語系:
繁體中文
English
說明(常見問題)
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Cultural Identity in British Musical...
~
Macpherson, Ben.
Cultural Identity in British Musical Theatre, 1890–1939 = Knowing One’s Place /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Cultural Identity in British Musical Theatre, 1890–1939/ by Ben Macpherson.
其他題名:
Knowing One’s Place /
作者:
Macpherson, Ben.
面頁冊數:
XV, 245 p.online resource. :
Contained By:
Springer Nature eBook
標題:
Theater. -
電子資源:
https://doi.org/10.1057/978-1-137-59807-3
ISBN:
9781137598073
Cultural Identity in British Musical Theatre, 1890–1939 = Knowing One’s Place /
Macpherson, Ben.
Cultural Identity in British Musical Theatre, 1890–1939
Knowing One’s Place /[electronic resource] :by Ben Macpherson. - 1st ed. 2018. - XV, 245 p.online resource. - Palgrave Studies in British Musical Theatre. - Palgrave Studies in British Musical Theatre.
1. The British Musical in Seven Stories -- 2. Nation – Mythologies and Modernity -- 3. Femininity – Cinderella’s and Caretakers -- 4. Manliness – Domesticity and Defence -- 5. Empire – Ornamentalism and Orientalism -- 6. Conflict – Continuity and Change -- 7. Peace – Nostalgia and Nationhood -- 8. The English Musical in Many Stories.
This book examines the performance of ‘Britishness’ on the musical stage. Covering a tumultuous period in British history, it offers a fresh look at the vitality and centrality of the musical stage, as a global phenomenon in late-Victorian popular culture and beyond. Through a re-examination of over fifty archival play-scripts, the book comprises seven interconnected stories told in two parts. Part One focuses on domestic and personal identities of ‘Britishness’, and how implicit anxieties and contradictions of nationhood, class and gender were staged as part of the popular cultural condition. Broadening in scope, Part Two offers a revisionary reading of Empire and Otherness on the musical stage, and concludes with a consideration of the Great War and the interwar period, as musical theatre performed a nostalgia for a particular kind of ‘Britishness’, reflecting the anxieties of a nation in decline.
ISBN: 9781137598073
Standard No.: 10.1057/978-1-137-59807-3doiSubjects--Topical Terms:
836732
Theater.
LC Class. No.: PN2000-3307
Dewey Class. No.: 792
Cultural Identity in British Musical Theatre, 1890–1939 = Knowing One’s Place /
LDR
:02713nam a22004095i 4500
001
990970
003
DE-He213
005
20200703064732.0
007
cr nn 008mamaa
008
201225s2018 xxk| s |||| 0|eng d
020
$a
9781137598073
$9
978-1-137-59807-3
024
7
$a
10.1057/978-1-137-59807-3
$2
doi
035
$a
978-1-137-59807-3
050
4
$a
PN2000-3307
072
7
$a
AN
$2
bicssc
072
7
$a
PER011000
$2
bisacsh
072
7
$a
ATD
$2
thema
082
0 4
$a
792
$2
23
100
1
$a
Macpherson, Ben.
$4
aut
$4
http://id.loc.gov/vocabulary/relators/aut
$3
1205042
245
1 0
$a
Cultural Identity in British Musical Theatre, 1890–1939
$h
[electronic resource] :
$b
Knowing One’s Place /
$c
by Ben Macpherson.
250
$a
1st ed. 2018.
264
1
$a
London :
$b
Palgrave Macmillan UK :
$b
Imprint: Palgrave Macmillan,
$c
2018.
300
$a
XV, 245 p.
$b
online resource.
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
347
$a
text file
$b
PDF
$2
rda
490
1
$a
Palgrave Studies in British Musical Theatre
505
0
$a
1. The British Musical in Seven Stories -- 2. Nation – Mythologies and Modernity -- 3. Femininity – Cinderella’s and Caretakers -- 4. Manliness – Domesticity and Defence -- 5. Empire – Ornamentalism and Orientalism -- 6. Conflict – Continuity and Change -- 7. Peace – Nostalgia and Nationhood -- 8. The English Musical in Many Stories.
520
$a
This book examines the performance of ‘Britishness’ on the musical stage. Covering a tumultuous period in British history, it offers a fresh look at the vitality and centrality of the musical stage, as a global phenomenon in late-Victorian popular culture and beyond. Through a re-examination of over fifty archival play-scripts, the book comprises seven interconnected stories told in two parts. Part One focuses on domestic and personal identities of ‘Britishness’, and how implicit anxieties and contradictions of nationhood, class and gender were staged as part of the popular cultural condition. Broadening in scope, Part Two offers a revisionary reading of Empire and Otherness on the musical stage, and concludes with a consideration of the Great War and the interwar period, as musical theatre performed a nostalgia for a particular kind of ‘Britishness’, reflecting the anxieties of a nation in decline.
650
0
$a
Theater.
$2
swd
$3
836732
650
1 4
$a
Theatre and Performance Studies.
$3
1104911
710
2
$a
SpringerLink (Online service)
$3
593884
773
0
$t
Springer Nature eBook
776
0 8
$i
Printed edition:
$z
9781137598066
776
0 8
$i
Printed edition:
$z
9781349997145
776
0 8
$i
Printed edition:
$z
9781349959198
830
0
$a
Palgrave Studies in British Musical Theatre
$3
1268201
856
4 0
$u
https://doi.org/10.1057/978-1-137-59807-3
912
$a
ZDB-2-LCM
912
$a
ZDB-2-SXL
950
$a
Literature, Cultural and Media Studies (SpringerNature-41173)
950
$a
Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
筆 0 讀者評論
多媒體
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼[密碼必須為2種組合(英文和數字)及長度為10碼以上]
登入