國立虎尾科技大學 |

The Avant-Garde Trombone : = The History and Development with an Examination of Luciano Berio's Sequenza V and Jacob TV's I Was Like Wow and an Analysis of John Kenny's Sonata For Tenor Trombone.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	The Avant-Garde Trombone :/
Reminder of title:	The History and Development with an Examination of Luciano Berio's Sequenza V and Jacob TV's I Was Like Wow and an Analysis of John Kenny's Sonata For Tenor Trombone.
Author:	Ivany, Stephen Craig.
Description:	1 online resource (50 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 79-01, Section: A.
Contained By:	Dissertations Abstracts International79-01A.
Subject:	Music. -
Online resource:	click for full text (PQDT)
ISBN:	9781369863376

The Avant-Garde Trombone : = The History and Development with an Examination of Luciano Berio's Sequenza V and Jacob TV's I Was Like Wow and an Analysis of John Kenny's Sonata For Tenor Trombone.
Ivany, Stephen Craig.

The Avant-Garde Trombone :The History and Development with an Examination of Luciano Berio's Sequenza V and Jacob TV's I Was Like Wow and an Analysis of John Kenny's Sonata For Tenor Trombone. - 1 online resource (50 pages)

Source: Dissertations Abstracts International, Volume: 79-01, Section: A.

Thesis (D.M.)--The Florida State University, 2017.

Includes bibliographical references

It is advantageous for one seeking a career in trombone, as a performer, and as an educator, to have an in-depth understanding of the trombone avant-garde solo works. For other classical instruments, repertoire spans many centuries and can be found in every major musical era. However, the trombone was a later addition to the orchestra, and it was not seen as a solo instrument until later still. With the development of trombone literature falling predominately in the second half of the 20th century, it is no surprise that the musical avant-garde movement of post-World War II Western society included works for solo trombone. It is important to perform and understand the historical significance of these works since they are certainly worthy of performance. They also are responsible, in part, for the flourishing importance of the trombone as a prominent solo instrument in the twenty-first century. For both of these lecture recitals, there are many great resources to help one understand the historical context and theoretical designs of all of the works I have examined. Stuart Dempster's work as a performer and researcher has proven to be an incredibly valuable source of information for all aspiring trombonists. His book, The Modern Trombone: A Definition of Its Idioms, serves as a major source of inspiration and knowledge for both the understanding and practical approach to performing many of the avant-garde trombone works. Austin Duke's dissertation, A Performer's Guide to Theatrical Elements in Selected Trombone Literature, also serves as a valuable resource regarding the theatrics involved in many of the pieces that will be examined. This performative side of the avant-garde literature is often overlooked, and therefore it is vital to the success of a lecture series on this topic.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9781369863376Subjects--Topical Terms:

649088
Music.
Subjects--Index Terms:

Avant-gardeIndex Terms--Genre/Form:

554714
Electronic books.

The Avant-Garde Trombone : = The History and Development with an Examination of Luciano Berio's Sequenza V and Jacob TV's I Was Like Wow and an Analysis of John Kenny's Sonata For Tenor Trombone.
LDR:03307ntm a22003977 4500 001 1147926
005 20240916065939.5
006 m o d
007 cr bn ---uuuuu
008 250605s2017 xx obm 000 0 eng d
020 $a 9781369863376
035 $a (MiAaPQ)AAI10259290
035 $a (MiAaPQ)fsu:13732
035 $a AAI10259290
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a Ivany, Stephen Craig. $3 1473770
245 1 4 $a The Avant-Garde Trombone : $b The History and Development with an Examination of Luciano Berio's Sequenza V and Jacob TV's I Was Like Wow and an Analysis of John Kenny's Sonata For Tenor Trombone.
264 0 $c 2017
300 $a 1 online resource (50 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertations Abstracts International, Volume: 79-01, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Drew, John R.
502 $a Thesis (D.M.)--The Florida State University, 2017.
504 $a Includes bibliographical references
520 $a It is advantageous for one seeking a career in trombone, as a performer, and as an educator, to have an in-depth understanding of the trombone avant-garde solo works. For other classical instruments, repertoire spans many centuries and can be found in every major musical era. However, the trombone was a later addition to the orchestra, and it was not seen as a solo instrument until later still. With the development of trombone literature falling predominately in the second half of the 20th century, it is no surprise that the musical avant-garde movement of post-World War II Western society included works for solo trombone. It is important to perform and understand the historical significance of these works since they are certainly worthy of performance. They also are responsible, in part, for the flourishing importance of the trombone as a prominent solo instrument in the twenty-first century. For both of these lecture recitals, there are many great resources to help one understand the historical context and theoretical designs of all of the works I have examined. Stuart Dempster's work as a performer and researcher has proven to be an incredibly valuable source of information for all aspiring trombonists. His book, The Modern Trombone: A Definition of Its Idioms, serves as a major source of inspiration and knowledge for both the understanding and practical approach to performing many of the avant-garde trombone works. Austin Duke's dissertation, A Performer's Guide to Theatrical Elements in Selected Trombone Literature, also serves as a valuable resource regarding the theatrics involved in many of the pieces that will be examined. This performative side of the avant-garde literature is often overlooked, and therefore it is vital to the success of a lecture series on this topic.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2024
538 $a Mode of access: World Wide Web
650 4 $a Music. $3 649088
653 $a Avant-garde
653 $a Berio
653 $a Jacob TV
653 $a Kenny
653 $a Trombone
655 7 $a Electronic books. $2 local $3 554714
690 $a 0413
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a The Florida State University. $b Music. $3 1184881
773 0 $t Dissertations Abstracts International $g 79-01A.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10259290 $z click for full text (PQDT)