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Spectral Music and Gerard Grisey's "Vortex Temporum I and II".

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Spectral Music and Gerard Grisey's "Vortex Temporum I and II"./
Author:	Wang, Ching-Yi.
Description:	1 online resource (108 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 74-07, Section: A.
Contained By:	Dissertations Abstracts International74-07A.
Subject:	Music. -
Online resource:	click for full text (PQDT)
ISBN:	9781267760272

Spectral Music and Gerard Grisey's "Vortex Temporum I and II".
Wang, Ching-Yi.

Spectral Music and Gerard Grisey's "Vortex Temporum I and II". - 1 online resource (108 pages)

Source: Dissertations Abstracts International, Volume: 74-07, Section: A.

Thesis (Ph.D.)--University of California, Davis, 2012.

Includes bibliographical references

This dissertation provides aesthetic and historical perspectives of the French spectral music and offers an analysis of Gerard Grisey's late work Vortex Temporum I and II, which was written in 1994-96 and is dedicated to Gerard Zinsstag, Salvatore Sciarrino, and Helmut Lachenmann. Chapter One is an introduction to the spectral movement, including the characteristics of spectral music and the biographies of three generations of select spectralists. The remainder of this chapter demonstrates certain essential techniques that influence the musical style of Grisey. A brief introduction to the life of Grisey and some trademarks of Grisey's oeuvres are presented in Chapter Two. Time concepts, an important facet of Grisey's work in general, indicated in Grisey's essay "Tempus ex Machina" is also outlined here. In Chapter Three, I present an analysis of the first and second movements of Vortex Temporum, a composition for chamber ensemble, consisting of six players: piano, flute (picc/alto/C/bass), Bb clarinet (bass clarinet), violin, viola, and violoncello. In my analysis, I look at aspects of the work such as its basis in various waveforms and how contrasts are formed through use of register, and Grisey's innovative approach to the temporal parameter. I also investigate the convergence of Grisey's spectral attitude and traditional Western classical music in the analysis.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9781267760272Subjects--Topical Terms:

649088
Music.
Subjects--Index Terms:

Grisey, GerardIndex Terms--Genre/Form:

554714
Electronic books.

Spectral Music and Gerard Grisey's "Vortex Temporum I and II".
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520 $a This dissertation provides aesthetic and historical perspectives of the French spectral music and offers an analysis of Gerard Grisey's late work Vortex Temporum I and II, which was written in 1994-96 and is dedicated to Gerard Zinsstag, Salvatore Sciarrino, and Helmut Lachenmann. Chapter One is an introduction to the spectral movement, including the characteristics of spectral music and the biographies of three generations of select spectralists. The remainder of this chapter demonstrates certain essential techniques that influence the musical style of Grisey. A brief introduction to the life of Grisey and some trademarks of Grisey's oeuvres are presented in Chapter Two. Time concepts, an important facet of Grisey's work in general, indicated in Grisey's essay "Tempus ex Machina" is also outlined here. In Chapter Three, I present an analysis of the first and second movements of Vortex Temporum, a composition for chamber ensemble, consisting of six players: piano, flute (picc/alto/C/bass), Bb clarinet (bass clarinet), violin, viola, and violoncello. In my analysis, I look at aspects of the work such as its basis in various waveforms and how contrasts are formed through use of register, and Grisey's innovative approach to the temporal parameter. I also investigate the convergence of Grisey's spectral attitude and traditional Western classical music in the analysis.
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653 $a Musical time
653 $a Saariaho, Kaija
653 $a Spectral music
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