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Revisiting The Tempest : = the capacity to signify /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Revisiting The Tempest :/ edited by Silvia Bigliazzi and Lisanna Calvi.
Reminder of title:	the capacity to signify /
other author:	Bigliazzi, Silvia,
Description:	1 online resource.
Subject:	1500 - 1600 -
Subject:	English drama - History and criticism. - Early modern and Elizabethan, 1500-1600 -
Online resource:	http://www.palgraveconnect.com/doifinder/10.1057/9781137333148
ISBN:	1137333146 (electronic bk.)

Revisiting The Tempest : = the capacity to signify /
Revisiting The Tempest :the capacity to signify /edited by Silvia Bigliazzi and Lisanna Calvi. - 1 online resource. - Palgrave Shakespeare studies. - Palgrave Shakespeare studies..

Notes on the Contributors -- Introduction; Silvia Bigliazzi and Lisanna Calvi -- 1. "The Tempest" as Theatrical Magic; Andrew Gurr -- 2. "The Tempest" and Italian Improvised Theatre; Richard Andrews -- 3. Pastoral Tragicomedy and "The Tempest"; Robert Henke -- 4. The Jonsonian "Tempest"; Roger Holdsworth -- 5. The Labyrinth and the Oracle; Alessandro Serpieri -- 6. 'Dost thou hear?' On the Rhetoric of Narrative in "The Tempest"; Silvia Bigliazzi -- 7. A Tempestuous Noise: on the Acoustics and Vocalics of Storms; Keir Elam -- 8. 'Suppos'd to be raised by magic', or "The Tempest" 'made fit'; Lisanna Calvi -- 9. 'Lost in Visual Pleasure': Charles Kean's Production of "The Tempest"; Lucia Nigri -- 10. Magical Realism: Raising Storms and Other Quaint Devices; Peter Holland -- 11. 'This is a most majestic vision': Performing Prospero's Masque on Screen; Eleonora Oggiano -- 12. Shakespeare's Hypertextual Performances: Remediating "The Tempest" in "Prospero's Books"; Alessandra Squeo -- 13. 'Abstraction and Allegory': Making "The Tempest" Mean; Kathleen E. McLuskie -- Afterword Is there a" Tempest" Problem?; Ewan Fernie.

In critical history, Shakespeare's "The Tempest" has been interpreted as a reticent play, a fascinating and yet mysterious blend of magic and verisimilitude, narrative and drama, spectacle and meditation on death. "The Tempest "seems to raise fundamental issues without ever exhausting them, it captures and appropriates existing motifs and modes, and allows for later appropriations and re-mediations. Is its signifying potential still alive in the third millennium? Does it still speak to us? "Revisiting" "The Tempest" aims to explore that potential and examine the play's more 'intractable material' as a fertile source of significance. The essays that make up this collection range from investigations of the play's position within the European early modern dramatic heritage to its 'domestic' re-writings and/or adaptations in diverse theatrical contexts and media, while also interrogating the play's own resistance to interpretation. Rather than providing new meanings, "Revisiting The Tempest" explores how this drama makes meaning and reanimates it through time.

ISBN: 1137333146 (electronic bk.)

Source: 671495Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

571771
Shakespeare, William,
1564-1616.Subjects--Uniform Titles:

Tempest (Shakespeare, William)
Subjects--Chronological Terms:

1500 - 1600
Subjects--Topical Terms:

559694
English drama
--History and criticism.--Early modern and Elizabethan, 1500-1600Index Terms--Genre/Form:

554714
Electronic books.

LC Class. No.: PR2833

Dewey Class. No.: 822.3/3

Revisiting The Tempest : = the capacity to signify /
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505 0 $a Notes on the Contributors -- Introduction; Silvia Bigliazzi and Lisanna Calvi -- 1. "The Tempest" as Theatrical Magic; Andrew Gurr -- 2. "The Tempest" and Italian Improvised Theatre; Richard Andrews -- 3. Pastoral Tragicomedy and "The Tempest"; Robert Henke -- 4. The Jonsonian "Tempest"; Roger Holdsworth -- 5. The Labyrinth and the Oracle; Alessandro Serpieri -- 6. 'Dost thou hear?' On the Rhetoric of Narrative in "The Tempest"; Silvia Bigliazzi -- 7. A Tempestuous Noise: on the Acoustics and Vocalics of Storms; Keir Elam -- 8. 'Suppos'd to be raised by magic', or "The Tempest" 'made fit'; Lisanna Calvi -- 9. 'Lost in Visual Pleasure': Charles Kean's Production of "The Tempest"; Lucia Nigri -- 10. Magical Realism: Raising Storms and Other Quaint Devices; Peter Holland -- 11. 'This is a most majestic vision': Performing Prospero's Masque on Screen; Eleonora Oggiano -- 12. Shakespeare's Hypertextual Performances: Remediating "The Tempest" in "Prospero's Books"; Alessandra Squeo -- 13. 'Abstraction and Allegory': Making "The Tempest" Mean; Kathleen E. McLuskie -- Afterword Is there a" Tempest" Problem?; Ewan Fernie.
520 $a In critical history, Shakespeare's "The Tempest" has been interpreted as a reticent play, a fascinating and yet mysterious blend of magic and verisimilitude, narrative and drama, spectacle and meditation on death. "The Tempest "seems to raise fundamental issues without ever exhausting them, it captures and appropriates existing motifs and modes, and allows for later appropriations and re-mediations. Is its signifying potential still alive in the third millennium? Does it still speak to us? "Revisiting" "The Tempest" aims to explore that potential and examine the play's more 'intractable material' as a fertile source of significance. The essays that make up this collection range from investigations of the play's position within the European early modern dramatic heritage to its 'domestic' re-writings and/or adaptations in diverse theatrical contexts and media, while also interrogating the play's own resistance to interpretation. Rather than providing new meanings, "Revisiting The Tempest" explores how this drama makes meaning and reanimates it through time.
588 $a Description based on publisher supplied information; title not viewed.
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