國立虎尾科技大學 |

Queer Bodies in Eikoh Hosoe's Photo Books : = on Collaborations with Yukio Mishima, Tatsumi Hijikata, and Shimon Yotsuya.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Queer Bodies in Eikoh Hosoe's Photo Books :/
其他題名:	on Collaborations with Yukio Mishima, Tatsumi Hijikata, and Shimon Yotsuya.
作者:	Nagatsuma, Yuriko.
面頁冊數:	1 online resource (234 pages)
附註:	Source: Dissertations Abstracts International, Volume: 84-03, Section: B.
Contained By:	Dissertations Abstracts International84-03B.
標題:	Art history. -
電子資源:	click for full text (PQDT)
ISBN:	9798351451572

Queer Bodies in Eikoh Hosoe's Photo Books : = on Collaborations with Yukio Mishima, Tatsumi Hijikata, and Shimon Yotsuya.
Nagatsuma, Yuriko.

Queer Bodies in Eikoh Hosoe's Photo Books :on Collaborations with Yukio Mishima, Tatsumi Hijikata, and Shimon Yotsuya. - 1 online resource (234 pages)

Source: Dissertations Abstracts International, Volume: 84-03, Section: B.

Thesis (Ph.D.)--State University of New York at Buffalo, 2022.

Includes bibliographical references

This dissertation investigates the politics manifested via the presentation of queer bodies in the Japanese photographer Eikoh Hosoe's three photobooks: Barakei (1963), Kamaitachi (1969), and Simmon: A Private Landscape (photographed in 1971 and published in 2012). I argue that Hosoe created these photobooks in order to demonstrate his resistance to Japan's heteronormative society, which was developing in accordance with post-war national prosperity in the 1960s. Through analyzing Hosoe's photographic images of Yukio Mishima, Tatsumi Hijikata, and Shimon Yotsuya, I show how Hosoe uses specific strategies in order to create a new, potential conception of space and time through photography. I examine Hosoe's photographic images as well as the three artists' work as a means of explicating how Hosoe not only deconstructs the ordinary understanding of the human body in terms of gender and sexuality, but also develops his idea of time and space through depictions of queer bodies. While Hosoe states that he captured these performances in order to document his memories, he also offers the viewer another time and space beyond the boundaries of ordinary experience that constitute heteronormative society. Hosoe strategically disguises his opposition to post-war Japanese society by appearing to have created these three photobooks simply to represent his models in unique and unprecedented ways. In reality, through these photo books, Hosoe utilized Eros as a means of undermining the social norms that underpinned Japan's modernization in the 1960s.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798351451572Subjects--Topical Terms:

1180038
Art history.
Subjects--Index Terms:

Hosoe, EikohIndex Terms--Genre/Form:

554714
Electronic books.

Queer Bodies in Eikoh Hosoe's Photo Books : = on Collaborations with Yukio Mishima, Tatsumi Hijikata, and Shimon Yotsuya.
LDR:02970ntm a22003977 4500 001 1146911
005 20240819061854.5
006 m o d
007 cr bn ---uuuuu
008 250605s2022 xx obm 000 0 eng d
020 $a 9798351451572
035 $a (MiAaPQ)AAI29325131
035 $a AAI29325131
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a Nagatsuma, Yuriko. $3 1472459
245 1 0 $a Queer Bodies in Eikoh Hosoe's Photo Books : $b on Collaborations with Yukio Mishima, Tatsumi Hijikata, and Shimon Yotsuya.
264 0 $c 2022
300 $a 1 online resource (234 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertations Abstracts International, Volume: 84-03, Section: B.
500 $a Advisor: Katz, Jonathan D.
502 $a Thesis (Ph.D.)--State University of New York at Buffalo, 2022.
504 $a Includes bibliographical references
520 $a This dissertation investigates the politics manifested via the presentation of queer bodies in the Japanese photographer Eikoh Hosoe's three photobooks: Barakei (1963), Kamaitachi (1969), and Simmon: A Private Landscape (photographed in 1971 and published in 2012). I argue that Hosoe created these photobooks in order to demonstrate his resistance to Japan's heteronormative society, which was developing in accordance with post-war national prosperity in the 1960s. Through analyzing Hosoe's photographic images of Yukio Mishima, Tatsumi Hijikata, and Shimon Yotsuya, I show how Hosoe uses specific strategies in order to create a new, potential conception of space and time through photography. I examine Hosoe's photographic images as well as the three artists' work as a means of explicating how Hosoe not only deconstructs the ordinary understanding of the human body in terms of gender and sexuality, but also develops his idea of time and space through depictions of queer bodies. While Hosoe states that he captured these performances in order to document his memories, he also offers the viewer another time and space beyond the boundaries of ordinary experience that constitute heteronormative society. Hosoe strategically disguises his opposition to post-war Japanese society by appearing to have created these three photobooks simply to represent his models in unique and unprecedented ways. In reality, through these photo books, Hosoe utilized Eros as a means of undermining the social norms that underpinned Japan's modernization in the 1960s.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2024
538 $a Mode of access: World Wide Web
650 4 $a Art history. $3 1180038
650 4 $a Sexuality. $3 963253
650 4 $a Asian studies. $3 1179577
653 $a Hosoe, Eikoh
653 $a Japanese art
653 $a Photography
653 $a Queer
653 $a Visual studies
655 7 $a Electronic books. $2 local $3 554714
690 $a 0377
690 $a 0211
690 $a 0342
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a State University of New York at Buffalo. $b Art. $3 1195824
773 0 $t Dissertations Abstracts International $g 84-03B.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29325131 $z click for full text (PQDT)