國立虎尾科技大學 |

Production Design & the Cinematic Home

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Production Design & the Cinematic Home/ by Jane Barnwell.
Author:	Barnwell, Jane.
Description:	XII, 174 p. 58 illus., 10 illus. in color.online resource. :
Contained By:	Springer Nature eBook
Subject:	Motion pictures—Production and direction. -
Online resource:	https://doi.org/10.1007/978-3-030-90449-4
ISBN:	9783030904494

Production Design & the Cinematic Home
Barnwell, Jane.

Production Design & the Cinematic Home[electronic resource] /by Jane Barnwell. - 1st ed. 2022. - XII, 174 p. 58 illus., 10 illus. in color.online resource.

Chapter 1: Introduction: Production Design and the Cinematic Home -- Chapter 2: Vertical Hierarchy and the Home in Parasite (2019, Dir. Bong Joon Ho, PD Lee Ha-Jun) -- Chapter 3: Racial Prejudice, the Ghosts of Colonialism and Spatial Segregation in Get Out (2017, Jordan Peele, PD Rusty Smith) -- Chapter 4: Returning Home: How the Byers’ Home in Stranger Things (2016—Duffer Brothers, PD Chris Trujillo) Reflects Narrative and Character Interior Landscape -- Chapter 5: Bridget Jones’s Diary (2001, Sharon Maguire, PD Gemma Jackson): A Wild Unconventional Space Bursting with Potential -- Chapter 6: Secret Homes: How Are the Themes of Espionage Reflected in the Construction of Home in Tinker Tailor Soldier Spy (2011, Tomas Alfredson, PD Maria Djurkovic)? -- Chapter 7: Finding Your Way Through the Maze: Navigating the Public and Private Spaces of Downing Street in Darkest Hour (2017 Joe Wright, PD Sarah Greenwood) -- Chapter 8: The Hero’s Journey: The Quest for Home in Paddington 2 (2017, Dir. Paul King, PD Gary Williamson).

This book uses in-depth case studies to explore the significance of the design of the home on screen. The chapters draw widely upon the production designer’s professional perspective and particular creative point of view. The case studies employ a methodology Barnwell has pioneered for the analysis of production design called Visual Concept Analysis, which can be used as a key to decode the design of any given film. Through the nurturing warmth of the Browns’ home in Paddington, the ambiguous boundaries of secret service agent homes in Tinker Tailor Soldier Spy and the ‘singleton’ space occupied by Bridget Jones, Barnwell demonstrates that the domestic interior consistently plays a key role. Whether used as a transition space, an ideal, a catalyst for change or a place to return to, these case studies examine the pivotal nature of the home in storytelling and the production designers’ significance in its creation. The book benefits from interviews with production designers and artwork that provides insight on the creative process. Dr Jane Barnwell is Reader in Moving Image at the University of Westminster, UK. She is the author of Production Design for Screen: Visual Storytelling in Film and TV (2017), Production Design: Architects of the screen (2004) and The Fundamentals of Film Making (2008).

ISBN: 9783030904494

Standard No.: 10.1007/978-3-030-90449-4doiSubjects--Topical Terms:

1255876
Motion pictures—Production and direction.

LC Class. No.: TR845-899.5

Dewey Class. No.: 791.4

Production Design & the Cinematic Home
LDR:03750nam a22003975i 4500 001 1095006
003 DE-He213
005 20220513111250.0
007 cr nn 008mamaa
008 221228s2022 sz | s |||| 0|eng d
020 $a 9783030904494 $9 978-3-030-90449-4
024 7 $a 10.1007/978-3-030-90449-4 $2 doi
035 $a 978-3-030-90449-4
050 4 $a TR845-899.5
072 7 $a APFX $2 bicssc
072 7 $a PER000000 $2 bisacsh
072 7 $a ATFX $2 thema
082 0 4 $a 791.4 $2 23
100 1 $a Barnwell, Jane. $e author. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1403192
245 1 0 $a Production Design & the Cinematic Home $h [electronic resource] / $c by Jane Barnwell.
250 $a 1st ed. 2022.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2022.
300 $a XII, 174 p. 58 illus., 10 illus. in color. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
505 0 $a Chapter 1: Introduction: Production Design and the Cinematic Home -- Chapter 2: Vertical Hierarchy and the Home in Parasite (2019, Dir. Bong Joon Ho, PD Lee Ha-Jun) -- Chapter 3: Racial Prejudice, the Ghosts of Colonialism and Spatial Segregation in Get Out (2017, Jordan Peele, PD Rusty Smith) -- Chapter 4: Returning Home: How the Byers’ Home in Stranger Things (2016—Duffer Brothers, PD Chris Trujillo) Reflects Narrative and Character Interior Landscape -- Chapter 5: Bridget Jones’s Diary (2001, Sharon Maguire, PD Gemma Jackson): A Wild Unconventional Space Bursting with Potential -- Chapter 6: Secret Homes: How Are the Themes of Espionage Reflected in the Construction of Home in Tinker Tailor Soldier Spy (2011, Tomas Alfredson, PD Maria Djurkovic)? -- Chapter 7: Finding Your Way Through the Maze: Navigating the Public and Private Spaces of Downing Street in Darkest Hour (2017 Joe Wright, PD Sarah Greenwood) -- Chapter 8: The Hero’s Journey: The Quest for Home in Paddington 2 (2017, Dir. Paul King, PD Gary Williamson).
520 $a This book uses in-depth case studies to explore the significance of the design of the home on screen. The chapters draw widely upon the production designer’s professional perspective and particular creative point of view. The case studies employ a methodology Barnwell has pioneered for the analysis of production design called Visual Concept Analysis, which can be used as a key to decode the design of any given film. Through the nurturing warmth of the Browns’ home in Paddington, the ambiguous boundaries of secret service agent homes in Tinker Tailor Soldier Spy and the ‘singleton’ space occupied by Bridget Jones, Barnwell demonstrates that the domestic interior consistently plays a key role. Whether used as a transition space, an ideal, a catalyst for change or a place to return to, these case studies examine the pivotal nature of the home in storytelling and the production designers’ significance in its creation. The book benefits from interviews with production designers and artwork that provides insight on the creative process. Dr Jane Barnwell is Reader in Moving Image at the University of Westminster, UK. She is the author of Production Design for Screen: Visual Storytelling in Film and TV (2017), Production Design: Architects of the screen (2004) and The Fundamentals of Film Making (2008).
650 0 $a Motion pictures—Production and direction. $3 1255876
650 0 $a Architecture. $3 555123
650 0 $a Motion pictures. $3 562481
650 1 4 $a Film and Television Production. $3 1366228
650 2 4 $a Close Readings in Film and TV. $3 1365959
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783030904487
776 0 8 $i Printed edition: $z 9783030904500
776 0 8 $i Printed edition: $z 9783030904517
856 4 0 $u https://doi.org/10.1007/978-3-030-90449-4
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)