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Defining Abstraction : = How Postwar...

The University of North Carolina at Chapel Hill.

Defining Abstraction : = How Postwar New York Became American.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Defining Abstraction :/
其他題名:	How Postwar New York Became American.
作者:	Minor, H. Massie.
面頁冊數:	1 online resource (76 pages)
附註:	Source: Masters Abstracts International, Volume: 56-05.
標題:	Art history. -
電子資源:	click for full text (PQDT)
ISBN:	9781369871753

Defining Abstraction : = How Postwar New York Became American.
Minor, H. Massie.

Defining Abstraction :How Postwar New York Became American. - 1 online resource (76 pages)

Source: Masters Abstracts International, Volume: 56-05.

Thesis (M.A.)--The University of North Carolina at Chapel Hill, 2017.

Includes bibliographical references

This thesis reexamines the art historical narrative of abstraction in 1950s New York City. I argue that this story as written since the 1960s chooses to regard abstraction as bifurcated into styles supposedly native to either Europe or America. Examining the works of two European artists, Nicholas de Stael and Pierre Soulages, I demonstrate rather how American curators, gallerists, and critics in the fifties promoted a pan-national abstraction. The affinities they stressed between Paris and New York were recognized but modified by the critical and popular press, whose responses foreshadowed a break between American and European abstractionists discursively created by art history. Drawing on readings of exhibition materials, critical responses, and histories of abstract expressionism, this thesis aims to reintroduce Europeans to this history of abstraction. By doing so, I hope to explain how the history heretofore written on the international community of abstractionists in the fifties became exclusively American.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9781369871753Subjects--Topical Terms:

1180038
Art history.
Index Terms--Genre/Form:

554714
Electronic books.

Defining Abstraction : = How Postwar New York Became American.
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500 $a Source: Masters Abstracts International, Volume: 56-05.
500 $a Adviser: Daniel J. Sherman.
502 $a Thesis (M.A.)--The University of North Carolina at Chapel Hill, 2017.
504 $a Includes bibliographical references
520 $a This thesis reexamines the art historical narrative of abstraction in 1950s New York City. I argue that this story as written since the 1960s chooses to regard abstraction as bifurcated into styles supposedly native to either Europe or America. Examining the works of two European artists, Nicholas de Stael and Pierre Soulages, I demonstrate rather how American curators, gallerists, and critics in the fifties promoted a pan-national abstraction. The affinities they stressed between Paris and New York were recognized but modified by the critical and popular press, whose responses foreshadowed a break between American and European abstractionists discursively created by art history. Drawing on readings of exhibition materials, critical responses, and histories of abstract expressionism, this thesis aims to reintroduce Europeans to this history of abstraction. By doing so, I hope to explain how the history heretofore written on the international community of abstractionists in the fifties became exclusively American.
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538 $a Mode of access: World Wide Web
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650 4 $a American history. $3 1179188
650 4 $a Art criticism. $3 576960
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