語系:
繁體中文
English
說明(常見問題)
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Cabaret songs by classical composers...
~
ProQuest Information and Learning Co.
Cabaret songs by classical composers during the first half of the twentieth century : = Satie, Schoenberg, Weill, and Britten.
紀錄類型:
書目-語言資料,手稿 : Monograph/item
正題名/作者:
Cabaret songs by classical composers during the first half of the twentieth century :/
其他題名:
Satie, Schoenberg, Weill, and Britten.
作者:
Brooks, Colleen.
面頁冊數:
1 online resource (135 pages)
附註:
Source: Dissertation Abstracts International, Volume: 71-12, Section: A, page: 4236.
Contained By:
Dissertation Abstracts International71-12A.
標題:
Music. -
電子資源:
click for full text (PQDT)
ISBN:
9781124263687
Cabaret songs by classical composers during the first half of the twentieth century : = Satie, Schoenberg, Weill, and Britten.
Brooks, Colleen.
Cabaret songs by classical composers during the first half of the twentieth century :
Satie, Schoenberg, Weill, and Britten. - 1 online resource (135 pages)
Source: Dissertation Abstracts International, Volume: 71-12, Section: A, page: 4236.
Thesis (D.M.A.)--University of Cincinnati, 2010.
Includes bibliographical references
One of the most viable trends in the compositional practice of the twentieth and twenty-first centuries is the blurring and breaking of boundaries between classical and popular styles. Toward the end of the nineteenth century this blurring of boundaries resulted in the genre of cabaret. My document demonstrates that classical composers of various nationalities and compositional styles experimented in this new genre of cabaret. It traces the history of the cabaret movement from its origins through World War II and provides a detailed history of the cabaret songs of four classical composers: Erik Satie's cabaret songs for Vincent Hyspa, Arnold Schoenberg's Brettl-Lieder, Kurt Weill's cabaret songs from his Paris years, and Benjamin Britten's Cabaret Songs. Through musical analysis this document shows that their cabaret songs reflect the influence of popular idioms as well as each composer's own classical style.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018
Mode of access: World Wide Web
ISBN: 9781124263687Subjects--Topical Terms:
649088
Music.
Index Terms--Genre/Form:
554714
Electronic books.
Cabaret songs by classical composers during the first half of the twentieth century : = Satie, Schoenberg, Weill, and Britten.
LDR
:02185ntm a2200325Ki 4500
001
920565
005
20181203094032.5
006
m o u
007
cr mn||||a|a||
008
190606s2010 xx obm 000 0 eng d
020
$a
9781124263687
035
$a
(MiAaPQ)AAI3426179
035
$a
(MiAaPQ)grad.uc:10289
035
$a
AAI3426179
040
$a
MiAaPQ
$b
eng
$c
MiAaPQ
$d
NTU
100
1
$a
Brooks, Colleen.
$3
1195405
245
1 0
$a
Cabaret songs by classical composers during the first half of the twentieth century :
$b
Satie, Schoenberg, Weill, and Britten.
264
0
$c
2010
300
$a
1 online resource (135 pages)
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
500
$a
Source: Dissertation Abstracts International, Volume: 71-12, Section: A, page: 4236.
500
$a
Adviser: Jeongwon Joe.
502
$a
Thesis (D.M.A.)--University of Cincinnati, 2010.
504
$a
Includes bibliographical references
520
$a
One of the most viable trends in the compositional practice of the twentieth and twenty-first centuries is the blurring and breaking of boundaries between classical and popular styles. Toward the end of the nineteenth century this blurring of boundaries resulted in the genre of cabaret. My document demonstrates that classical composers of various nationalities and compositional styles experimented in this new genre of cabaret. It traces the history of the cabaret movement from its origins through World War II and provides a detailed history of the cabaret songs of four classical composers: Erik Satie's cabaret songs for Vincent Hyspa, Arnold Schoenberg's Brettl-Lieder, Kurt Weill's cabaret songs from his Paris years, and Benjamin Britten's Cabaret Songs. Through musical analysis this document shows that their cabaret songs reflect the influence of popular idioms as well as each composer's own classical style.
533
$a
Electronic reproduction.
$b
Ann Arbor, Mich. :
$c
ProQuest,
$d
2018
538
$a
Mode of access: World Wide Web
650
4
$a
Music.
$3
649088
655
7
$a
Electronic books.
$2
local
$3
554714
690
$a
0413
710
2
$a
ProQuest Information and Learning Co.
$3
1178819
710
2
$a
University of Cincinnati.
$b
Voice.
$3
1195406
773
0
$t
Dissertation Abstracts International
$g
71-12A.
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3426179
$z
click for full text (PQDT)
筆 0 讀者評論
多媒體
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼[密碼必須為2種組合(英文和數字)及長度為10碼以上]
登入