國立虎尾科技大學 |

Haunting in Chinese-Australian writing

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Haunting in Chinese-Australian writing/ by Xiao Xiong.
作者:	Xiong, Xiao.
出版者:	Singapore :Springer Nature Singapore : : 2023.,
面頁冊數:	vii, 151 p. :ill., digital ; : 24 cm.;
Contained By:	Springer Nature eBook
標題:	Supernatural in literature. -
電子資源:	https://doi.org/10.1007/978-981-99-3064-7
ISBN:	9789819930647

Haunting in Chinese-Australian writing
Xiong, Xiao.

Haunting in Chinese-Australian writing[electronic resource] /by Xiao Xiong. - Singapore :Springer Nature Singapore :2023. - vii, 151 p. :ill., digital ;24 cm.

Chapter 1 -- Haunting as Trauma in Birds of Passage and Her Father's Daughter -- Chapter 2 -- Haunting as Languaging in Ouyang Yu's The English Class and Selected Poetry -- Chapter 3 -- Haunting as the Supernatural in The Crocodile Fury and Playing Madame Mao.

This book examines haunting in terms of trauma, languaging, and the supernatural in works by Chinese Australian writers born in Australia, Mainland China, Hong Kong, Malaysia, and Singapore. It goes beyond the conventional focus on identity issues in the analysis of diasporic writing, considering how the memory of past trauma is triggered by abusive systems of power in the present. The author unpacks how trauma also brings past violence to haunt the present. This book considers how different Chinese diasporic communities present a dynamic and multiple state through partial erasure between different Chinese subcultures and other cultures. Showing the supernatural as a social and cultural product, this book elucidates how haunting as the supernatural refers to the coexistence of, and the competition between, different cultures and powers. It takes a wide-ranging view of different diasporic communities under the banner 'Chinese', a term that refers not only to Chinese nationals in terms of citizenship, but also to the Chinese diaspora in terms of ancestry, and Chinese culture more generally. In analysing haunting in texts, the author positions Chinese culture as in a constant state of flux. It is relevant to literary scholars and students with interests in Australian literature, Chinese and Southeast Asian migration writing, and those with an interest in the Gothic and postcolonial traditions.

ISBN: 9789819930647

Standard No.: 10.1007/978-981-99-3064-7doiSubjects--Topical Terms:

569898
Supernatural in literature.

LC Class. No.: PN56.S8 / X56 2023

Dewey Class. No.: 809.93375

Haunting in Chinese-Australian writing
LDR:02681nam a2200337 a 4500 001 1105986
003 DE-He213
005 20230626075207.0
006 m d
007 cr nn 008maaau
008 231013s2023 si s 0 eng d
020 $a 9789819930647 $q (electronic bk.)
020 $a 9789819930630 $q (paper)
024 7 $a 10.1007/978-981-99-3064-7 $2 doi
035 $a 978-981-99-3064-7
040 $a GP $c GP
041 0 $a eng
050 4 $a PN56.S8 $b X56 2023
072 7 $a DS $2 bicssc
072 7 $a 1F $2 bicssc
072 7 $a LIT008000 $2 bisacsh
072 7 $a DS $x 1F $2 thema
082 0 4 $a 809.93375 $2 23
090 $a PN56.S8 $b X6 2023
100 1 $a Xiong, Xiao. $3 1415338
245 1 0 $a Haunting in Chinese-Australian writing $h [electronic resource] / $c by Xiao Xiong.
260 $a Singapore : $c 2023. $b Springer Nature Singapore : $b Imprint: Springer,
300 $a vii, 151 p. : $b ill., digital ; $c 24 cm.
505 0 $a Chapter 1 -- Haunting as Trauma in Birds of Passage and Her Father's Daughter -- Chapter 2 -- Haunting as Languaging in Ouyang Yu's The English Class and Selected Poetry -- Chapter 3 -- Haunting as the Supernatural in The Crocodile Fury and Playing Madame Mao.
520 $a This book examines haunting in terms of trauma, languaging, and the supernatural in works by Chinese Australian writers born in Australia, Mainland China, Hong Kong, Malaysia, and Singapore. It goes beyond the conventional focus on identity issues in the analysis of diasporic writing, considering how the memory of past trauma is triggered by abusive systems of power in the present. The author unpacks how trauma also brings past violence to haunt the present. This book considers how different Chinese diasporic communities present a dynamic and multiple state through partial erasure between different Chinese subcultures and other cultures. Showing the supernatural as a social and cultural product, this book elucidates how haunting as the supernatural refers to the coexistence of, and the competition between, different cultures and powers. It takes a wide-ranging view of different diasporic communities under the banner 'Chinese', a term that refers not only to Chinese nationals in terms of citizenship, but also to the Chinese diaspora in terms of ancestry, and Chinese culture more generally. In analysing haunting in texts, the author positions Chinese culture as in a constant state of flux. It is relevant to literary scholars and students with interests in Australian literature, Chinese and Southeast Asian migration writing, and those with an interest in the Gothic and postcolonial traditions.
650 0 $a Supernatural in literature. $3 569898
650 0 $a Psychic trauma in literature. $3 799258
650 0 $a Chinese diaspora in literature. $3 961872
650 0 $a Chinese literature $x History and criticism. $3 803437
650 0 $a Australian literature $x Chinese authors $x History and criticism. $3 656698
650 1 4 $a Asian Literature. $3 1104894
650 2 4 $a Comparative Literature. $3 1065191
650 2 4 $a Diaspora Studies. $3 1388359
650 2 4 $a Gothic Studies. $3 1226146
650 2 4 $a Australasian Culture. $3 1172169
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-981-99-3064-7
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)