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Picturing the System : = Counter-Ins...

Campbell, Thomas Ian.

Picturing the System : = Counter-Institutional Practices in British Art of the 1970s.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Picturing the System :/
Reminder of title:	Counter-Institutional Practices in British Art of the 1970s.
Author:	Campbell, Thomas Ian.
Description:	1 online resource (282 pages)
Notes:	Source: Dissertation Abstracts International, Volume: 80-02(E), Section: A.
Contained By:	Dissertation Abstracts International80-02A(E).
Subject:	Art history. -
Online resource:	click for full text (PQDT)
ISBN:	9780438382824

Picturing the System : = Counter-Institutional Practices in British Art of the 1970s.
Campbell, Thomas Ian.

Picturing the System :Counter-Institutional Practices in British Art of the 1970s. - 1 online resource (282 pages)

Source: Dissertation Abstracts International, Volume: 80-02(E), Section: A.

Thesis (Ph.D.)--Columbia University, 2018.

Includes bibliographical references

This dissertation examines a range of politicized artistic practices in Great Britain during the 1970s, a decade marked by economic decline and social fragmentation. The artists I primarily focus on in the pages that follow---William Furlong, Stephen Willats, Mary Kelly, and Conrad Atkinson---all appeared on Audio Arts, a "spoken magazine" distributed on audiocassette that was founded by Furlong in 1973. During the 1970s, Furlong, Willats, Kelly and Atkinson renegotiated their relationship to art institutions, expanded the role of the artist in society, and conceived of art as a form of political praxis, and this dissertation explores the strategies these artists devised to connect to publics outside the elite, bourgeois audience of art.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780438382824Subjects--Topical Terms:

1180038
Art history.
Index Terms--Genre/Form:

554714
Electronic books.

Picturing the System : = Counter-Institutional Practices in British Art of the 1970s.
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100 1 $a Campbell, Thomas Ian. $3 1195776
245 1 0 $a Picturing the System : $b Counter-Institutional Practices in British Art of the 1970s.
264 0 $c 2018
300 $a 1 online resource (282 pages)
336 $a text $b txt $2 rdacontent
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500 $a Source: Dissertation Abstracts International, Volume: 80-02(E), Section: A.
500 $a Adviser: Branden W. Joseph.
502 $a Thesis (Ph.D.)--Columbia University, 2018.
504 $a Includes bibliographical references
520 $a This dissertation examines a range of politicized artistic practices in Great Britain during the 1970s, a decade marked by economic decline and social fragmentation. The artists I primarily focus on in the pages that follow---William Furlong, Stephen Willats, Mary Kelly, and Conrad Atkinson---all appeared on Audio Arts, a "spoken magazine" distributed on audiocassette that was founded by Furlong in 1973. During the 1970s, Furlong, Willats, Kelly and Atkinson renegotiated their relationship to art institutions, expanded the role of the artist in society, and conceived of art as a form of political praxis, and this dissertation explores the strategies these artists devised to connect to publics outside the elite, bourgeois audience of art.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a Art history. $3 1180038
655 7 $a Electronic books. $2 local $3 554714
690 $a 0377
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a Columbia University. $b Art History and Archaeology. $3 1186245
773 0 $t Dissertation Abstracts International $g 80-02A(E).
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10829253 $z click for full text (PQDT)

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