國立虎尾科技大學 |

Performing Neurology = The Dramaturgy of Dr Jean-Martin Charcot /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Performing Neurology/ by Jonathan W. Marshall.
其他題名:	The Dramaturgy of Dr Jean-Martin Charcot /
作者:	Marshall, Jonathan W.
面頁冊數:	XI, 277 p. 11 illus., 1 illus. in color.online resource. :
Contained By:	Springer Nature eBook
標題:	Performing arts. -
電子資源:	https://doi.org/10.1057/978-1-137-51762-3
ISBN:	9781137517623

Performing Neurology = The Dramaturgy of Dr Jean-Martin Charcot /
Marshall, Jonathan W.

Performing NeurologyThe Dramaturgy of Dr Jean-Martin Charcot /[electronic resource] :by Jonathan W. Marshall. - 1st ed. 2016. - XI, 277 p. 11 illus., 1 illus. in color.online resource.

Introduction -- PART 1: PATHOLOGICAL PERFORMANCE: CONTEXTS, FRAMES AND STAGES -- 1. Theatrum Analyticum: The Stage of the Salpêtrière and Its Players -- 2. Materializing the Archetype -- 3. Theatrical Pedagogy -- 4. The Grotesque Body and the Living Nude -- PART 2: PATHOLOGICAL PERFORMANCE IN THE CLINIC -- 5. Performing Hysterioepilepsy -- 6. Infectious Representations -- PART 3: THEATRICAL FICTIONS -- 7. Theatrical Appearances and Degenerative Synaesthesia: Munthe and Daudet -- 8. The Theatre of Horror and Dread -- Conclusion.

This text provides a study of Jean-Martin Charcot, a founding figure in the history of neurology as a discipline and a colleague of Sigmund Freud. It argues that Charcot’s diagnostic and pedagogic models, explaining both how disease is recognized and described and how to teach the act of neurological diagnosis, should be considered through a theatrical lens. Considering the constitution of the living, moving body in terms of performance, Charcot created a situation whereby the line between deceptive acting and real pathology, scientific accuracy and creative falsehood, and indeed between health and unhealth, becomes blurred. The physician becomes a medical subject in his or her own display, transforming medicine into a potentially destabilizing, even grand guignolesque, discourse. Offering a unique insight into Charcot’s work, his concepts and his methods, this text represents a unique and interdisciplinary analysis cutting across the fields of art and neurology.

ISBN: 9781137517623

Standard No.: 10.1057/978-1-137-51762-3doiSubjects--Topical Terms:

556749
Performing arts.

LC Class. No.: PN1560-1590

Dewey Class. No.: 790

Performing Neurology = The Dramaturgy of Dr Jean-Martin Charcot /
LDR:02915nam a22003975i 4500 001 975486
003 DE-He213
005 20200630065412.0
007 cr nn 008mamaa
008 201211s2016 xxu| s |||| 0|eng d
020 $a 9781137517623 $9 978-1-137-51762-3
024 7 $a 10.1057/978-1-137-51762-3 $2 doi
035 $a 978-1-137-51762-3
050 4 $a PN1560-1590
072 7 $a AS $2 bicssc
072 7 $a PER000000 $2 bisacsh
072 7 $a AT $2 thema
082 0 4 $a 790 $2 23
100 1 $a Marshall, Jonathan W. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1111697
245 1 0 $a Performing Neurology $h [electronic resource] : $b The Dramaturgy of Dr Jean-Martin Charcot / $c by Jonathan W. Marshall.
250 $a 1st ed. 2016.
264 1 $a New York : $b Palgrave Macmillan US : $b Imprint: Palgrave Macmillan, $c 2016.
300 $a XI, 277 p. 11 illus., 1 illus. in color. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
505 0 $a Introduction -- PART 1: PATHOLOGICAL PERFORMANCE: CONTEXTS, FRAMES AND STAGES -- 1. Theatrum Analyticum: The Stage of the Salpêtrière and Its Players -- 2. Materializing the Archetype -- 3. Theatrical Pedagogy -- 4. The Grotesque Body and the Living Nude -- PART 2: PATHOLOGICAL PERFORMANCE IN THE CLINIC -- 5. Performing Hysterioepilepsy -- 6. Infectious Representations -- PART 3: THEATRICAL FICTIONS -- 7. Theatrical Appearances and Degenerative Synaesthesia: Munthe and Daudet -- 8. The Theatre of Horror and Dread -- Conclusion.
520 $a This text provides a study of Jean-Martin Charcot, a founding figure in the history of neurology as a discipline and a colleague of Sigmund Freud. It argues that Charcot’s diagnostic and pedagogic models, explaining both how disease is recognized and described and how to teach the act of neurological diagnosis, should be considered through a theatrical lens. Considering the constitution of the living, moving body in terms of performance, Charcot created a situation whereby the line between deceptive acting and real pathology, scientific accuracy and creative falsehood, and indeed between health and unhealth, becomes blurred. The physician becomes a medical subject in his or her own display, transforming medicine into a potentially destabilizing, even grand guignolesque, discourse. Offering a unique insight into Charcot’s work, his concepts and his methods, this text represents a unique and interdisciplinary analysis cutting across the fields of art and neurology.
650 0 $a Performing arts. $3 556749
650 0 $a Neuropsychology. $3 556286
650 0 $a Experiential research. $3 815824
650 1 4 $a Performing Arts. $3 670086
650 2 4 $a Psychology Research. $3 782009
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9781137517616
776 0 8 $i Printed edition: $z 9781349704194
776 0 8 $i Printed edition: $z 9781349704187
856 4 0 $u https://doi.org/10.1057/978-1-137-51762-3
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)