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Shakespeare and conflict = a Europea...
~
Soncini, Sara.
Shakespeare and conflict = a European perspective /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Shakespeare and conflict/ edited by Carla Dente and Sara Soncini.
Reminder of title:
a European perspective /
other author:
Dente, Carla.
Published:
Basingstoke :Palgrave Macmillan, : 2013.,
Description:
1 online resource.
Online resource:
An electronic book accessible through the World Wide Web; click for information
ISBN:
9781137311344 (electronic bk.)
Shakespeare and conflict = a European perspective /
Shakespeare and conflict
a European perspective /[electronic resource] :edited by Carla Dente and Sara Soncini. - Basingstoke :Palgrave Macmillan,2013. - 1 online resource.
Includes bibliographical references and index.
Foreword; T.Hoenselaars -- General Introduction; C.Dente & S.Soncini -- PART I: CONFLICT IN SHAKESPEARE -- Introduction; P.Pugliatti -- 'What Country, Friends, Is This?': The Performance Of Conflict In Shakespeare's Drama Of Migration; S.Schulting -- Killing By The Book: Scenes From The Duel Ritual; P.Pugliatti -- The War Of 'Nothings' In The Tragedy Of King Lear; M.Grzegorzewska -- Conflict And Convergence In Shakespeare's Wordplay; G.Niagolov -- Stage And Conflict In The Phoenix And The Turtle; B.Drenkov -- PART II: CONFLICT THROUGH SHAKESPEARE -- Introduction; C.Dente -- Translating Shakespeare In Sociolinguistic Conflicts: A Preliminary European Study; J.Tronch-�Prez -- Shakespeare And The Continental Avant-Garde Through Gar�ca Lorca's El �Pblico (1930); J.F.Cer�d -- Negotiating The Memory Of The People's War: Hamlet And The Ghosts Of Welfare In A Diary For Timothy By Humphrey Jennings (1944-45); A.Marzola -- 'In The Fearful Armour': Shakespeare, Heiner Muller And The Wall; M.R.Gomes -- From Individual Conflict To Interlocking Conflicts: Performing The Merchant Of Venice For New European Audiences; F.Rayner -- Cut 'N' Mix King Lear: Second Generation And Asian-British Identities; A.Marino -- PART III: SHAKESPEARE IN TIMES OF CONFLICT -- Introduction; M.Pfister -- Work Of National Importance: Shakespeare In Dartmoor; C.Calvo -- 'The Play's The Thing': Hamlet In A Romanian Wartime Political Prison; M.Matei-Chesnoiu -- 'A Tongue In Every Wound Of Caesar': Performing Julius Caesar Behind Barbed Wire During The Second World War; T.Hoenselaars -- 'And, By Opposing, End Them': The Rhetoric Of Translators' Polemics; A.Cetera -- Shakespeare's Sonnets De Profundis; M.Pfister.
What are Shakespeare's uses of the conceptual space of conflict? And what has been the role played by principles, patterns and situations of conflict in the construction of the Shakespeare myth, and in its European and then global spread? This collection looks, from a truly pan-European vantage point, at the variety of conflictive and conflicting dimensions embedded in Shakespeare's texts (Part I); at the way Shakespeare's universe of discourse has been enlisted to address and dramatize conflicts of a socio-political, cultural or aesthetic nature (Part II); and at how Shakespearean meanings have been renegotiated through reception and reproduction in actual historical contexts of strife or outright belligerence (Part III). The fascinatingly complex picture that emerges from the original studies gathered here provides new insight into Shakespeare's unique position in world literature and culture.
ISBN: 9781137311344 (electronic bk.)
Source: 524467Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:
801322
Shakespeare, William,
1564-1616--Literary style.Index Terms--Genre/Form:
554714
Electronic books.
LC Class. No.: PR3024 / .S53 2013
Dewey Class. No.: 822.3/3
Shakespeare and conflict = a European perspective /
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a European perspective /
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edited by Carla Dente and Sara Soncini.
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Includes bibliographical references and index.
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Foreword; T.Hoenselaars -- General Introduction; C.Dente & S.Soncini -- PART I: CONFLICT IN SHAKESPEARE -- Introduction; P.Pugliatti -- 'What Country, Friends, Is This?': The Performance Of Conflict In Shakespeare's Drama Of Migration; S.Schulting -- Killing By The Book: Scenes From The Duel Ritual; P.Pugliatti -- The War Of 'Nothings' In The Tragedy Of King Lear; M.Grzegorzewska -- Conflict And Convergence In Shakespeare's Wordplay; G.Niagolov -- Stage And Conflict In The Phoenix And The Turtle; B.Drenkov -- PART II: CONFLICT THROUGH SHAKESPEARE -- Introduction; C.Dente -- Translating Shakespeare In Sociolinguistic Conflicts: A Preliminary European Study; J.Tronch-�Prez -- Shakespeare And The Continental Avant-Garde Through Gar�ca Lorca's El �Pblico (1930); J.F.Cer�d -- Negotiating The Memory Of The People's War: Hamlet And The Ghosts Of Welfare In A Diary For Timothy By Humphrey Jennings (1944-45); A.Marzola -- 'In The Fearful Armour': Shakespeare, Heiner Muller And The Wall; M.R.Gomes -- From Individual Conflict To Interlocking Conflicts: Performing The Merchant Of Venice For New European Audiences; F.Rayner -- Cut 'N' Mix King Lear: Second Generation And Asian-British Identities; A.Marino -- PART III: SHAKESPEARE IN TIMES OF CONFLICT -- Introduction; M.Pfister -- Work Of National Importance: Shakespeare In Dartmoor; C.Calvo -- 'The Play's The Thing': Hamlet In A Romanian Wartime Political Prison; M.Matei-Chesnoiu -- 'A Tongue In Every Wound Of Caesar': Performing Julius Caesar Behind Barbed Wire During The Second World War; T.Hoenselaars -- 'And, By Opposing, End Them': The Rhetoric Of Translators' Polemics; A.Cetera -- Shakespeare's Sonnets De Profundis; M.Pfister.
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What are Shakespeare's uses of the conceptual space of conflict? And what has been the role played by principles, patterns and situations of conflict in the construction of the Shakespeare myth, and in its European and then global spread? This collection looks, from a truly pan-European vantage point, at the variety of conflictive and conflicting dimensions embedded in Shakespeare's texts (Part I); at the way Shakespeare's universe of discourse has been enlisted to address and dramatize conflicts of a socio-political, cultural or aesthetic nature (Part II); and at how Shakespearean meanings have been renegotiated through reception and reproduction in actual historical contexts of strife or outright belligerence (Part III). The fascinatingly complex picture that emerges from the original studies gathered here provides new insight into Shakespeare's unique position in world literature and culture.
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An electronic book accessible through the World Wide Web; click for information
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