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Three motivic topics in Beethoven's ...

University of North Texas.

Three motivic topics in Beethoven's Piano Quintet, Op. 16.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Three motivic topics in Beethoven's Piano Quintet, Op. 16./
作者:	Gratton, John Brian.
面頁冊數:	1 online resource (72 pages)
附註:	Source: Masters Abstracts International, Volume: 34-01, page: 1700.
標題:	Music. -
電子資源:	click for full text (PQDT)

Three motivic topics in Beethoven's Piano Quintet, Op. 16.
Gratton, John Brian.

Three motivic topics in Beethoven's Piano Quintet, Op. 16. - 1 online resource (72 pages)

Source: Masters Abstracts International, Volume: 34-01, page: 1700.

Thesis (M.Mus.)--University of North Texas, 1995.

Includes bibliographical references

The first movement of the Piano Quintet, Op. 16 of Ludwig van Beethoven works out three significant motivic "topics": a chromatically filled-in second, appearing first as -$\sp\natural\5$- (B$\sp\flat$-B-C in E$\sp\flat$ major); the emphasis on the submediant, both as vi in E$\sp\flat$ major and as the tonal region of C minor; and the melodic interval of the sixth, which, when inverted to become a descending third, determines the structure of tonal regions at crucial points in the movement. These three motivic topics are introduced in the opening measures of the piece and are subsequently unfolded throughout the movement; the focus of the thesis will be to trace the unfolding of these three topics.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

Subjects--Topical Terms:

649088
Music.
Index Terms--Genre/Form:

554714
Electronic books.

Three motivic topics in Beethoven's Piano Quintet, Op. 16.
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035 $a AAI1375481
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100 1 $a Gratton, John Brian. $3 1184463
245 1 0 $a Three motivic topics in Beethoven's Piano Quintet, Op. 16.
264 0 $c 1995
300 $a 1 online resource (72 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Masters Abstracts International, Volume: 34-01, page: 1700.
502 $a Thesis (M.Mus.)--University of North Texas, 1995.
504 $a Includes bibliographical references
520 $a The first movement of the Piano Quintet, Op. 16 of Ludwig van Beethoven works out three significant motivic "topics": a chromatically filled-in second, appearing first as -$\sp\natural\5$- (B$\sp\flat$-B-C in E$\sp\flat$ major); the emphasis on the submediant, both as vi in E$\sp\flat$ major and as the tonal region of C minor; and the melodic interval of the sixth, which, when inverted to become a descending third, determines the structure of tonal regions at crucial points in the movement. These three motivic topics are introduced in the opening measures of the piece and are subsequently unfolded throughout the movement; the focus of the thesis will be to trace the unfolding of these three topics.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a Music. $3 649088
655 7 $a Electronic books. $2 local $3 554714
690 $a 0413
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a University of North Texas. $3 1182015
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1375481 $z click for full text (PQDT)

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