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Canonizing Modernism : = An Avant-Garde Legacy in France's Sacred Art Movement, 1937-1958.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Canonizing Modernism :/
其他題名:	An Avant-Garde Legacy in France's Sacred Art Movement, 1937-1958.
作者:	Read, Heather Renee.
面頁冊數:	1 online resource (357 pages)
附註:	Source: Dissertation Abstracts International, Volume: 79-09(E), Section: A.
標題:	Art history. -
電子資源:	click for full text (PQDT)
ISBN:	9780355867442

Canonizing Modernism : = An Avant-Garde Legacy in France's Sacred Art Movement, 1937-1958.
Read, Heather Renee.

Canonizing Modernism :An Avant-Garde Legacy in France's Sacred Art Movement, 1937-1958. - 1 online resource (357 pages)

Source: Dissertation Abstracts International, Volume: 79-09(E), Section: A.

Thesis (Ph.D.)--Washington University in St. Louis, 2018.

Includes bibliographical references

This dissertation offers a critical reassessment of modernist involvement in the Sacred Art Movement, the highly controversial Catholic art renaissance undertaken by the French Dominican Order in the fragile World War II era between 1937 and 1954. Marie-Alain Couturier and Pie-Raymond Regamey, the Dominican co-editors of the influential religious art journal L'Art Sacre, led the Sacred Art Movement by arguing that to reveal the timelessness and universality of Catholic themes in the modern world, "it would be safer to turn to geniuses without faith than to believers without talent." Far less understood are the motives that compelled these same "geniuses without faith" to create art for the Catholic Church at such a tense political moment.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780355867442Subjects--Topical Terms:

1180038
Art history.
Index Terms--Genre/Form:

554714
Electronic books.

Canonizing Modernism : = An Avant-Garde Legacy in France's Sacred Art Movement, 1937-1958.
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500 $a Source: Dissertation Abstracts International, Volume: 79-09(E), Section: A.
500 $a Adviser: John R. Klein.
502 $a Thesis (Ph.D.)--Washington University in St. Louis, 2018.
504 $a Includes bibliographical references
520 $a This dissertation offers a critical reassessment of modernist involvement in the Sacred Art Movement, the highly controversial Catholic art renaissance undertaken by the French Dominican Order in the fragile World War II era between 1937 and 1954. Marie-Alain Couturier and Pie-Raymond Regamey, the Dominican co-editors of the influential religious art journal L'Art Sacre, led the Sacred Art Movement by arguing that to reveal the timelessness and universality of Catholic themes in the modern world, "it would be safer to turn to geniuses without faith than to believers without talent." Far less understood are the motives that compelled these same "geniuses without faith" to create art for the Catholic Church at such a tense political moment.
520 $a I bring new insight to modernist interest in religious space by reframing the three sites at the center of the Sacred Art Movement debates as sites of international art pilgrimage that helped to promote the "avant-garde" character of the French tradition. I argue that the scandals that surround Notre-Dame de Toute-Grâce in Assy, Henri Matisse's Chapelle du Rosaire in Vence, and Pablo Picasso's Temple of War and Peace in Vallauris obscure a pressing, post-traumatic desire by older modernists to leave an enduring record of their legacy in the illustrious tradition of Catholic monumentality. This dissertation therefore elucidates the shared, historicizing impulse behind these sites to tell a new story of the Sacred Art Movement, the story of modern art's "canonization."
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
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710 2 $a Washington University in St. Louis. $b Art History & Archaeology. $3 1186523
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