國立虎尾科技大學 |

Theatre/ecology/cognition = theorizing performer-object interaction in Grotowski, Kantor, and Meyerhold /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Theatre/ecology/cognition/ Teemu Paavolainen.
Reminder of title:	theorizing performer-object interaction in Grotowski, Kantor, and Meyerhold /
Author:	Paavolainen, Teemu.
Published:	New York, NY :Palgrave Macmillan, : 2012.,
Description:	1 online resource (xiii, 283 p.) :ill. :
Subject:	Theater - Philosophy. -
Online resource:	An electronic book accessible through the World Wide Web; click for information
ISBN:	9781137277923 (electronic bk.)

Theatre/ecology/cognition = theorizing performer-object interaction in Grotowski, Kantor, and Meyerhold /
Paavolainen, Teemu.

Theatre/ecology/cognitiontheorizing performer-object interaction in Grotowski, Kantor, and Meyerhold /[electronic resource] :Teemu Paavolainen. - 1st ed. - New York, NY :Palgrave Macmillan,2012. - 1 online resource (xiii, 283 p.) :ill. - Cognitive studies in literature and performance. - Cognitive studies in literature and performance..

Includes bibliographical references (p. [253]-272) and index.

Introduction -- Agents and objects: a primer to concepts and approaches -- The Meyerhold case: scaffolding action and interpretation -- The Polish case: poor theatre/s and cultural ecology -- Grotowski and the "objectivity" of performance -- Pillories to barricade: Kantor's infernal ecologies -- Epilogue: performing humanity: tensions and continuities.

Theatrical meanings are enacted in onstage 'ecologies' of actors and objects irrespective of spoken language. Applying the concepts of affordances and image schemas to extensive analyses of Vsevolod Meyerhold's The Magnanimous Cuckold (1922), Jerzy Grotowski's Akropolis (1962-69), and Tadeusz Kantor's Let the Artists Die! (1985), Paavolainen also traces intriguing continuities from their cultural contexts, through the directors' philosophies, to international reviews and scholarship. Artificial divisions of mind over matter and subjects over objects are rejected for the ecological grounding of all cognition: understood as fundamentally embodied, embedded, extended, and enactive, mind also is ultimately performed in the world.

ISBN: 9781137277923 (electronic bk.)

Source: 636866Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

940141
Me�ierkhol�d, V. �E.
1874-1940--Criticism and interpretation.Subjects--Topical Terms:

556266
Theater
--Philosophy.Index Terms--Genre/Form:

554714
Electronic books.

LC Class. No.: PN2039 / .P25 2012

Dewey Class. No.: 792.01

Theatre/ecology/cognition = theorizing performer-object interaction in Grotowski, Kantor, and Meyerhold /
LDR:02346cam 2200325Ka 4500 001 766326
003 OCoLC
005 20130621115203.0
006 m o d
007 cr cn|||||||||
008 140107s2012 nyua ob 001 0 eng d
020 $a 9781137277923 (electronic bk.)
020 $a 1137277920 (electronic bk.)
035 $a (OCoLC)828092706
035 $a ocn828092706
037 $a 636866 $b Palgrave Macmillan $n http://www.palgraveconnect.com
040 $a UKPGM $b eng $c UKPGM $d OCLCO
049 $a TEFA
050 4 $a PN2039 $b .P25 2012
082 0 4 $a 792.01 $2 23
100 1 $a Paavolainen, Teemu. $3 940140
245 1 0 $a Theatre/ecology/cognition $h [electronic resource] : $b theorizing performer-object interaction in Grotowski, Kantor, and Meyerhold / $c Teemu Paavolainen.
250 $a 1st ed.
260 $a New York, NY : $b Palgrave Macmillan, $c 2012.
300 $a 1 online resource (xiii, 283 p.) : $b ill.
490 1 $a Cognitive studies in literature and performance
504 $a Includes bibliographical references (p. [253]-272) and index.
505 0 $a Introduction -- Agents and objects: a primer to concepts and approaches -- The Meyerhold case: scaffolding action and interpretation -- The Polish case: poor theatre/s and cultural ecology -- Grotowski and the "objectivity" of performance -- Pillories to barricade: Kantor's infernal ecologies -- Epilogue: performing humanity: tensions and continuities.
520 $a Theatrical meanings are enacted in onstage 'ecologies' of actors and objects irrespective of spoken language. Applying the concepts of affordances and image schemas to extensive analyses of Vsevolod Meyerhold's The Magnanimous Cuckold (1922), Jerzy Grotowski's Akropolis (1962-69), and Tadeusz Kantor's Let the Artists Die! (1985), Paavolainen also traces intriguing continuities from their cultural contexts, through the directors' philosophies, to international reviews and scholarship. Artificial divisions of mind over matter and subjects over objects are rejected for the ecological grounding of all cognition: understood as fundamentally embodied, embedded, extended, and enactive, mind also is ultimately performed in the world.
588 $a Description based on print version record.
600 1 0 $a Me�ierkhol�d, V. �E. $q (Vsevolod �Emil�evich), $d 1874-1940 $x Criticism and interpretation. $3 940141
600 1 0 $a Grotowski, Jerzy, $d 1933-1999 $x Criticism and interpretation. $3 940142
600 1 0 $a Kantor, Tadeusz, $d 1915-1990 $x Criticism and interpretation. $3 940143
650 0 $a Theater $x Philosophy. $3 556266
650 0 $a Cognition. $3 556173
650 0 $a Experimental theater. $3 937474
655 7 $a Electronic books. $2 local $3 554714
710 2 $a Palgrave Connect (Online service) $3 834339
830 0 $a Cognitive studies in literature and performance. $3 860434
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137277923 $z An electronic book accessible through the World Wide Web; click for information
994 $a C0 $b TEF