國立虎尾科技大學 |

Glitching Games Studies.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Glitching Games Studies./
Author:	Ravenbrook, Cassandra V.
Description:	1 online resource (84 pages)
Notes:	Source: Masters Abstracts International, Volume: 85-02.
Contained By:	Masters Abstracts International85-02.
Subject:	Philosophy. -
Online resource:	click for full text (PQDT)
ISBN:	9798380075268

Glitching Games Studies.
Ravenbrook, Cassandra V.

Glitching Games Studies. - 1 online resource (84 pages)

Source: Masters Abstracts International, Volume: 85-02.

Thesis (M.S.)--University of California, Santa Cruz, 2023.

Includes bibliographical references

Glitch in video games has been studied as an intentional aesthetic element and as an unintentional breakage that produced new narrative possibilities. Glitch art theory has examined interaction with glitch as phenomenological, but the examination of glitch as a systemic aesthetic in video games has gone under-explored. This thesis proposes that the defining power of glitch, in both cases, arises from the ways it makes the otherwise invisible protocols of computing visible in both domains and finds that both glitch art production and transformative modes of videogame play-such as speedrunning and narrative reparative play-have the capacity to make this glitch materiality productive.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798380075268Subjects--Topical Terms:

559771
Philosophy.
Subjects--Index Terms:

Emergent storytellingIndex Terms--Genre/Form:

554714
Electronic books.

Glitching Games Studies.
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500 $a Source: Masters Abstracts International, Volume: 85-02.
500 $a Advisor: Altice, Nathan.
502 $a Thesis (M.S.)--University of California, Santa Cruz, 2023.
504 $a Includes bibliographical references
520 $a Glitch in video games has been studied as an intentional aesthetic element and as an unintentional breakage that produced new narrative possibilities. Glitch art theory has examined interaction with glitch as phenomenological, but the examination of glitch as a systemic aesthetic in video games has gone under-explored. This thesis proposes that the defining power of glitch, in both cases, arises from the ways it makes the otherwise invisible protocols of computing visible in both domains and finds that both glitch art production and transformative modes of videogame play-such as speedrunning and narrative reparative play-have the capacity to make this glitch materiality productive.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2024
538 $a Mode of access: World Wide Web
650 4 $a Philosophy. $3 559771
650 4 $a Computer science. $3 573171
650 4 $a Art criticism. $3 576960
650 4 $a Mass communications. $3 1335238
653 $a Emergent storytelling
653 $a Game studies
653 $a Glitch art
653 $a Phenomenology
653 $a Reparative play
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690 $a 0984
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773 0 $t Masters Abstracts International $g 85-02.
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