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Confronting Francis Bacon : = A Modest Proposal.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Confronting Francis Bacon :/
Reminder of title:	A Modest Proposal.
Author:	Taylor, Kent G.
Description:	1 online resource (138 pages)
Notes:	Source: Masters Abstracts International, Volume: 84-11.
Contained By:	Masters Abstracts International84-11.
Subject:	Art history. -
Online resource:	click for full text (PQDT)
ISBN:	9798379580148

Confronting Francis Bacon : = A Modest Proposal.
Taylor, Kent G.

Confronting Francis Bacon :A Modest Proposal. - 1 online resource (138 pages)

Source: Masters Abstracts International, Volume: 84-11.

Thesis (M.A.)--The University of Texas at San Antonio, 2023.

Includes bibliographical references

In this thesis I intend to examine Francis Bacon's works based on contemporary theories of carnal aesthetics and the trauma of abjection, which have opened new channels for understanding Bacon's work. At the same time, this new understanding forces one to reconsider the theoretical iconic treatments by sociologists and historians, Gilles Deleuze, Kent Brintnall, and Georges Bataille, which have been overextended for clarifying Bacon's work. Close and explicit interpretations of Bacon's art itself will suggest alternative and unorthodox ways Bacon transcended his traditional triptych format while bringing perspective to the death of George Dyer in 1971. It also reveals an appreciation of the mystical in Bacon's work, as informed by concepts of abjection and the atomization of social structure introduced by Julia Kristeva.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798379580148Subjects--Topical Terms:

1180038
Art history.
Subjects--Index Terms:

Bacon, FrancisIndex Terms--Genre/Form:

554714
Electronic books.

Confronting Francis Bacon : = A Modest Proposal.
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520 $a In this thesis I intend to examine Francis Bacon's works based on contemporary theories of carnal aesthetics and the trauma of abjection, which have opened new channels for understanding Bacon's work. At the same time, this new understanding forces one to reconsider the theoretical iconic treatments by sociologists and historians, Gilles Deleuze, Kent Brintnall, and Georges Bataille, which have been overextended for clarifying Bacon's work. Close and explicit interpretations of Bacon's art itself will suggest alternative and unorthodox ways Bacon transcended his traditional triptych format while bringing perspective to the death of George Dyer in 1971. It also reveals an appreciation of the mystical in Bacon's work, as informed by concepts of abjection and the atomization of social structure introduced by Julia Kristeva.
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653 $a Carnal aesthetics
653 $a Abjection
653 $a Kristeva, Julia
653 $a Dyer, George
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