國立虎尾科技大學 |

Creating, Capturing and Conveying Spatial Music : = An Open-Source Approach.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Creating, Capturing and Conveying Spatial Music :/
其他題名:	An Open-Source Approach.
作者:	Zalles Ballivian, Gabriel.
面頁冊數:	1 online resource (186 pages)
附註:	Source: Dissertations Abstracts International, Volume: 85-04, Section: B.
Contained By:	Dissertations Abstracts International85-04B.
標題:	Music. -
電子資源:	click for full text (PQDT)
ISBN:	9798380597302

Creating, Capturing and Conveying Spatial Music : = An Open-Source Approach.
Zalles Ballivian, Gabriel.

Creating, Capturing and Conveying Spatial Music :An Open-Source Approach. - 1 online resource (186 pages)

Source: Dissertations Abstracts International, Volume: 85-04, Section: B.

Thesis (Ph.D.)--University of California, San Diego, 2023.

Includes bibliographical references

This dissertation deals with the topic of spatial audio in the context of Free and Open Source Software (FOSS). It is separated into three main sections: creating, capturing, and conveying spatial audio. One additional introductory chapter discusses the historical significance of this medium, as well as the psychoacoustic principles exploited. The final chapter summarizes the contributions, motivations, and outline of this dissertation presented in Chapter 1. During my graduate education in New York, I was first exposed to spatial audio as a research topic. During my time in San Diego as a Ph.D. student, I was exposed to the world of open-source software. This dissertation is my attempt at marrying both worlds, describing a framework and methodology rooted in social consciousness and scientific principles for art-making and research. Part of my motivation for writing this dissertation stems from my background as a citizen of an underdeveloped nation: Bolivia. I hope this manuscript can serve as a roadmap for artists and researchers in underprivileged communities interested in the field of spatial audio, and in particular ambisonics.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798380597302Subjects--Topical Terms:

649088
Music.
Subjects--Index Terms:

AmbisonicsIndex Terms--Genre/Form:

554714
Electronic books.

Creating, Capturing and Conveying Spatial Music : = An Open-Source Approach.
LDR:02517ntm a22003857 4500 001 1147987
005 20240916065956.5
006 m o d
007 cr bn ---uuuuu
008 250605s2023 xx obm 000 0 eng d
020 $a 9798380597302
035 $a (MiAaPQ)AAI30632873
035 $a AAI30632873
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a Zalles Ballivian, Gabriel. $3 1473844
245 1 0 $a Creating, Capturing and Conveying Spatial Music : $b An Open-Source Approach.
264 0 $c 2023
300 $a 1 online resource (186 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertations Abstracts International, Volume: 85-04, Section: B.
500 $a Includes supplementary digital materials.
500 $a Advisor: Yadegari, Shahrokh.
502 $a Thesis (Ph.D.)--University of California, San Diego, 2023.
504 $a Includes bibliographical references
520 $a This dissertation deals with the topic of spatial audio in the context of Free and Open Source Software (FOSS). It is separated into three main sections: creating, capturing, and conveying spatial audio. One additional introductory chapter discusses the historical significance of this medium, as well as the psychoacoustic principles exploited. The final chapter summarizes the contributions, motivations, and outline of this dissertation presented in Chapter 1. During my graduate education in New York, I was first exposed to spatial audio as a research topic. During my time in San Diego as a Ph.D. student, I was exposed to the world of open-source software. This dissertation is my attempt at marrying both worlds, describing a framework and methodology rooted in social consciousness and scientific principles for art-making and research. Part of my motivation for writing this dissertation stems from my background as a citizen of an underdeveloped nation: Bolivia. I hope this manuscript can serve as a roadmap for artists and researchers in underprivileged communities interested in the field of spatial audio, and in particular ambisonics.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2024
538 $a Mode of access: World Wide Web
650 4 $a Music. $3 649088
650 4 $a Acoustics. $3 670692
650 4 $a Musical composition. $3 1185732
653 $a Ambisonics
653 $a Hardware
653 $a Virtual Reality
655 7 $a Electronic books. $2 local $3 554714
690 $a 0413
690 $a 0986
690 $a 0214
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a University of California, San Diego. $b Music. $3 1184902
773 0 $t Dissertations Abstracts International $g 85-04B.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30632873 $z click for full text (PQDT)