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Politics of Practice = A Rhetoric of Performativity /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Politics of Practice/ by Lynette Hunter.
Reminder of title:	A Rhetoric of Performativity /
Author:	Hunter, Lynette.
Description:	XIII, 278 p. 30 illus.online resource. :
Contained By:	Springer Nature eBook
Subject:	Theater. -
Online resource:	https://doi.org/10.1007/978-3-030-14019-9
ISBN:	9783030140199

Politics of Practice = A Rhetoric of Performativity /
Hunter, Lynette.

Politics of PracticeA Rhetoric of Performativity /[electronic resource] :by Lynette Hunter. - 1st ed. 2019. - XIII, 278 p. 30 illus.online resource. - Performance Philosophy. - Performance Philosophy.

1. Introduction -- 2. The Sociocultural and the Sociosituated -- 3. The Alongside -- 4. Sustaining Sociosituated Performativity with Collaboration -- 5. Transition – Critical Reflections -- 6. Keith Hennessy’s Sol Niger, and Turbulence -- 7. Ilya Noé’s Deerwalk -- 8. Caro Novella’s parèntesi, and Resistencias Sonoras -- 9. duskin drum – Selections from performance artmaking -- 10. Completed Notes – Finding Critical Form.

This book discusses affective practices in performance through the study of four contemporary performers – Keith Hennessy, Ilya Noé, Caro Novella, and duskin drum – to suggest a tentative rhetoric of performativity generating political affect and permeating attempts at social justice that are often alterior to discourse. The first part of the book makes a case for the political work done alongside discourse by performers practising with materials that are not-known, in ways that are directly relevant to people carrying out their daily lives. In the second part of the book, four case study chapters circle around figures of irresolvable paradox – hendiadys, enthymeme, anecdote, allegory – that gesture to what is not-known, to study strategies for processes of becoming, knowing and valuing. These figures also shape some elements of these performances that make up a suggested rhetorical stance for performativity.

ISBN: 9783030140199

Standard No.: 10.1007/978-3-030-14019-9doiSubjects--Topical Terms:

836732
Theater.

LC Class. No.: PN2000-3307

Dewey Class. No.: 792

Politics of Practice = A Rhetoric of Performativity /
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520 $a This book discusses affective practices in performance through the study of four contemporary performers – Keith Hennessy, Ilya Noé, Caro Novella, and duskin drum – to suggest a tentative rhetoric of performativity generating political affect and permeating attempts at social justice that are often alterior to discourse. The first part of the book makes a case for the political work done alongside discourse by performers practising with materials that are not-known, in ways that are directly relevant to people carrying out their daily lives. In the second part of the book, four case study chapters circle around figures of irresolvable paradox – hendiadys, enthymeme, anecdote, allegory – that gesture to what is not-known, to study strategies for processes of becoming, knowing and valuing. These figures also shape some elements of these performances that make up a suggested rhetorical stance for performativity.
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