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Modernist impersonalities = affect, authority, and the subject /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Modernist impersonalities/ Rochelle Rives.
Reminder of title:	affect, authority, and the subject /
Author:	Rives, Rochelle.
Published:	New York :Palgrave Macmillan, : 2012.,
Description:	1 online resource (x, 219 p.)
Subject:	Modernism (Literature) - English-speaking countries. -
Online resource:	http://www.palgraveconnect.com/doifinder/10.1057/9781137021885
ISBN:	9781137021885 (electronic bk.)

Modernist impersonalities = affect, authority, and the subject /
Rives, Rochelle.

Modernist impersonalitiesaffect, authority, and the subject /[electronic resource] :Rochelle Rives. - 1st ed. - New York :Palgrave Macmillan,2012. - 1 online resource (x, 219 p.)

Includes bibliographical references and index.

Introduction: Modernism and the escape from personality -- The dissociation of personality: space and the impersonal ideal -- The impersonal contract: H.D. and the limits of poetic authority -- A peculiar feeling of intimacy: D.H. Lawrence, modernist violence -- And impersonal narrative -- Problem space: Wyndham Lewis, Mary Butts and the impersonal object -- A solicitude for things: Elizabeth Bowen and the bildungsroman -- Conclusion: Emotion after the death of the heart.

'Impersonality,' the term modernists such as T.S. Eliot, H.D., Ezra Pound and Wyndham Lewis explicitly employed in their critiques of 'personality,' has been defined in classic works by critics such as Maud Ellmann, Daniel Albright, and Michael Levenson. This project examines the meaning of modernist 'impersonality' as a response to the increasingly explicit prominence of the 'personality' in twentieth-century political and aesthetic culture. Rives uncovers a context of aesthetic and social debate that modernist studies has yet to fully articulate, examining what it meant, for various intellectuals working in early twentieth-century Britain and America, to escape from personality.<br/>.

ISBN: 9781137021885 (electronic bk.)

Source: 578631Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

556924
Modernism (Literature)
--English-speaking countries.Index Terms--Genre/Form:

554714
Electronic books.

LC Class. No.: PN56.M54 / R58 2012

Dewey Class. No.: 809/.9112

Modernist impersonalities = affect, authority, and the subject /
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505 0 $a Introduction: Modernism and the escape from personality -- The dissociation of personality: space and the impersonal ideal -- The impersonal contract: H.D. and the limits of poetic authority -- A peculiar feeling of intimacy: D.H. Lawrence, modernist violence -- And impersonal narrative -- Problem space: Wyndham Lewis, Mary Butts and the impersonal object -- A solicitude for things: Elizabeth Bowen and the bildungsroman -- Conclusion: Emotion after the death of the heart.
520 $a 'Impersonality,' the term modernists such as T.S. Eliot, H.D., Ezra Pound and Wyndham Lewis explicitly employed in their critiques of 'personality,' has been defined in classic works by critics such as Maud Ellmann, Daniel Albright, and Michael Levenson. This project examines the meaning of modernist 'impersonality' as a response to the increasingly explicit prominence of the 'personality' in twentieth-century political and aesthetic culture. Rives uncovers a context of aesthetic and social debate that modernist studies has yet to fully articulate, examining what it meant, for various intellectuals working in early twentieth-century Britain and America, to escape from personality.<br/>.
588 $a Description based on print version record.
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