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Costume Design : = Communication Thr...

ProQuest Information and Learning Co.

Costume Design : = Communication Through Dress.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Costume Design :/
其他題名:	Communication Through Dress.
作者:	Harmon, Rachel Amanda.
面頁冊數:	1 online resource (133 pages)
附註:	Source: Masters Abstracts International, Volume: 56-05.
Contained By:	Masters Abstracts International56-05(E).
標題:	Design. -
電子資源:	click for full text (PQDT)
ISBN:	9780355072525

Costume Design : = Communication Through Dress.
Harmon, Rachel Amanda.

Costume Design :Communication Through Dress. - 1 online resource (133 pages)

Source: Masters Abstracts International, Volume: 56-05.

Thesis (M.F.A.)--University of South Carolina, 2017.

Includes bibliographical references

Costume Design: Communication Through Dress represents my experience as a candidate in the University of South Carolina's Master of Fine Arts program in Theatre Design, with an emphasis in Costume Design and Technology. During my time in this program, I worked closely with Professors Lisa Martin-Stuart and Nic Ularu to practice text and character analysis, rendering techniques, communication and the execution of designs from concepts on paper into three fully realized productions.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780355072525Subjects--Topical Terms:

595500
Design.
Index Terms--Genre/Form:

554714
Electronic books.

Costume Design : = Communication Through Dress.
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100 1 $a Harmon, Rachel Amanda. $3 1190920
245 1 0 $a Costume Design : $b Communication Through Dress.
264 0 $c 2017
300 $a 1 online resource (133 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
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500 $a Source: Masters Abstracts International, Volume: 56-05.
500 $a Adviser: Nic Ularu.
502 $a Thesis (M.F.A.)--University of South Carolina, 2017.
504 $a Includes bibliographical references
520 $a Costume Design: Communication Through Dress represents my experience as a candidate in the University of South Carolina's Master of Fine Arts program in Theatre Design, with an emphasis in Costume Design and Technology. During my time in this program, I worked closely with Professors Lisa Martin-Stuart and Nic Ularu to practice text and character analysis, rendering techniques, communication and the execution of designs from concepts on paper into three fully realized productions.
520 $a This thesis explores the design process behind three shows produced by the University of South Carolina's Department of Theatre and Dance: Translations by Brian Friel, Blithe Spirit by Noel Coward, and Scapin, adapted by Bill Irwin and Mark O'Donnell. I investigate the design process for these three shows, starting with researching and interpreting historical dress and for each world onstage. Through extensive script analysis and communication with the director, I learn about the background and psychological state and goals of each character, determine class differentiation requirements in each world, and establish ways to convey these distinctions through garment choices. I explore instances that occurred during production requiring modification and troubleshooting, and discuss how these experiences have helped me finesse my communication skills. Additionally, I discuss experiences that have helped me learn to better anticipate the needs of the production team and actors, which have in turn helped me to grow as a designer.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a Design. $3 595500
650 4 $a Theater. $2 swd $3 836732
655 7 $a Electronic books. $2 local $3 554714
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690 $a 0465
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710 2 $a University of South Carolina. $b Theatre. $3 1190921
773 0 $t Masters Abstracts International $g 56-05(E).
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10264432 $z click for full text (PQDT)

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