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Kinesthetic Spectatorship in the The...
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SpringerLink (Online service)
Kinesthetic Spectatorship in the Theatre = Phenomenology, Cognition, Movement /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Kinesthetic Spectatorship in the Theatre/ by Stanton B. Garner, Jr.
Reminder of title:
Phenomenology, Cognition, Movement /
Author:
Garner, Jr., Stanton B.
Description:
XII, 277 p.online resource. :
Contained By:
Springer Nature eBook
Subject:
Performing arts. -
Online resource:
https://doi.org/10.1007/978-3-319-91794-8
ISBN:
9783319917948
Kinesthetic Spectatorship in the Theatre = Phenomenology, Cognition, Movement /
Garner, Jr., Stanton B.
Kinesthetic Spectatorship in the Theatre
Phenomenology, Cognition, Movement /[electronic resource] :by Stanton B. Garner, Jr. - 1st ed. 2018. - XII, 277 p.online resource. - Cognitive Studies in Literature and Performance. - Cognitive Studies in Literature and Performance.
Introduction -- Movement and Animation.-Movement, Difference, Ability -- Movement, Attention, and Intentionality.-Kinesthetic Resonance.-Language, Speech, Movement -- Empathy and Otherness.
This book is about the centrality of movement, movement perception, and kinesthetic experience to theatrical spectatorship. Drawing upon phenomenological accounts of movement experience and the insights of cognitive science, neuroscience, acting theory, dance theory, philosophy of mind, and linguistics, it considers how we inhabit the movements of others and how these movements inhabit us. Individual chapters explore the dynamics of movement and animation, action and intentionality, kinesthetic resonance (or mirroring), language, speech, and empathy. In one of its most important contributions to the study of theatre, performance, and spectatorship, this book foregrounds otherness, divergence, and disability in its account of movement perception. The discussions of this and other issues are accompanied by detailed analysis of theatre, puppetry, and dance performances.
ISBN: 9783319917948
Standard No.: 10.1007/978-3-319-91794-8doiSubjects--Topical Terms:
556749
Performing arts.
LC Class. No.: PN1560-1590
Dewey Class. No.: 790
Kinesthetic Spectatorship in the Theatre = Phenomenology, Cognition, Movement /
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This book is about the centrality of movement, movement perception, and kinesthetic experience to theatrical spectatorship. Drawing upon phenomenological accounts of movement experience and the insights of cognitive science, neuroscience, acting theory, dance theory, philosophy of mind, and linguistics, it considers how we inhabit the movements of others and how these movements inhabit us. Individual chapters explore the dynamics of movement and animation, action and intentionality, kinesthetic resonance (or mirroring), language, speech, and empathy. In one of its most important contributions to the study of theatre, performance, and spectatorship, this book foregrounds otherness, divergence, and disability in its account of movement perception. The discussions of this and other issues are accompanied by detailed analysis of theatre, puppetry, and dance performances.
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