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Elements of shamanic mythology in E. T. A. Hoffmann's romantic conception of music.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Elements of shamanic mythology in E. T. A. Hoffmann's romantic conception of music./
作者:	Miller, Harry Alfred Werner.
面頁冊數:	1 online resource (108 pages)
附註:	Source: Masters Abstracts International, Volume: 56-02.
Contained By:	Masters Abstracts International56-02.
標題:	Music. -
電子資源:	click for full text (PQDT)
ISBN:	9798208831588

Elements of shamanic mythology in E. T. A. Hoffmann's romantic conception of music.
Miller, Harry Alfred Werner.

Elements of shamanic mythology in E. T. A. Hoffmann's romantic conception of music. - 1 online resource (108 pages)

Source: Masters Abstracts International, Volume: 56-02.

Thesis (M.M.)--University of North Texas, 1993.

Includes bibliographical references

The musicians in E. T. A. Hoffmann's tales and essays demonstrate traits remarkably similar to those of shamans. Hoffmann uses the same imagery to describe the journey of the composer into the "realm of dreams," where he receives inspiration, as the shaman uses to describe the spirit world to which he journeys via music. Hoffmann was a major force in changing the 18th-century view of music as an "innocent luxury" to the 19th-century idea of music as a higher art. As a German Romantic author, he subscribed to the idea championed by the Schlegels that true poetry is based on myth. In this thesis, Hoffmann's writings are compared with shamanic mythology to demonstrate a similarity beyond mere coincidence, without drawing conclusions about influence.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798208831588Subjects--Topical Terms:

649088
Music.
Index Terms--Genre/Form:

554714
Electronic books.

Elements of shamanic mythology in E. T. A. Hoffmann's romantic conception of music.
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504 $a Includes bibliographical references
520 $a The musicians in E. T. A. Hoffmann's tales and essays demonstrate traits remarkably similar to those of shamans. Hoffmann uses the same imagery to describe the journey of the composer into the "realm of dreams," where he receives inspiration, as the shaman uses to describe the spirit world to which he journeys via music. Hoffmann was a major force in changing the 18th-century view of music as an "innocent luxury" to the 19th-century idea of music as a higher art. As a German Romantic author, he subscribed to the idea championed by the Schlegels that true poetry is based on myth. In this thesis, Hoffmann's writings are compared with shamanic mythology to demonstrate a similarity beyond mere coincidence, without drawing conclusions about influence.
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538 $a Mode of access: World Wide Web
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650 4 $a Cultural anthropology. $3 1179959
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