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A comparative performance study of t...
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Otaki, Michiko.
A comparative performance study of the wind and string versions of Beethoven's Opus 16.
紀錄類型:
書目-語言資料,手稿 : Monograph/item
正題名/作者:
A comparative performance study of the wind and string versions of Beethoven's Opus 16./
作者:
Otaki, Michiko.
面頁冊數:
1 online resource (107 pages)
附註:
Source: Dissertation Abstracts International, Volume: 52-07, Section: A, page: 2316.
標題:
Music. -
電子資源:
click for full text (PQDT)
A comparative performance study of the wind and string versions of Beethoven's Opus 16.
Otaki, Michiko.
A comparative performance study of the wind and string versions of Beethoven's Opus 16.
- 1 online resource (107 pages)
Source: Dissertation Abstracts International, Volume: 52-07, Section: A, page: 2316.
Thesis (D.M.A.)--University of Miami, 1991.
Includes bibliographical references
Beethoven's Op. 16 exists in two versions. The original version is a quintet for piano and winds, composed circa 1797. The date of the transcription, a quartet for piano and strings, was sometime between the date of composition and the simultaneous publication of both versions in 1801. The same piano part is used for both versions. The transcription of the other parts, four wind parts transferred to three string parts, was regarded by many scholars as involving little significant change and therefore not worthy of study. Beethoven's changes, however, necessitate an entirely different approach on the part of the pianist in dealing with the two versions. The necessary adjustments for this work's respective versions have been extensively discussed in great detail and an attempt has been made through that discussion to lay down certain basic principles which might be applied by pianists in the performance of wind and string chamber music in general.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018
Mode of access: World Wide Web
Subjects--Topical Terms:
649088
Music.
Index Terms--Genre/Form:
554714
Electronic books.
A comparative performance study of the wind and string versions of Beethoven's Opus 16.
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A comparative performance study of the wind and string versions of Beethoven's Opus 16.
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Source: Dissertation Abstracts International, Volume: 52-07, Section: A, page: 2316.
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Supervisor: Ivan Davis.
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Thesis (D.M.A.)--University of Miami, 1991.
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Includes bibliographical references
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Beethoven's Op. 16 exists in two versions. The original version is a quintet for piano and winds, composed circa 1797. The date of the transcription, a quartet for piano and strings, was sometime between the date of composition and the simultaneous publication of both versions in 1801. The same piano part is used for both versions. The transcription of the other parts, four wind parts transferred to three string parts, was regarded by many scholars as involving little significant change and therefore not worthy of study. Beethoven's changes, however, necessitate an entirely different approach on the part of the pianist in dealing with the two versions. The necessary adjustments for this work's respective versions have been extensively discussed in great detail and an attempt has been made through that discussion to lay down certain basic principles which might be applied by pianists in the performance of wind and string chamber music in general.
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Electronic reproduction.
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Ann Arbor, Mich. :
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ProQuest,
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2018
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Mode of access: World Wide Web
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Music.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9136501
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click for full text (PQDT)
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