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Here comes the sign = the semiotics of popular music /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Here comes the sign/ by Dario Martinelli.
其他題名:
the semiotics of popular music /
作者:
Martinelli, Dario.
出版者:
Cham :Springer Nature Switzerland : : 2025.,
面頁冊數:
xxiii, 366 p. :ill. (some col.), digital ; : 24 cm.;
Contained By:
Springer Nature eBook
標題:
Music - Semiotics. -
電子資源:
https://doi.org/10.1007/978-3-032-02823-5
ISBN:
9783032028235
Here comes the sign = the semiotics of popular music /
Martinelli, Dario.
Here comes the sign
the semiotics of popular music /[electronic resource] :by Dario Martinelli. - Cham :Springer Nature Switzerland :2025. - xxiii, 366 p. :ill. (some col.), digital ;24 cm.
I. MUSIC -- II. SEMIOTICS -- III. SEMIOTICS OF POPULAR MUSIC -- IV. RESEARCH QUESTIONS AND ANALYTICAL MODELS -- V. CONCLUSIONS: THANK YOU FOR THE MUSIC.
This text is an original and unique introduction to musical semiotics through the use of popular music acts and repertoires of global cultural impact. The basic idea of this is that the songs of The Beatles, Queen, ABBA, Madonna, Michael Jackson and others have become a lingua franca in nearly all cultures, thus making for excellent examples to illustrate musical semiotic theories. "'Heroes'" can perfectly explain Eero Tarasti's Actantial Model, "Bohemian Rhapsody" is ideal to describe Tzvetan Todorov's Equilibrium Theory, and so forth. Through case studies, in-depth analysis, original theoretical contributions from the author, but also a comprehensible and enjoyable writing style, this volume will be an engaging reading for students and at the same time an aid for instructors in semiotics, musicology and popular music studies.
ISBN: 9783032028235
Standard No.: 10.1007/978-3-032-02823-5doiSubjects--Topical Terms:
1499073
Music
--Semiotics.
LC Class. No.: ML3845
Dewey Class. No.: 781.63
Here comes the sign = the semiotics of popular music /
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This text is an original and unique introduction to musical semiotics through the use of popular music acts and repertoires of global cultural impact. The basic idea of this is that the songs of The Beatles, Queen, ABBA, Madonna, Michael Jackson and others have become a lingua franca in nearly all cultures, thus making for excellent examples to illustrate musical semiotic theories. "'Heroes'" can perfectly explain Eero Tarasti's Actantial Model, "Bohemian Rhapsody" is ideal to describe Tzvetan Todorov's Equilibrium Theory, and so forth. Through case studies, in-depth analysis, original theoretical contributions from the author, but also a comprehensible and enjoyable writing style, this volume will be an engaging reading for students and at the same time an aid for instructors in semiotics, musicology and popular music studies.
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