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The last Plantagenet consorts = gender, genre, and historiography, 1440-1627 /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	The last Plantagenet consorts/ Kavita Mudan Finn.
Reminder of title:	gender, genre, and historiography, 1440-1627 /
Author:	Mudan Finn, Kavita,
Published:	New York, NY :Palgrave Macmillan, : 2012.,
Description:	1 online resource (xii, 267 pages)
Subject:	Queens - Biography - History and criticism. - Great Britain -
Subject:	Great Britain - Politics and government - 1997- -
Online resource:	http://www.palgraveconnect.com/doifinder/10.1057/9780230392991
ISBN:	9780230392991 (electronic bk.)

The last Plantagenet consorts = gender, genre, and historiography, 1440-1627 /
Mudan Finn, Kavita,1983-

The last Plantagenet consortsgender, genre, and historiography, 1440-1627 /[electronic resource] :Kavita Mudan Finn. - First edition. - New York, NY :Palgrave Macmillan,2012. - 1 online resource (xii, 267 pages) - Queenship and power. - Queenship and power..

Includes bibliographical references and index.

Narrating Queens in the Fifteenth Century -- 'By Meane of a Woman': Changing the Subject in Polydore Vergil's Anglica Historia and Sir Thomas More's History of King Richard the Third -- 'The point of a very woman': Gendering Destabilization in Edward Hall's Union and Raphael Holinshed's Chronicle -- Queens in the Margins: Allegorizing Anxiety in A Mirror for Magistrates -- Performing Queenship in Legge's Richardus Tertius, The True Tragedy of Richard III, and Heywood's Edward IV -- 'A Queen in Jest': Queenship and Historical Subversion in Shakespeare's First Tetralogy -- 'The Fetters of Her Sex': Voicing Queens in the Historical Poetry of Michael Drayton and Samuel Daniel --.

"Most modern accounts of fifteenth-century queens understandably focus on separating what really happened from what was fabricated. What has not been considered in any detail, however, is the fabrications themselves as narratives, and as reflections of questions and anxieties that haunted their writers. By focusing on the relationship between gender and genre and the way embedded literary narratives echo across texts as disparate as chronicles, parliamentary proceedings, diplomatic correspondence, ballads, poetry, and drama, this study reveals hitherto unexplored tensions within these texts, generated by embedded narratives and their implications"--

ISBN: 9780230392991 (electronic bk.)

Source: 569964Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

860242
Plantagenet, House of.
Subjects--Topical Terms:

860243
Queens
--History and criticism.--Great Britain--BiographySubjects--Geographical Terms:

556459
Great Britain
--Politics and government--1997-Index Terms--Genre/Form:

554714
Electronic books.

LC Class. No.: DA245 / .M83 2012

Dewey Class. No.: 942.04092/5

The last Plantagenet consorts = gender, genre, and historiography, 1440-1627 /
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245 1 4 $a The last Plantagenet consorts $h [electronic resource] : $b gender, genre, and historiography, 1440-1627 / $c Kavita Mudan Finn.
250 $a First edition.
260 $a New York, NY : $b Palgrave Macmillan, $c 2012.
300 $a 1 online resource (xii, 267 pages)
336 $a text $2 rdacontent
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490 1 $a Queenship and power
504 $a Includes bibliographical references and index.
505 0 $a Narrating Queens in the Fifteenth Century -- 'By Meane of a Woman': Changing the Subject in Polydore Vergil's Anglica Historia and Sir Thomas More's History of King Richard the Third -- 'The point of a very woman': Gendering Destabilization in Edward Hall's Union and Raphael Holinshed's Chronicle -- Queens in the Margins: Allegorizing Anxiety in A Mirror for Magistrates -- Performing Queenship in Legge's Richardus Tertius, The True Tragedy of Richard III, and Heywood's Edward IV -- 'A Queen in Jest': Queenship and Historical Subversion in Shakespeare's First Tetralogy -- 'The Fetters of Her Sex': Voicing Queens in the Historical Poetry of Michael Drayton and Samuel Daniel --.
520 $a "Most modern accounts of fifteenth-century queens understandably focus on separating what really happened from what was fabricated. What has not been considered in any detail, however, is the fabrications themselves as narratives, and as reflections of questions and anxieties that haunted their writers. By focusing on the relationship between gender and genre and the way embedded literary narratives echo across texts as disparate as chronicles, parliamentary proceedings, diplomatic correspondence, ballads, poetry, and drama, this study reveals hitherto unexplored tensions within these texts, generated by embedded narratives and their implications"-- $c Provided by publisher.
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