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Rhythmic Ritual : = Hand Papermaking as a Transformative Process.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Rhythmic Ritual :/
Reminder of title:	Hand Papermaking as a Transformative Process.
Author:	McKeever, Keatan T.
Description:	1 online resource (47 pages)
Notes:	Source: Masters Abstracts International, Volume: 85-08.
Contained By:	Masters Abstracts International85-08.
Subject:	Fine arts. -
Online resource:	click for full text (PQDT)
ISBN:	9798381706239

Rhythmic Ritual : = Hand Papermaking as a Transformative Process.
McKeever, Keatan T.

Rhythmic Ritual :Hand Papermaking as a Transformative Process. - 1 online resource (47 pages)

Source: Masters Abstracts International, Volume: 85-08.

Thesis (M.A.)--The University of Texas Rio Grande Valley, 2023.

Includes bibliographical references

This thesis is an exploration of the transformative processes of hand papermaking, both personally and materially, through various artworks situated between two- and three-dimensional forms. The conceptual motivations supporting my practice are informed by intuition, locally sourced materials, human connection, material structure, and low-tech approaches to the papermaking process. In the first portion of this thesis, I discuss how I chose paper as my artistic medium, and the transformational process of hand papermaking through a historical lens. The second half follows the experimentation and limitations that informed my practice, the content of my work regarding material and structural qualities, and how my work fits into the contemporary practices of artists working in handmade paper today.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798381706239Subjects--Topical Terms:

1112523
Fine arts.
Subjects--Index Terms:

Hand papermakingIndex Terms--Genre/Form:

554714
Electronic books.

Rhythmic Ritual : = Hand Papermaking as a Transformative Process.
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520 $a This thesis is an exploration of the transformative processes of hand papermaking, both personally and materially, through various artworks situated between two- and three-dimensional forms. The conceptual motivations supporting my practice are informed by intuition, locally sourced materials, human connection, material structure, and low-tech approaches to the papermaking process. In the first portion of this thesis, I discuss how I chose paper as my artistic medium, and the transformational process of hand papermaking through a historical lens. The second half follows the experimentation and limitations that informed my practice, the content of my work regarding material and structural qualities, and how my work fits into the contemporary practices of artists working in handmade paper today.
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653 $a Artists
653 $a Contemporary practices
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