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The Great Music City = Exploring Mus...
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SpringerLink (Online service)
The Great Music City = Exploring Music, Space and Identity /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
The Great Music City/ by Andrea Baker.
Reminder of title:
Exploring Music, Space and Identity /
Author:
Baker, Andrea.
Description:
XVII, 329 p. 8 illus.online resource. :
Contained By:
Springer Nature eBook
Subject:
Music. -
Online resource:
https://doi.org/10.1007/978-3-319-96352-5
ISBN:
9783319963525
The Great Music City = Exploring Music, Space and Identity /
Baker, Andrea.
The Great Music City
Exploring Music, Space and Identity /[electronic resource] :by Andrea Baker. - 1st ed. 2019. - XVII, 329 p. 8 illus.online resource. - Pop Music, Culture and Identity,2634-6613. - Pop Music, Culture and Identity,.
In the 1960s, as gentrification took hold of New York City, Jane Jacobs predicted that the city would become the true player in the global system. Indeed, in the 21st century more meaningful comparisons can be made between cities than between nations and states. Based on case studies of Melbourne, Austin and Berlin, this book is the first in-depth study to combine academic and industry analysis of the music cities phenomenon. Using four distinctly defined algorithms as benchmarks, it interrogates Richard Florida’s creative cities thesis and applies a much-needed synergy of urban sociology and musicology to the concept, mediated by a journalism lens. Building on seminal work by Robert Park, Lewis Mumford and Jane Jacobs, it argues that journalists are the cultural branders and street theorists whose ethnographic approach offers critical insights into the urban sociability of music activity.
ISBN: 9783319963525
Standard No.: 10.1007/978-3-319-96352-5doiSubjects--Topical Terms:
649088
Music.
LC Class. No.: M1-960
Dewey Class. No.: 780
The Great Music City = Exploring Music, Space and Identity /
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In the 1960s, as gentrification took hold of New York City, Jane Jacobs predicted that the city would become the true player in the global system. Indeed, in the 21st century more meaningful comparisons can be made between cities than between nations and states. Based on case studies of Melbourne, Austin and Berlin, this book is the first in-depth study to combine academic and industry analysis of the music cities phenomenon. Using four distinctly defined algorithms as benchmarks, it interrogates Richard Florida’s creative cities thesis and applies a much-needed synergy of urban sociology and musicology to the concept, mediated by a journalism lens. Building on seminal work by Robert Park, Lewis Mumford and Jane Jacobs, it argues that journalists are the cultural branders and street theorists whose ethnographic approach offers critical insights into the urban sociability of music activity.
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Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
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