradley Michael.

Objects and Their Subjects :Art, Power, and the Making of History in Modern Japan and Europe. - 1 online resource (502 pages)

Source: Dissertation Abstracts International, Volume: 77-12(E), Section: A.

Thesis (Ph.D.)--Yale University, 2016.

Includes bibliographical references

This project focuses on the exchange of art objects between Asia and Western Europe during the late nineteenth and early twentieth centuries. Each chapter is focused on the work of a different painter and examines how each incorporated foreign elements into their paintings. The works of Jean Auguste Dominique Ingres, James McNeill Whistler, Vincent van Gogh, and Shigeru Aoki each reveal the different ways in which the past, history, the foreign, and notions of Otherness are reliant on the possession and collection of material objects, and therefore how History painting as a genre represents the intersection of the imagined fantasies and the earthly machinations of Imperialism. It also posits the existence of History painting (especially Neoclassicism) as a form of reflexive Orientalism.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9781369053401Subjects--Topical Terms:

1180038
Art history.
Index Terms--Genre/Form:

554714
Electronic books.

Objects and Their Subjects : = Art, Power, and the Making of History in Modern Japan and Europe.
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005 20180618095024.5
006 m o u
007 cr mn||||a|a||
008 190606s2016 xx obm 000 0 eng d
020 $a 9781369053401
035 $a (MiAaPQ)AAI10150500
035 $a AAI10150500
040 $a MiAaPQ $b eng $c MiAaPQ
100 1 $a Bailey, Bradley Michael. $3 1186280
245 1 0 $a Objects and Their Subjects : $b Art, Power, and the Making of History in Modern Japan and Europe.
264 0 $c 2016
300 $a 1 online resource (502 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertation Abstracts International, Volume: 77-12(E), Section: A.
500 $a Adviser: Mimi Hall Yiengpruksawan.
502 $a Thesis (Ph.D.)--Yale University, 2016.
504 $a Includes bibliographical references
520 $a This project focuses on the exchange of art objects between Asia and Western Europe during the late nineteenth and early twentieth centuries. Each chapter is focused on the work of a different painter and examines how each incorporated foreign elements into their paintings. The works of Jean Auguste Dominique Ingres, James McNeill Whistler, Vincent van Gogh, and Shigeru Aoki each reveal the different ways in which the past, history, the foreign, and notions of Otherness are reliant on the possession and collection of material objects, and therefore how History painting as a genre represents the intersection of the imagined fantasies and the earthly machinations of Imperialism. It also posits the existence of History painting (especially Neoclassicism) as a form of reflexive Orientalism.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a Art history. $3 1180038
655 7 $a Electronic books. $2 local $3 554714
690 $a 0377
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a Yale University. $3 1178968
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10150500 $z click for full text (PQDT)

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