國立虎尾科技大學 |

Galaxies Like Islands, Islands Like Galaxies : = Envisioning Futurity in Seascape Technologies.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Galaxies Like Islands, Islands Like Galaxies :/
Reminder of title:	Envisioning Futurity in Seascape Technologies.
Author:	Furtado, Nicole Kuʻuleinapuananiolikoʻawapuhimelemeleolani Parubrub.
Description:	1 online resource (181 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 85-02, Section: A.
Contained By:	Dissertations Abstracts International85-02A.
Subject:	History of Oceania. -
Online resource:	click for full text (PQDT)
ISBN:	9798379957995

Galaxies Like Islands, Islands Like Galaxies : = Envisioning Futurity in Seascape Technologies.
Furtado, Nicole Kuʻuleinapuananiolikoʻawapuhimelemeleolani Parubrub.

Galaxies Like Islands, Islands Like Galaxies :Envisioning Futurity in Seascape Technologies. - 1 online resource (181 pages)

Source: Dissertations Abstracts International, Volume: 85-02, Section: A.

Thesis (Ph.D.)--University of California, Riverside, 2023.

Includes bibliographical references

Galaxies like Islands, Islands like Galaxies: Envisioning Futurity in Seascape Technologies examines Indigenous Futurisms as a political and aesthetic movement that bridges art-forms (literature, performance, comics, media) to combat "settler futurity." Indigenous conceptions of temporality, contact, alternative worlds, apocalypse, and revolution are all themes/tenets of Indigenous Futurism and can be expressed artistically through multimedia forms. My project's methodology is dened by its engagement with moʻolelo, Kanaka Maoli storytelling. Moʻolelo as methodology envisions alternative futures that are liberated from a colonial matrix and challenge western epistemological conceptions of temporal progress. This dissertation features Native artists creating projects of cultural expression that reimagine uses for technology that are not predicated upon continued modes of capitalism and settler logics. Therefore, I develop a theoretical framework that employs anti-colonial/decolonial future-making actions and discourses or "futurities," at the intersections between Indigenous aesthetics and science and technology studies. I engage spatio-temporal Kanaka frameworks by outlining the sections of my dissertation not in chapters-but in wa. The term Wa or Ta-Va (space-time) resonates throughout Oceania and is similar but dierent between cultures. In the Native Hawaiian context, wa means period of time, epoch, era, time, occasion, season, or age. It can also mean space, interval, or as between objects or time. Material, ephemeral, and aective registers are engaged: it can be thought of as the space between things or a rolling interval. Wa speaks to complex temporal overlays between engaging the space of the past, present, and future within this dissertation. As sea-voyaging in Oceanic cultures is central to life, I am outlining my chapters as wa as to signify movement between ideas-like traversing between mini-theoretical islands of thought. Similar to how the ocean is complex with immense depth and secret go-ons beneath the surface, I use the theoretical concept of wa to understand and critically unpack the theories, art, and ideas within this dissertation.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798379957995Subjects--Topical Terms:

1193025
History of Oceania.
Subjects--Index Terms:

Indigenous FuturismIndex Terms--Genre/Form:

554714
Electronic books.

Galaxies Like Islands, Islands Like Galaxies : = Envisioning Futurity in Seascape Technologies.
LDR:03636ntm a22004097 4500 001 1150095
005 20241022111543.5
006 m o d
007 cr bn ---uuuuu
008 250605s2023 xx obm 000 0 eng d
020 $a 9798379957995
035 $a (MiAaPQ)AAI30525720
035 $a AAI30525720
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a Furtado, Nicole Kuʻuleinapuananiolikoʻawapuhimelemeleolani Parubrub. $3 1476518
245 1 0 $a Galaxies Like Islands, Islands Like Galaxies : $b Envisioning Futurity in Seascape Technologies.
264 0 $c 2023
300 $a 1 online resource (181 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertations Abstracts International, Volume: 85-02, Section: A.
500 $a Advisor: Raheja, Michelle;Minch-de Leon, Mark.
502 $a Thesis (Ph.D.)--University of California, Riverside, 2023.
504 $a Includes bibliographical references
520 $a Galaxies like Islands, Islands like Galaxies: Envisioning Futurity in Seascape Technologies examines Indigenous Futurisms as a political and aesthetic movement that bridges art-forms (literature, performance, comics, media) to combat "settler futurity." Indigenous conceptions of temporality, contact, alternative worlds, apocalypse, and revolution are all themes/tenets of Indigenous Futurism and can be expressed artistically through multimedia forms. My project's methodology is dened by its engagement with moʻolelo, Kanaka Maoli storytelling. Moʻolelo as methodology envisions alternative futures that are liberated from a colonial matrix and challenge western epistemological conceptions of temporal progress. This dissertation features Native artists creating projects of cultural expression that reimagine uses for technology that are not predicated upon continued modes of capitalism and settler logics. Therefore, I develop a theoretical framework that employs anti-colonial/decolonial future-making actions and discourses or "futurities," at the intersections between Indigenous aesthetics and science and technology studies. I engage spatio-temporal Kanaka frameworks by outlining the sections of my dissertation not in chapters-but in wa. The term Wa or Ta-Va (space-time) resonates throughout Oceania and is similar but dierent between cultures. In the Native Hawaiian context, wa means period of time, epoch, era, time, occasion, season, or age. It can also mean space, interval, or as between objects or time. Material, ephemeral, and aective registers are engaged: it can be thought of as the space between things or a rolling interval. Wa speaks to complex temporal overlays between engaging the space of the past, present, and future within this dissertation. As sea-voyaging in Oceanic cultures is central to life, I am outlining my chapters as wa as to signify movement between ideas-like traversing between mini-theoretical islands of thought. Similar to how the ocean is complex with immense depth and secret go-ons beneath the surface, I use the theoretical concept of wa to understand and critically unpack the theories, art, and ideas within this dissertation.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2024
538 $a Mode of access: World Wide Web
650 4 $a History of Oceania. $3 1193025
650 4 $a Museum studies. $3 1179596
650 4 $a Native American studies. $3 1179522
650 4 $a Native studies. $3 1464791
653 $a Indigenous Futurism
653 $a Native Hawaiian
653 $a Speculative Fiction
653 $a Virtual Reality
653 $a Visual art
655 7 $a Electronic books. $2 local $3 554714
690 $a 0504
690 $a 0730
690 $a 0740
690 $a 0741
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a University of California, Riverside. $b English. $3 1193664
773 0 $t Dissertations Abstracts International $g 85-02A.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30525720 $z click for full text (PQDT)