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Three motivic topics in Beethoven's ...
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University of North Texas.
Three motivic topics in Beethoven's Piano Quintet, Op. 16.
Record Type:
Language materials, manuscript : Monograph/item
Title/Author:
Three motivic topics in Beethoven's Piano Quintet, Op. 16./
Author:
Gratton, John Brian.
Description:
1 online resource (72 pages)
Notes:
Source: Masters Abstracts International, Volume: 34-01, page: 1700.
Subject:
Music. -
Online resource:
click for full text (PQDT)
Three motivic topics in Beethoven's Piano Quintet, Op. 16.
Gratton, John Brian.
Three motivic topics in Beethoven's Piano Quintet, Op. 16.
- 1 online resource (72 pages)
Source: Masters Abstracts International, Volume: 34-01, page: 1700.
Thesis (M.Mus.)--University of North Texas, 1995.
Includes bibliographical references
The first movement of the Piano Quintet, Op. 16 of Ludwig van Beethoven works out three significant motivic "topics": a chromatically filled-in second, appearing first as -$\sp\natural\5$- (B$\sp\flat$-B-C in E$\sp\flat$ major); the emphasis on the submediant, both as vi in E$\sp\flat$ major and as the tonal region of C minor; and the melodic interval of the sixth, which, when inverted to become a descending third, determines the structure of tonal regions at crucial points in the movement. These three motivic topics are introduced in the opening measures of the piece and are subsequently unfolded throughout the movement; the focus of the thesis will be to trace the unfolding of these three topics.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018
Mode of access: World Wide Web
Subjects--Topical Terms:
649088
Music.
Index Terms--Genre/Form:
554714
Electronic books.
Three motivic topics in Beethoven's Piano Quintet, Op. 16.
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Gratton, John Brian.
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Three motivic topics in Beethoven's Piano Quintet, Op. 16.
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1 online resource (72 pages)
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Source: Masters Abstracts International, Volume: 34-01, page: 1700.
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Thesis (M.Mus.)--University of North Texas, 1995.
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Includes bibliographical references
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The first movement of the Piano Quintet, Op. 16 of Ludwig van Beethoven works out three significant motivic "topics": a chromatically filled-in second, appearing first as -$\sp\natural\5$- (B$\sp\flat$-B-C in E$\sp\flat$ major); the emphasis on the submediant, both as vi in E$\sp\flat$ major and as the tonal region of C minor; and the melodic interval of the sixth, which, when inverted to become a descending third, determines the structure of tonal regions at crucial points in the movement. These three motivic topics are introduced in the opening measures of the piece and are subsequently unfolded throughout the movement; the focus of the thesis will be to trace the unfolding of these three topics.
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Electronic reproduction.
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Ann Arbor, Mich. :
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ProQuest,
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2018
538
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Mode of access: World Wide Web
650
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Music.
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649088
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Electronic books.
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554714
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ProQuest Information and Learning Co.
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University of North Texas.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1375481
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click for full text (PQDT)
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