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Picturing Process : = Lynda Benglis' Cantilevered Pours.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Picturing Process :/
其他題名:	Lynda Benglis' Cantilevered Pours.
作者:	Filreis, Kelly Justine.
面頁冊數:	1 online resource (117 pages)
附註:	Source: Masters Abstracts International, Volume: 56-01.
標題:	Art history. -
電子資源:	click for full text (PQDT)
ISBN:	9781369087833

Picturing Process : = Lynda Benglis' Cantilevered Pours.
Filreis, Kelly Justine.

Picturing Process :Lynda Benglis' Cantilevered Pours. - 1 online resource (117 pages)

Source: Masters Abstracts International, Volume: 56-01.

Thesis (M.A.)--University of California, Riverside, 2016.

Includes bibliographical references

This project examines Lynda Benglis' 1971 series of poured polyurethane installations produced on-site at various museums and galleries in the United States. While Benglis' career has often been examined in light of her involvement in feminist art practices and post-minimal sculpture, the purpose of this project is to offer an expanded consideration of the six installations as a distinct series apart from her other work. Using rarely-seen video and photographic documentation, museum exhibition records, and critical reviews, I parse the intersections among materiality, site, and process. Despite Benglis' assertion that she was not directly involved with Process Art, my project nevertheless revisits this crucial moment in which sculpture was produced as a byproduct of an ephemeral action rather than as a permanent form.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9781369087833Subjects--Topical Terms:

1180038
Art history.
Index Terms--Genre/Form:

554714
Electronic books.

Picturing Process : = Lynda Benglis' Cantilevered Pours.
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245 1 0 $a Picturing Process : $b Lynda Benglis' Cantilevered Pours.
264 0 $c 2016
300 $a 1 online resource (117 pages)
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500 $a Source: Masters Abstracts International, Volume: 56-01.
500 $a Adviser: Liz Kotz.
502 $a Thesis (M.A.)--University of California, Riverside, 2016.
504 $a Includes bibliographical references
520 $a This project examines Lynda Benglis' 1971 series of poured polyurethane installations produced on-site at various museums and galleries in the United States. While Benglis' career has often been examined in light of her involvement in feminist art practices and post-minimal sculpture, the purpose of this project is to offer an expanded consideration of the six installations as a distinct series apart from her other work. Using rarely-seen video and photographic documentation, museum exhibition records, and critical reviews, I parse the intersections among materiality, site, and process. Despite Benglis' assertion that she was not directly involved with Process Art, my project nevertheless revisits this crucial moment in which sculpture was produced as a byproduct of an ephemeral action rather than as a permanent form.
520 $a The first chapter examines the role of documentation in framing the installations. I argue that, while on one hand, documentation flattens, obscures, or otherwise fixes in place the ephemeral objects, it also may offer a way to understand the agency of the material itself. The second chapter turns to another type of frame, which is the site in which they are produced. While many critics observed that the cantilevered pours evoke some kind of environment, I expand on the implications of the term. By situating the cantilevered pours into this significant discourse on photography and site, my project ultimately addresses the seeming disparity between sculptural permanence and ephemeral event in postwar art.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a Art history. $3 1180038
655 7 $a Electronic books. $2 local $3 554714
690 $a 0377
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a University of California, Riverside. $b Art History. $3 1185131
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10153663 $z click for full text (PQDT)