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Music in the Making of Modern Japan = Essays on Reception, Transformation and Cultural Flows /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Music in the Making of Modern Japan/ edited by Kei Hibino, Barnaby Ralph, Henry Johnson.
其他題名:	Essays on Reception, Transformation and Cultural Flows /
其他作者:	Hibino, Kei.
面頁冊數:	XV, 215 p. 1 illus.online resource. :
Contained By:	Springer Nature eBook
標題:	Music. -
電子資源:	https://doi.org/10.1007/978-3-030-73827-3
ISBN:	9783030738273

Music in the Making of Modern Japan = Essays on Reception, Transformation and Cultural Flows /
Music in the Making of Modern JapanEssays on Reception, Transformation and Cultural Flows /[electronic resource] :edited by Kei Hibino, Barnaby Ralph, Henry Johnson. - 1st ed. 2021. - XV, 215 p. 1 illus.online resource. - Pop Music, Culture and Identity,2634-6621. - Pop Music, Culture and Identity,.

1. Introduction (Kei Hibino, Barnaby Ralph and Henry Johnson) -- PART I. Reception -- 2. Western Art Music in Pre-Edo and Meiji Japan: Historical Reception, Cultural Change and Education (Ayako Otomo) -- 3. Western Musical Elements in Japanese Koto Music from the 19th to 21st Centuries: Sonic, Visual and Behavioral Spheres in a Context of Cultural Change (Henry Johnson) -- 4. Guitar Making and Intercultural Communication in Japan and Australia (Gavin Carfoot) -- PART II. Transformation -- 5. Black Intentions: Maki Ishii, Ryohei Hirose, Makoto Shinohara and the Japanese Avant-Garde (Barnaby Ralph) -- 6. Scarlett, an American Musical Made in Japan; or, How Japanese Learned to Stop Worrying and Love Integrated Musicals (Kei Hibino) -- 7. Like Some Cat from Japan: Masayoshi Sukita’s Photographs of David Bowie as Japan’s First Appearance in the History of Rock Music (Yuki Gennaka) -- PART III. Cultural Flow -- 8. The Flow of Jazz in Japan: Why Jazz Resonates So Far from Home (Michael Pronko) -- 9. Juna's Groove and Emi's Beat: Women and Rock in Modern Japan (Barnaby Ralph in conversation with Emi Yonekubo and Juna Serita) -- 10. Manufacturing Identity: Femininity, Discourse and Representation in Japanese Popular Music (Aya Sato and Ayako Otomo).

“This innovative volume [...] brings together highly diverse genres, texts, and issues, including music education, gender, and traditional, classical, and popular genres. The chapters speak to each other through the unifying concept of affective media, and successfully provide a rich palette of a wide variety of the vibrant and multifaceted state of music in Japan today.” - Professor Alison Tokita, Monash University, Australia This volume explores the notion of “affective media” within and across different arts in Japan, with a primary focus on music, whether as standalone product or connected to other genres such as theatre and photography. The volume explores the Japanese reception of this “affective media”, its transformation and subsequent cultural flow. Moving from a discussion of early encounters with the West through Jesuits and others, the contributors primarily consider the role of music in the nineteenth, twentieth, and twenty-first centuries. With ten original chapters, the volume covers a wealth of themes, from education, koto music, guitar making, avant-garde recorder works, musicals and rock photography, to interviews with contemporary performers in jazz, modern rock and J-pop. Innovative and fascinating, the book provides rich new insights and material to all those interested in Japanese musical culture.

ISBN: 9783030738273

Standard No.: 10.1007/978-3-030-73827-3doiSubjects--Topical Terms:

649088
Music.

LC Class. No.: M1-960

Dewey Class. No.: 780

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