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The craft of spontaneous composition : = How jazz saxophonists have approached the instrumental solo in pop music.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	The craft of spontaneous composition :/
Reminder of title:	How jazz saxophonists have approached the instrumental solo in pop music.
Author:	Castaneda, Ramsey H.
Description:	1 online resource (36 pages)
Notes:	Source: Masters Abstracts International, Volume: 53-02.
Contained By:	Masters Abstracts International53-02(E).
Subject:	Music. -
Online resource:	click for full text (PQDT)
ISBN:	9781303984204

The craft of spontaneous composition : = How jazz saxophonists have approached the instrumental solo in pop music.
Castaneda, Ramsey H.

The craft of spontaneous composition :How jazz saxophonists have approached the instrumental solo in pop music. - 1 online resource (36 pages)

Source: Masters Abstracts International, Volume: 53-02.

Thesis (M.M.)--California State University, Long Beach, 2014.

Includes bibliographical references

The craft of spontaneous composition used by jazz saxophonists in pop music is a demanding challenge that only the most musically flexible and astute can successfully accomplish. Employing the appropriate amount of swing feel, bebop harmony, blues scales, fast lines, repetitive riffs, and other musical elements is a delicate recipe that can be easily foiled. Jazz saxophonists playing pop solos walk a thin line between drawing on the language of jazz and creating an appropriate solo for popular music. This project shows how four jazz saxophonists, Branford Marsalis, Joshua Redman, Chris Potter, and Bob Reynolds, have synthesized key elements of jazz improvisation in solos performed in popular music contexts. I examine their use of harmonic language, melody, rhythm, phrase structure, tone, and musical interaction. Separate chapters are dedicated to each of the four musicians and incorporate both a biography and an analysis of solos demonstrating jazz influence and derivation.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9781303984204Subjects--Topical Terms:

649088
Music.
Index Terms--Genre/Form:

554714
Electronic books.

The craft of spontaneous composition : = How jazz saxophonists have approached the instrumental solo in pop music.
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245 1 4 $a The craft of spontaneous composition : $b How jazz saxophonists have approached the instrumental solo in pop music.
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500 $a Source: Masters Abstracts International, Volume: 53-02.
500 $a Adviser: Ray Briggs.
502 $a Thesis (M.M.)--California State University, Long Beach, 2014.
504 $a Includes bibliographical references
520 $a The craft of spontaneous composition used by jazz saxophonists in pop music is a demanding challenge that only the most musically flexible and astute can successfully accomplish. Employing the appropriate amount of swing feel, bebop harmony, blues scales, fast lines, repetitive riffs, and other musical elements is a delicate recipe that can be easily foiled. Jazz saxophonists playing pop solos walk a thin line between drawing on the language of jazz and creating an appropriate solo for popular music. This project shows how four jazz saxophonists, Branford Marsalis, Joshua Redman, Chris Potter, and Bob Reynolds, have synthesized key elements of jazz improvisation in solos performed in popular music contexts. I examine their use of harmonic language, melody, rhythm, phrase structure, tone, and musical interaction. Separate chapters are dedicated to each of the four musicians and incorporate both a biography and an analysis of solos demonstrating jazz influence and derivation.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a Music. $3 649088
655 7 $a Electronic books. $2 local $3 554714
690 $a 0413
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710 2 $a California State University, Long Beach. $b Music. $3 1195380
773 0 $t Masters Abstracts International $g 53-02(E).
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