國立虎尾科技大學 |

David Greig’s Holed Theatre = Globalization, Ethics and the Spectator /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	David Greig’s Holed Theatre/ by Verónica Rodríguez.
Reminder of title:	Globalization, Ethics and the Spectator /
Author:	Rodríguez, Verónica.
Description:	XVIII, 283 p. 1 illus.online resource. :
Contained By:	Springer Nature eBook
Subject:	Theater. -
Online resource:	https://doi.org/10.1007/978-3-030-06182-1
ISBN:	9783030061821

David Greig’s Holed Theatre = Globalization, Ethics and the Spectator /
Rodríguez, Verónica.

David Greig’s Holed TheatreGlobalization, Ethics and the Spectator /[electronic resource] :by Verónica Rodríguez. - 1st ed. 2019. - XVIII, 283 p. 1 illus.online resource.

1. Introduction: A Shamanic Semionaut -- 2. Holed Theatre as Response to Globalization -- 3. From Ethics to the Politics of Aesthethics -- 4. Affect and the Holed Spectator: Ecology of Transfers -- 5. Europe: Globalization’s Inferiors -- 6. The Architect: Blowing Up Architectures of Power -- 7. The Cosmonaut’s Last Message to the Woman He Once Loved in the Former Soviet Union: “All this Fucking Beautiful Stuff” -- 8. San Diego: Stitching up the Globe -- 9. The American Pilot: A Precarious Restoration to ‘the Real’ -- 10. Damascus: Trouma -- 11. Fragile: Sharing Doing and Spatial Transcorporeality -- 12. The Events: Confounding Spacecraft – Here -- 13. Conclusion: World-Forming Theatre.

With a Foreword by Dan Rebellato, this book offers up a detailed exploration of Scottish playwright David Greig’s work with particular attention to globalization, ethics, and the spectator. It makes the argument that Greig’s theatre works by undoing, cracking, or breaking apart myriad elements to reveal the holed, porous nature of all things. Starting with a discussion of Greig’s engagement with shamanism and arguing for holed theatre as a response to globalization, for Greig’s works’ politics of aesthethics, and for the holed spectator as part of an affective ecology of transfers, this book discusses some of Greig’s most representative political theatre from Europe (1994) to The Events (2013), concluding with an exploration of Greig’s theatre’s world-forming quality.

ISBN: 9783030061821

Standard No.: 10.1007/978-3-030-06182-1doiSubjects--Topical Terms:

836732
Theater.

LC Class. No.: PN2000-3307

Dewey Class. No.: 792

David Greig’s Holed Theatre = Globalization, Ethics and the Spectator /
LDR:02852nam a22003855i 4500 001 1008027
003 DE-He213
005 20200702085316.0
007 cr nn 008mamaa
008 210106s2019 gw | s |||| 0|eng d
020 $a 9783030061821 $9 978-3-030-06182-1
024 7 $a 10.1007/978-3-030-06182-1 $2 doi
035 $a 978-3-030-06182-1
050 4 $a PN2000-3307
072 7 $a AN $2 bicssc
072 7 $a PER011000 $2 bisacsh
072 7 $a ATD $2 thema
082 0 4 $a 792 $2 23
100 1 $a Rodríguez, Verónica. $e author. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1301841
245 1 0 $a David Greig’s Holed Theatre $h [electronic resource] : $b Globalization, Ethics and the Spectator / $c by Verónica Rodríguez.
250 $a 1st ed. 2019.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2019.
300 $a XVIII, 283 p. 1 illus. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
505 0 $a 1. Introduction: A Shamanic Semionaut -- 2. Holed Theatre as Response to Globalization -- 3. From Ethics to the Politics of Aesthethics -- 4. Affect and the Holed Spectator: Ecology of Transfers -- 5. Europe: Globalization’s Inferiors -- 6. The Architect: Blowing Up Architectures of Power -- 7. The Cosmonaut’s Last Message to the Woman He Once Loved in the Former Soviet Union: “All this Fucking Beautiful Stuff” -- 8. San Diego: Stitching up the Globe -- 9. The American Pilot: A Precarious Restoration to ‘the Real’ -- 10. Damascus: Trouma -- 11. Fragile: Sharing Doing and Spatial Transcorporeality -- 12. The Events: Confounding Spacecraft – Here -- 13. Conclusion: World-Forming Theatre.
520 $a With a Foreword by Dan Rebellato, this book offers up a detailed exploration of Scottish playwright David Greig’s work with particular attention to globalization, ethics, and the spectator. It makes the argument that Greig’s theatre works by undoing, cracking, or breaking apart myriad elements to reveal the holed, porous nature of all things. Starting with a discussion of Greig’s engagement with shamanism and arguing for holed theatre as a response to globalization, for Greig’s works’ politics of aesthethics, and for the holed spectator as part of an affective ecology of transfers, this book discusses some of Greig’s most representative political theatre from Europe (1994) to The Events (2013), concluding with an exploration of Greig’s theatre’s world-forming quality.
650 0 $a Theater. $2 swd $3 836732
650 0 $a Performing arts. $3 556749
650 0 $a Ethics. $3 555769
650 1 4 $a Contemporary Theatre. $3 1141651
650 2 4 $a Performing Arts. $3 670086
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783030061814
776 0 8 $i Printed edition: $z 9783030061838
856 4 0 $u https://doi.org/10.1007/978-3-030-06182-1
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)