國立虎尾科技大學 |

Psychoacoustic entropy theory and its implications for performance practice.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Psychoacoustic entropy theory and its implications for performance practice./
作者:	Strohman, Gregory J.
面頁冊數:	1 online resource (249 pages)
附註:	Source: Dissertation Abstracts International, Volume: 75-09(E), Section: A.
標題:	Music. -
電子資源:	click for full text (PQDT)
ISBN:	9781303956348

Psychoacoustic entropy theory and its implications for performance practice.
Strohman, Gregory J.

Psychoacoustic entropy theory and its implications for performance practice. - 1 online resource (249 pages)

Source: Dissertation Abstracts International, Volume: 75-09(E), Section: A.

Thesis (D.M.A.)--Temple University, 2014.

Includes bibliographical references

This dissertation attempts to motivate, derive and imply potential uses for a generalized perceptual theory of musical harmony called psychoacoustic entropy theory. This theory treats the human auditory system as a physical system which takes acoustic measurements. As a result, the human auditory system is subject to all the appropriate uncertainties and limitations of other physical measurement systems. This is the theoretic basis for defining psychoacoustic entropy. Psychoacoustic entropy is a numerical quantity which indexes the degree to which the human auditory system perceives instantaneous disorder within a sound pressure wave.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9781303956348Subjects--Topical Terms:

649088
Music.
Index Terms--Genre/Form:

554714
Electronic books.

Psychoacoustic entropy theory and its implications for performance practice.
LDR:04065ntm a2200409K 4500 001 913162
005 20180614071650.5
006 m o u
007 cr mn||||a|a||
008 190606s2014 xx obm 000 0 eng d
020 $a 9781303956348
035 $a (MiAaPQ)AAI3623271
035 $a (MiAaPQ)temple:11751
035 $a AAI3623271
040 $a MiAaPQ $b eng $c MiAaPQ
100 1 $a Strohman, Gregory J. $3 1185864
245 1 0 $a Psychoacoustic entropy theory and its implications for performance practice.
264 0 $c 2014
300 $a 1 online resource (249 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertation Abstracts International, Volume: 75-09(E), Section: A.
500 $a Includes supplementary digital materials.
500 $a Adviser: Maurice Wright.
502 $a Thesis (D.M.A.)--Temple University, 2014.
504 $a Includes bibliographical references
520 $a This dissertation attempts to motivate, derive and imply potential uses for a generalized perceptual theory of musical harmony called psychoacoustic entropy theory. This theory treats the human auditory system as a physical system which takes acoustic measurements. As a result, the human auditory system is subject to all the appropriate uncertainties and limitations of other physical measurement systems. This is the theoretic basis for defining psychoacoustic entropy. Psychoacoustic entropy is a numerical quantity which indexes the degree to which the human auditory system perceives instantaneous disorder within a sound pressure wave.
520 $a Chapter one explains the importance of harmonic analysis as a tool for performance practice. It also outlines the critical limitations for many of the most influential historical approaches to modeling harmonic stability, particularly when compared to available scientific research in psychoacoustics.
520 $a Rather than analyze a musical excerpt, psychoacoustic entropy is calculated directly from sound pressure waves themselves. This frames psychoacoustic entropy theory in the most general possible terms as a theory of musical harmony, enabling it to be invoked for any perceivable sound. Chapter two provides and examines many widely accepted mathematical models of the acoustics and psychoacoustics of these sound pressure waves.
520 $a Chapter three introduces entropy as a precise way of measuring perceived uncertainty in sound pressure waves. Entropy is used, in combination with the acoustic and psychoacoustic models introduced in chapter two, to motivate the mathematical formulation of psychoacoustic entropy theory. Chapter four shows how to use psychoacoustic entropy theory to analyze the certain types of musical harmonies, while chapter five applies the analytical tools developed in chapter four to two short musical excerpts to influence their interpretation.
520 $a Almost every form of harmonic analysis invokes some degree of mathematical reasoning. However, the limited scope of most harmonic systems used for Western common practice music greatly simplifies the necessary level of mathematical detail. Psychoacoustic entropy theory requires a greater deal of mathematical complexity due to its sheer scope as a generalized theory of musical harmony. Fortunately, under specific assumptions the theory can take on vastly simpler forms.
520 $a Psychoacoustic entropy theory appears to be highly compatible with the latest scientific research in psychoacoustics. However, the theory itself should be regarded as a hypothesis and this dissertation an experiment in progress. The evaluation of psychoacoustic entropy theory as a scientific theory of human sonic perception must wait for more rigorous future research.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a Music. $3 649088
650 4 $a Acoustics. $3 670692
650 4 $a Cognitive psychology. $3 556029
655 7 $a Electronic books. $2 local $3 554714
690 $a 0413
690 $a 0986
690 $a 0633
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a Temple University. $b Music Performance. $3 1185865
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3623271 $z click for full text (PQDT)