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Umberto Boccioni's Unique Forms of Continuity in Space : = How Materiality Obfuscates Originality, Intent, and Ethics.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Umberto Boccioni's Unique Forms of Continuity in Space :/
其他題名:	How Materiality Obfuscates Originality, Intent, and Ethics.
作者:	Colbert, Eric Anthony.
面頁冊數:	1 online resource (29 pages)
附註:	Source: Masters Abstracts International, Volume: 58-01.
Contained By:	Masters Abstracts International58-01(E).
標題:	Art history. -
電子資源:	click for full text (PQDT)
ISBN:	9780438296817

Umberto Boccioni's Unique Forms of Continuity in Space : = How Materiality Obfuscates Originality, Intent, and Ethics.
Colbert, Eric Anthony.

Umberto Boccioni's Unique Forms of Continuity in Space :How Materiality Obfuscates Originality, Intent, and Ethics. - 1 online resource (29 pages)

Source: Masters Abstracts International, Volume: 58-01.

Thesis (M.A.)--University of California, Irvine, 2018.

Includes bibliographical references

After Umberto Boccioni's death in 1916 one of his most famous works, the plaster sculpture Unique Forms of Continuity in Space, was cast in bronze on multiple occasions. These copies were disseminated to many prominent museums and bronze came to be seen as the original medium of the work by the general public. In this paper I argue that plaster, as a material, more accurately represents the artistic intent of Boccioni than the bronze copies that followed his passing through a mixture of visual analysis and textual evidence. I also call attention to the provenance of the sculpture, in both its plaster and bronze forms, in an attempt to proliferate the fact that the original work is plaster as well as to critique the ethics of museums that choose to display its bronze iterations. I conclude that the Tate Modern is the only museum that currently displays a bronze Unique Forms of Continuity in Space ethically due to its open and accurate acknowledgement of the work's history as a posthumous copy.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780438296817Subjects--Topical Terms:

1180038
Art history.
Index Terms--Genre/Form:

554714
Electronic books.

Umberto Boccioni's Unique Forms of Continuity in Space : = How Materiality Obfuscates Originality, Intent, and Ethics.
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500 $a Source: Masters Abstracts International, Volume: 58-01.
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502 $a Thesis (M.A.)--University of California, Irvine, 2018.
504 $a Includes bibliographical references
520 $a After Umberto Boccioni's death in 1916 one of his most famous works, the plaster sculpture Unique Forms of Continuity in Space, was cast in bronze on multiple occasions. These copies were disseminated to many prominent museums and bronze came to be seen as the original medium of the work by the general public. In this paper I argue that plaster, as a material, more accurately represents the artistic intent of Boccioni than the bronze copies that followed his passing through a mixture of visual analysis and textual evidence. I also call attention to the provenance of the sculpture, in both its plaster and bronze forms, in an attempt to proliferate the fact that the original work is plaster as well as to critique the ethics of museums that choose to display its bronze iterations. I conclude that the Tate Modern is the only museum that currently displays a bronze Unique Forms of Continuity in Space ethically due to its open and accurate acknowledgement of the work's history as a posthumous copy.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
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655 7 $a Electronic books. $2 local $3 554714
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