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Toward the Origins of Peyote Beadwork.
~
Hubbell, Gerald R.
Toward the Origins of Peyote Beadwork.
紀錄類型:
書目-語言資料,手稿 : Monograph/item
正題名/作者:
Toward the Origins of Peyote Beadwork./
作者:
Hubbell, Gerald R.
面頁冊數:
1 online resource (104 pages)
附註:
Source: Masters Abstracts International, Volume: 57-05.
Contained By:
Masters Abstracts International57-05(E).
標題:
Native American studies. -
電子資源:
click for full text (PQDT)
ISBN:
9780355958157
Toward the Origins of Peyote Beadwork.
Hubbell, Gerald R.
Toward the Origins of Peyote Beadwork.
- 1 online resource (104 pages)
Source: Masters Abstracts International, Volume: 57-05.
Thesis (A.M.)--University of Missouri - Kansas City, 2018.
Includes bibliographical references
Peyote beadwork is a nuanced and elegant art form. Hundreds of thousands of people today use peyote beadwork, including the Native American Church, powwow people, gourd dancers and Native Americans wanting a marker of Native Identity. Mainstream society has relegated this art form to the status of craft. It is virtually unstudied in the academic world. This paper accepts that objects so decorated are art, that is, expressions that are a means of communication among humans, and both a sacred art as well as a means of establishing cultural identity. The lack of academic study has led to hypotheses about its origin that obscure rather than reveal how it began. This paper aims to describe when and by whom the beadwork began, as well as how it was first disseminated.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018
Mode of access: World Wide Web
ISBN: 9780355958157Subjects--Topical Terms:
1179522
Native American studies.
Index Terms--Genre/Form:
554714
Electronic books.
Toward the Origins of Peyote Beadwork.
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Peyote beadwork is a nuanced and elegant art form. Hundreds of thousands of people today use peyote beadwork, including the Native American Church, powwow people, gourd dancers and Native Americans wanting a marker of Native Identity. Mainstream society has relegated this art form to the status of craft. It is virtually unstudied in the academic world. This paper accepts that objects so decorated are art, that is, expressions that are a means of communication among humans, and both a sacred art as well as a means of establishing cultural identity. The lack of academic study has led to hypotheses about its origin that obscure rather than reveal how it began. This paper aims to describe when and by whom the beadwork began, as well as how it was first disseminated.
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Mode of access: World Wide Web
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click for full text (PQDT)
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