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Costuming the (Post)Colonial : = How...
~
Drace, Madeline.
Costuming the (Post)Colonial : = How to Blow Up Two Heads at Once (Ladies) and the Contemporary Atelier of Yinka Shonibare MBE.
Record Type:
Language materials, manuscript : Monograph/item
Title/Author:
Costuming the (Post)Colonial :/
Reminder of title:
How to Blow Up Two Heads at Once (Ladies) and the Contemporary Atelier of Yinka Shonibare MBE.
Author:
Drace, Madeline.
Description:
1 online resource (131 pages)
Notes:
Source: Masters Abstracts International, Volume: 57-06.
Contained By:
Masters Abstracts International57-06(E).
Subject:
Art history. -
Online resource:
click for full text (PQDT)
ISBN:
9780438020078
Costuming the (Post)Colonial : = How to Blow Up Two Heads at Once (Ladies) and the Contemporary Atelier of Yinka Shonibare MBE.
Drace, Madeline.
Costuming the (Post)Colonial :
How to Blow Up Two Heads at Once (Ladies) and the Contemporary Atelier of Yinka Shonibare MBE. - 1 online resource (131 pages)
Source: Masters Abstracts International, Volume: 57-06.
Thesis (M.A.)--Tufts University, 2018.
Includes bibliographical references
Yinka Shonibare MBE's oeuvre of ethnically-ambiguous mannequins dressed Victorian clothes made out of African fabrics has captured the imaginations of contemporary African art history, not the least because this combination throws doubt onto what audiences think is "African" or "Victorian." However, while studies of Shonibare exhaust the ironies of using Dutch wax prints, themselves the product of European imperial trade, to signify Africanness, less studied are the ironies sewn into the skirts and bodices of nineteenth-century Victorian fashion. This project investigates those latter ironies in How to Blow Up Two Heads at Once (Ladies) (2006). As a rich nexus of fashion and history, (Ladies) is a prime example of a new rhetorical concept---the Postcostume---that I argue can be used to insert the discipline of costume history and design into the study of Shonibare's work and art history at large.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018
Mode of access: World Wide Web
ISBN: 9780438020078Subjects--Topical Terms:
1180038
Art history.
Index Terms--Genre/Form:
554714
Electronic books.
Costuming the (Post)Colonial : = How to Blow Up Two Heads at Once (Ladies) and the Contemporary Atelier of Yinka Shonibare MBE.
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How to Blow Up Two Heads at Once (Ladies) and the Contemporary Atelier of Yinka Shonibare MBE.
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Source: Masters Abstracts International, Volume: 57-06.
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Includes bibliographical references
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Yinka Shonibare MBE's oeuvre of ethnically-ambiguous mannequins dressed Victorian clothes made out of African fabrics has captured the imaginations of contemporary African art history, not the least because this combination throws doubt onto what audiences think is "African" or "Victorian." However, while studies of Shonibare exhaust the ironies of using Dutch wax prints, themselves the product of European imperial trade, to signify Africanness, less studied are the ironies sewn into the skirts and bodices of nineteenth-century Victorian fashion. This project investigates those latter ironies in How to Blow Up Two Heads at Once (Ladies) (2006). As a rich nexus of fashion and history, (Ladies) is a prime example of a new rhetorical concept---the Postcostume---that I argue can be used to insert the discipline of costume history and design into the study of Shonibare's work and art history at large.
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click for full text (PQDT)
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